Mixed Blood: A Thriller

Mixed Blood: A Thriller

by Roger Smith

An American fugitive hides out in Cape Town—one of the world’s most beautiful and violent cities—in this riveting debut thriller that asks: Can you ever outrun your past?

Reluctant bank robber Jack Burn is on the run after a heist in the United States that left $3 million missing and one cop dead. Hiding out in Cape Town, South Africa

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An American fugitive hides out in Cape Town—one of the world’s most beautiful and violent cities—in this riveting debut thriller that asks: Can you ever outrun your past?

Reluctant bank robber Jack Burn is on the run after a heist in the United States that left $3 million missing and one cop dead. Hiding out in Cape Town, South Africa, he is desperate to build a new life for his pregnant wife and young son. But on a tranquil evening in their new suburban neighborhood they are the victims of a random gangland assault that changes everything.

Benny Mongrel, an ex-con night watchman guarding a building site next to Burn’s home, is another man desperate to escape his past. After years in the ghetto gangs of Cape Town he knows who went into Burn’s house. And what the American did to them. He also knows his only chance to save his own brown skin is to forget what he saw.

Burn’s actions on that night trap them both in a cat-and-mouse game with Rudi "Gatsby" Barnard—a corrupt Afrikaner cop who loves killing almost as much as he loves Jesus Christ—and Disaster Zondi, a fastidious Zulu detective who wishes to settle an old score. Once Gatsby smells those missing American millions, the four men are drawn into a web of murder and vengeance that builds to an unforgettable conclusion.

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Editorial Reviews

From the Publisher
“Smith plays out … that chilling sense of inevitability that is at the heart of the best noir. Like George Pelecanos, [he] captures lives trapped by poverty and prejudice without sentimentalizing those lives or downplaying the havoc they can produce. A fine debut.”—Booklist

“Smith does an outstanding job of bringing Cape Town to life, taking us through the twists and turns of the local criminal world and the confusing labyrinth of racial identity in post-apartheid South Africa. His prose is crisp and efficient … [with a] fascinating and vividly conjured location.” —Kirkus Reviews

“A gripping thriller that follows believable (if sometimes grotesque) characters along a desperate rush to ruin. Highly recommended.” —Library Journal

“Smith offers a gritty tale of corruption and vengeance set in South Africa in his absorbing debut … Smith’s taut prose bodes well for future thrillers from his pen.” —Publishers Weekly

“[A] well-told, brutal tale…. Riveting.”—The Roanoke Times

"Mixed Blood is an unnerving thrill ride that kept me on edge from beginning to end. The set-up is terrific and the bad guy is really bad - but so are the good guys. Mixed Blood is a top notch debut thriller and I'm looking forward to Roger Smith's next book."—Phillip Margolin, author of Executive Privilege

"Startling, vivid, frightening. A first-rate debut from an up-and-coming talent."—Eric Van Lustbader, author of First Daughter and The Bourne Sanction

“Smith's characters fight for their lives against a Cape Town heavy with heat, grime, corruption, and gang violence. With its shattering sense of place and satisfying plot twists, this book will grip you from page one.”—Chelsea Cain, author of Heartsick and Sweetheart

Publishers Weekly

Screenwriter Smith offers a gritty tale of corruption and vengeance set in South Africa in his absorbing debut. On the verge of financial ruin, American Jack Burn, a security specialist, reluctantly joined a bank robbery plot that he hoped would save his family from disaster. The scheme ended badly, with most of his accomplices dead, along with a policeman, turning Burn, who made off with millions, into a wanted fugitive. Under a new identity, Burn has succeeded in making a new life with his wife and four-year-old son in Cape Town, South Africa. Their tenuous stability ends after two meth-heads invade the Burnses' home and threaten violence. While Jack manages to kill the intruders and dispose of the bodies, the incident draws the unwelcome attention of Insp. Rudi Barnard, a dirty cop who rules the area known as Cape Flats. The grim denouement may not satisfy all readers, but Smith's taut prose bodes well for future thrillers from his pen. Author tour. (Feb.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

Smith's debut is a fast-paced crime story set in Cape Town, South Africa, where an uneasy relationship exists among white, black, and "colored" people of varying ethnicity. Jack Burn, an American security-systems expert, fled the United States with wife and child in tow following his forced participation in a bank robbery during which a cop was killed. Now living in the wealthy heights of Cape Town, he and his family find their life further roiled when two thugs on meth invade their home one night. In order to save his pregnant wife and young son from harm, Jack is forced to kill both men. This event will threaten his marriage and his son's life; entangle him in the affairs of Benny Mongrel, an ex-con also trying to escape a desperate past; and put him in the crosshairs of fat Rudi Barnard, a corrupt Afrikaner cop who kills with the ease of a psychopath. Cleverly plotted, this is a gripping thriller that follows believable (if sometimes grotesque) characters along a desperate rush to ruin. The brutal landscape will remind readers of Deon Meyer's best South African novels. Highly recommended for all public libraries. [See Prepub Mystery, LJ10/1/08.]
—Ron Terpening

Kirkus Reviews
An American attempting to outrun his past runs afoul of Cape Town locals on both sides of the law in this debut thriller. After Jack Burn participates in a bank robbery that leaves a cop dead, he and his pregnant wife decide to start a new life with their four-year-old son in this bustling city on Africa's southern tip. Things are going well until two small-time gangbangers, high on crystal meth, decide to break into Burn's house, terrorize his family and take what they want from his home. Of course the gangsters don't know about Burn's criminal past or his military training. Before things have a chance to get really ugly, both gangsters wind up dead on the floor, victims of Burn's skills with a kitchen knife. Being a wanted fugitive, he can't go to the police, so he's forced to dispose of the bodies himself. This sets off a complicated chain of events that thrusts Burn into the midst of Cape Town's dark, confusing underworld. He finds himself caught amidst three opposing forces: Rudi "Gatsby" Barnard, an obese, foul-smelling crooked cop; Benny Mongrel, a gangbanger turned security guard who witnessed the break-in from his post at a building site across the street; and Disaster Zondi, a reformer from the capital who is trying to clean up the local police department. Smith does an outstanding job of bringing Cape Town to life, taking us through the twists and turns of the local criminal world and the confusing labyrinth of racial identity in post-apartheid South Africa. His prose is crisp and efficient, but unfortunately, beneath this book's fascinating and vividly conjured location lies a pretty standard story peopled with pretty standard players. Genre fans will find nothingobjectionable, but others may long for something new, or at least for characters with a little more depth. Agent: Alice Martell/Alice Martell Agency

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Product Details

Holt, Henry & Company, Inc.
Publication date:
Edition description:
First Edition
Product dimensions:
6.52(w) x 9.42(h) x 0.98(d)

Read an Excerpt

Mixed Blood

A Thriller

By Roger Smith

Henry Holt and Company

Copyright © 2009 Roger Smith
All rights reserved.
ISBN: 978-1-4299-1940-1


Jack Burn stood on the deck of the house high above Cape Town watching the sun drown itself in the ocean. The wind was coming up again, the southeaster that reminded Burn of the Santa Anas back home. A wind that made a furnace of the night, set nerves jangling, and got the cops and emergency teams caught up in people's bad choices.

Burn heard the growl of the car without mufflers as it came to a sliding stop. The percussive whump of bass bins bulging out gangsta rap. Not the usual soundtrack of this elite white neighborhood on the slopes of Signal Hill. The car reversed at high speed and stopped again, close by. The engine died, and the rap was silenced in mid-muthahfuckah. Burn looked down at the street, but he couldn't see the car from this angle.

Susan watched him from inside the house, the glass doors open onto the deck.

"Come and eat." She turned and disappeared into the gloom.

Burn went inside and switched on the lights. The house was clean, hard-edged, and modern. Very much like the German rich kid who had rented it to them for six months while he went home to Stuttgart to watch his father die.

Susan carried the fillet from the kitchen, moving with that backward-leaning, splay-footed waddle of the heavily pregnant. She was beautiful. Small, blonde, with a face that stubbornly refused to admit to being twenty-eight. Aside from the huge belly, she looked exactly as she had seven years ago. He remembered the instant he first saw her, the feeling of the breath being squeezed from his lungs, his head dizzy with the knowledge that he was going to marry her. And he did, not six months later, laughing off the difference in their ages.

Susan looked the same, but she wasn't. Her lightness was gone, her easy laugh a memory. Lately she'd seemed to be in constant communion with her unborn child. That's how she referred to it, as her child. Her daughter. As if Burn and Matt were another species, outside of this exclusive club of two.

Burn sliced into the fillet with a carving knife, and blood pooled on the cutting board. Perfect. Rare, the way they all liked it. Matt lay on his belly in front of the plasma TV watching the Cartoon Network. Just like home.

"Hey, get over here and eat," Burn said.

Matt was about to protest; then he thought better of it and came across to the table, dressed only in a pair of baggy shorts. He was four, blond like his mother but with some early trace of his father's frame.

Susan was seated, piling salad onto their plates. She didn't look at Matt. "Go and wash your hands."

"They're not dirty," he said as he clambered up onto a chair. He held his hands out for her to inspect. She ignored him. It wasn't intentional; it was just as if she wasn't tuned to his frequency anymore. As if her son reminded her too much of his father.

Burn tried to get Susan's eye, to somehow draw her back to them. But she stared down at her plate.

"Listen to your mother," he said gently, and Matt took off for the bathroom, sliding on his bare feet.

Burn was carving the fillet when the two brown men came in off the deck. They both carried guns, pointed action-movie style at right angles. From the way they were laughing, he knew they were cooked on speed.

* * *

The night the trouble came, Benny Mongrel was watching them, the American family, out on the deck of the house next door. The guy drinking wine, glimpses of the blonde woman, the kid running between the deck and the house, the sliding door open onto the hot summer night. A snapshot of a world Benny Mongrel had never known.

He had been in and out of jail since he was fourteen. He wasn't sure, but he guessed he was turning forty. That's what his ID said, anyway. When he was paroled from Pollsmoor Prison last year after serving a sixteen-year stretch, he swore he wasn't going back. No matter what.

So that's why he was pulling the night shift on the building site as a watchman. The pay was a joke, but with his face and the crude prison tattoos carved into his gaunt brown body he was lucky to get a job. They gave him a rubber baton and a black uniform that was too big. And they gave him a dog. Bessie. A mongrel like him, part rottweiler, part German shepherd. She was old, she stank, her hips were finished, and she slept most of the time, but she was the only thing that Benny Mongrel had ever loved.

Benny Mongrel and Bessie were up on the top floor of the new house, the roof open to the stars, when he heard the car. It was tuned loud the way they did out on the Cape Flats. He walked to the edge of the balcony and looked down. A red early-nineties BMW-3 series sped down the road toward him, way too fast. The driver hit the brakes just below where Benny Mongrel stood, and the fat tires found builder's sand and the car fishtailed before stopping. The BMW reversed until it was level with the entrance to the building site. The wheelman cut the engine and the hip-hop died.

Everything went very quiet. Benny Mongrel could hear Bessie wheezing as she slept. He could hear the pinging of the BMW's cooling engine. He was tense. He was aware of that old feeling he knew so well.

Benny Mongrel stood watching, invisible, as the two men got out of the car. He saw enough of them in the streetlight, caps on backward, baggy clothes, the Stars and Stripes on the back of the tall man's jacket, to recognize members of the Americans gang, the biggest on the Cape Flats.

His natural enemy.

He was ready for them. He put the baton aside and slid the knife from where it waited in his pocket. He eased the blade open. If they came up here, they would see their mothers.

But they were going toward the house next door. Benny Mongrel watched as the tall one boosted his buddy up, the shorty pulling himself onto the deck like a monkey. Then he was reaching a hand down to the other guy. Benny Mongrel couldn't see them from where he stood, but he knew the American family would be eating at the table, the sliding door open to the night.

He closed the knife and slipped it back into his pocket.

Welcome to Cape Town.

* * *

Susan had her back to the men. She saw the look on Burn's face and turned. She didn't have time to scream. The one closest to her, the short one, got a hand over her mouth and a gun to her head.

"S'trues fuck, bitch, you shut up, or I'll fucken shoot you." The hard, guttural accent. The man's skinny arms were covered in gang tattoos.

The tall man was round the table, waving his gun at Burn.

Burn put the carving knife down and lifted his hands off the table, in plain view. He tried to keep his voice calm. "Okay, we don't want any trouble. We'll give you whatever you want."

"You got that right. Where you from?" asked the man coming at Burn. He was as lanky as a basketball player.

"We're American," said Burn.

The short one was laughing. "So are we."

"Ja, we all Americans here. Like a big flipping happy family, hey?" The tall man nudged Burn with the muzzle of the gun, positioning himself behind the chair to Burn's right.

The short one pulled Susan to her feet. "Oh, we got a mommy here."

Burn watched as the man slid his hand under Susan's dress, grabbing at her crotch and squeezing. He saw her eyes close.

* * *

It was coincidence, pure and simple.

Somebody had told Faried Adams that his girlfriend, Bonita, was selling her ass in Sea Point, when she was supposed to be visiting her mommy in the hospital. Faried hadn't minded that she was hooking again, but he'd absolutely minded that she wasn't giving him any of the money. He wanted to catch the bitch on the job.

So lanky Faried went and banged on the door of his short-ass buddy Ricardo Fortune. Rikki lived in one of those ghetto blocks in Paradise Park where washing sagged from lines strung across walkways and the stairways stank of piss. Rikki had a car. But he also had a wife, Carmen, who moaned like a pig about everything. Which is why Rikki smacked her all the time. Faried would do the same; in fact that bitch Bonita was gonna get a black eye tonight, too. If she was lucky.

Faried and Rikki took the BMW to Sea Point after Faried put a couple of bucks in Rikki's hand. They cruised up and down the hookers' strip, slumped low in the car, bouncing to Tupac as they drove. There were a few brown girls working the street, all thick makeup and dresses that just about covered their plumbing, but no Bonita.

"I fucken had enough of this, man," said Rikki. "Let's go."

"Okay, tell you what. Drive over to Bo-Kaap. My cousin Achmat is there. We can come back later, and maybe I catch Bonnie swallowing some whitey's dick."

Rikki was shaking his head. "I don't want to go to Bo-Kaap, man. I rather go home."

"We can smoke a globe. And then we come back later."

"Achmat going to have a globe?"

"No, I got it by me."

"Why the fuck you only tell me now?" Rikki was throwing the car into a U-turn, ignoring the minibus taxi that had to slam on its brakes.

Rikki shot up Glengariff Road, wanting to hang a left into High Level, the quickest way to Bo-Kaap. But his cell phone, a tiny Nokia he had recently stolen from a tourist at the Waterfront, blared out the opening bars of Tupac's "Me Against the World." Rikki fished it out of his cargo pants, saw who was calling, and sent it to voice mail. Fucken Gatsby. The fat cop wanted money. Money that Rikki didn't have no more.

Distracted, he overshot the turn and ended up on the slopes of Signal Hill.

"You missed High Level," said Faried.

"I know. I'll cut through."

Rikki was speeding the car down a narrow road, fancy houses hugging the slope. Then he hit the brakes and the car skidded to a stop.

"What the fuck?" asked beanpole Faried, his head banging the roof.

Rikki was reversing back up the road. "You got your gat?"

"Your mommy wearing a panty?" Faried patted the Colt shoved in his waistband. "Why?"

Rikki stopped the car and cut the music. "Let's go into that house." He pointed to a house with a deck built over the garage.

Faried was staring at him. "You fucken crazy, brother?"

"Quick, in and out. Those places is full of stuff. Maybe we have some fun, too." Rikki smiled, showing his rotten teeth. "Let's smoke that globe, and we do it."

Faried thought for a moment; then he shrugged. "Why the fuck not?"

He took the stash of crystal meth and the unthreaded lightbulb from his jacket pocket. With practiced ease he fed the meth into the bulb and held it out. Rikki applied his lighter to the base, and within seconds Faried was sucking up a big chesty of meth. It made a tik-tik sound in the globe, the sound that gave meth its Cape Flats name. He held the tik smoke in his lungs and passed the globe to Rikki, who sucked at it. Rikki blew out a plume of smoke.

Nothing like Hitler's drug to put you in a party mood.

* * *

The short man, the one with his hand under Susan's dress, gyrated obscenely, moving his hips against her. His mouth gaped, and Burn could see the blackened front teeth. Susan opened her eyes and looked straight at Burn.

The guy behind Burn laughed. "We gonna have us some nice fun tonight."

And that was when Matt came running back into the room. The eyes of the two men were drawn to the boy, who skidded to a stop, staring at them.

This gave Burn the moment he needed. As he twisted in his chair, he grabbed the carving knife from the table and buried it to its haft in the tall man's chest. Blood geysered from his ruptured heart. Burn stood, grabbed him before he fell, and used his body as a shield. He felt the lanky man take the bullet fired by the short one. Then Burn shoved him away, launched himself, and grabbed the short guy by his gun arm. His weight took both of them to the floor. Burn twisted the man's arm and heard it break. The gun clattered to the tiles.

Susan backed away. Burn kneed the short guy in the balls, and he curled like a worm into a fetal position. Burn looked over his shoulder. The tall one was dead, his spreading blood almost reaching Matt's bare toes. His son was frozen, staring.

Burn reached back onto the table for a steak knife.

"Take Matt out of here," he told Susan.

"Jack ..."

"Take him out of here!"

Susan rushed across the tiles, grabbed the boy, and disappeared down the corridor toward the bedrooms.

Gripping the steak knife, Burn kneeled over the short man, who was staring up at him, wide-eyed. "Mister, we wasn't gonna do nothing ..."

Burn hesitated for only a moment; then he reached down and cut the short man's throat.


Carmen Fortune fed her four-year-old son, Sheldon. He lay in a small crib, his withered limbs jerking and his sightless eyes moving in their sockets. The food dribbled from his mouth.

He had been born three months premature, blind and deformed, with massive brain damage. Nobody knew how or why he'd survived. Except Carmen. She knew God had cursed her. Made sure that every time she looked at her son she remembered all the tik she had smoked while she carried him inside her. He was a constant reminder of the hell that waited for her one day.

If it wasn't for the grant the state paid every month for Sheldon, she would put a pillow over his face and no one could blame her. But her useless bastard husband, Rikki, smoked away whatever money he scammed or stole.

What the fuck, she was already in hell. Could it, honest to God, get worse?

Carmen was twenty but looked thirty. Her faced was bruised and swollen from the latest beating. Rikki hit her because she wasn't giving him a normal child, one that he could show off to his buddies to prove that he didn't father only mutants. That's what he called Sheldon: a fucken mutant.

The doctors told her that her womb was finished; she couldn't have no more kids. She didn't tell Rikki. He would have killed her. Better just to take the beatings.

When she heard the banging on the door, she knew there was only one fat white bastard who would hammer like that.

"Uncle Fatty!" She yelled across to where an ancient rail-thin man, wearing only a pair of dirty briefs, slumped in front of the TV. He drank from a bag of wine, his toothless mouth sucking at it like it was a tit. "Uncle Fatty, open the fucken door!" He mumbled something but stayed where he was.

The banging continued. Carmen drew her nightgown around her body, crossed to the door, and pulled it open. Gatsby filled the doorway, fat and stinking.

"He's not here," said Carmen.

The white plainclothes cop pushed her aside and walked in. Without a word he crossed the small living room, stuck a head into the kitchen, and then went into the only bedroom. She heard the closet doors banging and the sound of breaking glass. Then he came back out, wheezing like a cheap concertina.

Carmen stood with her hands on her hips. "I tole you."

"Where is he?" Gatsby came right up to her, and she could feel his foul breath on her face. He had food in his mustache.

"How the fuck must I know? He went out with Faried. In the car."

"Where to?"

"I dunno."

Gatsby had her against the wall. Jesus, he stank. "Talk to me."

"They said something about Faried's girl whoring in Sea Point."

"That's all?"

"Yes, that's all. And what is this? The Weakest fucken Link?"

Gatsby stared down at her. "No wonder he smacks you. You've got a mouth like a shit-house."

"And you stink like one."

Gatsby's fist came up. She didn't flinch. "Hit me, you bastard. I'm used to it."

He wheezed and dropped his hand. "Tell that fucker Rikki I want my money. Tonight still."

She shook her head. "Good luck."

Gatsby slammed out, and she locked the door. Uncle Fatty had passed out in a spreading pool of piss. Carmen went into the bedroom and saw that the fat boer had broken her mirror.

"Men," she said to herself as she sat down on the bed. "I wish they would all fucken die."

* * *

Burn washed the blood from his hands at the kitchen sink. As he wiped his hands he stood and listened intently. Nothing. No shouts, no sirens, no concerned neighbor ringing the buzzer. He walked past the bodies toward the bedrooms, closing the passage door behind him. Burn found Susan and Matt in the main bedroom, huddled on the bed. Susan cradled their son.

Matt looked at him over Susan's shoulder. "Daddy ..."

"Daddy's here, Matty." Burn sat down on the bed. "Everything's fine." He reached out a hand and touched Matt's hair. He knew he couldn't avoid looking at his wife's eyes any longer. "You okay?"

Susan stared at him. "What do you think?"


Excerpted from Mixed Blood by Roger Smith. Copyright © 2009 Roger Smith. Excerpted by permission of Henry Holt and Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Meet the Author

Roger Smith is an accomplished screenwriter, director, and producer. He is at work on a second stand-alone thriller set in and around Cape Town, where he currently lives.

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