Moab Is My Washpot

Moab Is My Washpot

4.7 11
by Stephen Fry

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A number one bestseller in Britain, Stephen Fry's astonishingly frank, funny, wise memoir is the book that his fans everywhere have been waiting for. Since his PBS television debut in the Blackadder series, the American profile of this multitalented writer, actor and comedian has grown steadily, especially in the wake of his title role in the film

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A number one bestseller in Britain, Stephen Fry's astonishingly frank, funny, wise memoir is the book that his fans everywhere have been waiting for. Since his PBS television debut in the Blackadder series, the American profile of this multitalented writer, actor and comedian has grown steadily, especially in the wake of his title role in the film Wilde, which earned him a Golden Globe nomination, and his supporting role in A Civil Action.
Fry has already given readers a taste of his tumultuous adolescence in his autobiographical first novel, The Liar, and now he reveals the equally tumultuous life that inspired it. Sent to boarding school at the age of seven, he survived beatings, misery, love affairs, carnal violation, expulsion, attempted suicide, criminal conviction and imprisonment to emerge, at the age of eighteen, ready to start over in a world in which he had always felt a stranger. One of very few Cambridge University graduates to have been imprisoned prior to his freshman year, Fry is a brilliantly idiosyncratic character who continues to attract controversy, empathy and real devotion.

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Editorial Reviews

From the Publisher
Praise for Moab Is My Washpot

"Fry is a master of provocative tangents and he remembers with a cheeky wit . . . Delicious."
The New Yorker

"An engagingly rueful memoir . . . Enormously entertaining."
—Michiko Kakutani, The New York Times Book Review

"This book bubbles; it boils and it bubbles with wonderful language, quick wit, and loopy digression . . . [Fry's] voice is delightfully irreverent, cozy, smart, funny and insightfully honest . . . A great read!"
—Spalding Gray

“Stephen Fry is one of the great originals . . . That so much outward charm, self awareness and intellect should exist alongside behaviour that threatened to ruin the lives of the innocent victims, noble parents and Fry himself, gives the book a tragic grandeur that lifts it to classic status.”
Financial Times

"Fry, well known for his television roles in the British comedies Jeeves and Wooster and Blackadder, continues to entertain in this fresh and hilarious boyhood memoir . . . His hindsight provides witty entertainment in this gay coming-of-age story that will delight readers . . . With this daring and feisty story, Fry will delight fans and nonfans."

"The engaging Mr. Fry admits to lies, thievery, homosexuality, excessive cleverness, and other peccadilloes in this boarding-school adventure . . . An author in the long and honorable tradition of English Eccentrics, Theatrical Division, presents his coming-of-age story. With all the wit and Pythonesque antics, his book will entertain the Masterpiece Theatre crowd and others as well."
Kirkus Reviews

Michiko Kakutani
...[E]normously entertaining....engaging...idiosyncratic....[T]he dominant comic, by turns insolent and witty, ribald and pugnacious....His reminiscences are animated not by anger or indignation, but by a genial sense of regret, his portraits informed by an elegaic if irreverent nostalgia....[E]ngagingly rueful...
The New York Times
Randy Cohen
...[E]ngaging....Fry has a knack for depicting childhood's unhappiness....Like many...adolescents — he is fiercely loyal to his misery, denouncing any future happiness as a betrayal....Fortunately, Fry's voice grows stronger as his story builds...
The New York Times Book Review
Rod Dreher
...[A] poignant, disarmingly witty, and felicitous account of an extravagantly misspent youth....a critical but thoughtful remembrance of childhood, a confession...and, there is not the slightest trace of self-pity or blame-tossing.....The actor's generosity of spirit infuses every chapter...
National Review
Sunday Telegraph
One of the most poignant, funny, intelligent, frank and horribly addictive books you'll read all year.
Financial Times
Stephen Fry is one of the great originals...This autobiography of his first twenty years is a pleasure to read, mixing the outrageous acts with sensible opinions in bewildering confusion...[T]hat so much outward charm, self awareness and intellect should exist alongside behaviour that threatened to ruin the lives of the innocent victims, noble parents and Fry himself, gives the book a tragic grandeur that lifts it to classic status.
Publisher's Weekly
Witty, intelligent and's a pleasure to read him...
Michael J. Giltz
[An] engaging, discursive book...Reading Moab Is My Washpot is like joining the author for a long lunch and several bottles of wine. He may start with an anecdote about public school, but soon he wanders off into his thoughts on corporal punishment and The Exorcist.
The Advocate
Kirkus Reviews
Fry, the British novelist (Making History, 1998) and TV and movie performer, turns thoroughly solipsistic with the story of his early life, taking us through his teens. (The tale follows, in large measure, that of the protagonist in his 1995 novel, The Liar). The engaging Mr. Fry admits to lies, thievery, homosexuality, excessive cleverness, and other peccadilloes in this boarding-school adventure that goes far beyond Tom Brown or Billy Bunter naughtiness. He revels in his proclaimed peculiarities, and "grieves" and "blushes" to confess to various youthful solecisms. There's much about his first true love (for a schoolmate), "arses," and the like amid the luxuriant verbal diversions and flicks of the author's linguistic eyebrows. Almost unexpectedly, Fry expresses love and admiration for his family, who were, apparently, remarkably understanding as he worked his way through some particularly flamboyant juvenile angst. Adventure in his chosen profession of mummery must await the next installment, but surely Fry's recently acclaimed impersonation of Oscar Wilde must have affected him greatly. Why else would he essay such epigrams as "It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue." It sounds a bit like a Wodehouseian take on Reginald Bunthorne. But what the bloody hell, it's all so amusing, so ingratiating, don't you see? Trouble is, on this side of the Atlantic the text is frequently as unintelligible as cricket. Only a devoted Anglophile could tell what "a First or a 2:1 as well as an inevitable triple haul of sporting Blues" at Cambridge might mean. And why his washpot, in which Fry "wallows," is the same asthe ancient land of Moab is not clear; the title remains a mystery. An author in the long and honorable tradition of English Eccentrics, Theatrical Division, presents his coming-of-age story. With all the wit and Pythonesque antics, his book will entertain the Masterpiece Theatre crowd—and others as well.

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Product Details

Soho Press, Incorporated
Publication date:
Sales rank:
Product dimensions:
5.40(w) x 8.50(h) x 1.10(d)

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Chapter 1
Joining In

“Look, Marguerite . . . England!”
Closing lines of The Scarlet Pimpernel, 1934

For some reason I recall it as just me and Bunce. No one else in the compartment at all. Just me, eight years and a month old, and this inexpressibly small dab of misery who told me in one hot, husky breath that his name was Samuelanthonyfarlowebunce.
        I remember why we were alone now. My mother had dropped us off early at Paddington Station. My second term. The train to Stroud had a whole carriage reserved for us. Usually by the time my mother, brother and I had arrived on the platform there would have been a great bobbing of boaters dipping careless farewells into a sea of entirely unacceptable maternal hats.
       Amongst the first to arrive this time, my brother had found a compartment where an older boy already sat amongst his opened tuck-box, ready to show off his pencil cases and conker skewers while I had moved respectfully forward to leave them to it. I was still only a term old after all. Besides, I wasn’t entirely sure what a conker skewer might be.
       The next compartment contained what appeared to be a tiny trembling woodland creature.
       My brother and I had leaned from our respective windows to send the mother cheerfully on her way. We tended to be cruelly kind at these moments, taking as careless and casual a leave of her as possible and making a great show of how little it mattered that we were leaving home for such great stretches of time. Some part of us must have known inside that it was harder for her than it was for us. She would be returning to a baby and a husband who worked so hard that she hardly saw him and to all the nightmares of uncertainty, doubt and guilt which plague a parent, while we would be amongst our own. I think it was a tacitly agreed strategy to arrive early so that all this could be got over with without too many others milling around. The loudness and hattedness of Other Parents were not conducive to the particular Fry tokens of love: tiny exertions of pressure on the hands and tight little nods of the head that stood for affection and deep, unspoken understanding. A slightly forced smile and bitten underlip aside, Mummy always left the platform outwardly resolute, which was all that mattered.
       All that taken care of, I slid down in my seat and examined the damp shivering thing opposite. He had chosen a window seat with its back to the engine as if perhaps he wanted to be facing homewards and not towards the ghastly unknown destination.
       “You must be a new boy,” I said.
       A brave nod and a great spreading of scarlet in downy, hamstery cheeks.
       “My name’s Fry,” I added. “That’s my bro talking next door.”
       A sudden starburst of panic in the fluffy little chick’s brown eyes, as if terrified that I was going to invite my bro in. He probably had no idea what a bro was.
       The previous term I hadn’t known either.
       “Roger, Roger!” I had cried, running up to my brother in morning break. “Have you had a letter from—”
       “You call me bro here. Bro. Understood?”
       I explained everything to the broken little creature in front of me. “A bro is a brother, that’s all. He’s Fry, R. M. And I’m Fry, S.J. See?”
       The hamster-chick-squirrel-downy-woodland thing nodded to show that it saw. It swallowed a couple of times as if trying to find the right amount of air to allow it to speak without sobbing.
       “I was a new boy last term,” I said, a huge and perfectly inexplicable surge of satisfaction filling me all the way from gartered woollen socks to blue-banded boater. “It really isn’t so bad, you know. Though I expect you feel a bit scared and a bit homesick.”
       It didn’t quite dare look at me but nodded again and gazed miserably down at shiny black Cambridge shoes which seemed to me to be as small as a baby’s booties.
       “Everybody cries. You mustn’t feel bad about it.”
       It was at this point that it announced itself to be Samuelanthonyfarlowebunce, and to its friends Sam, but never Sammy.
       “I shall have to call you Bunce,” I told him. “And you will call me Fry. You’ll call me Fry S.J. if my bro is about, so there won’t be any mix up. Not Fry Minor or Fry the Younger, I don’t like that. Here, I’ve got a spare hankie. Why don’t you blow your nose? There’ll be others along in a minute.”
       “Others?” He looked up from emptying himself into my hankie like a baby deer hearing a twig snap by a water pool and cast his eyes about him in panic.
       “Just other train boys. There are usually about twenty of us. You see that piece of paper stuck to the window? ‘Reserved for Stouts Hill School’ it says. We’ve got this whole carriage to ourselves. Four compartments.”
       “What happens when we get. . . when we get there?”
       “What do you mean?”
       “When we get to the station.”
       “Oh, there’ll be a bus to meet us. Don’t worry, I’ll make sure you aren’t lost. How old are you?”
       “I’m seven and a half.”
       He looked much younger. Nappy age, he looked.
       “Don’t worry,” I said again. “I’ll look after you. Everything will be fine.”
       I’ll look after you.
       The pleasure of saying those words, the warm wet sea of pleasure. Quite extraordinary. A little pet all to myself.
       “We’ll be friends,” I said. “It won’t be nearly as bad as you expect. You’ll see.”
       Kindly paternal thoughts hummed in my mind as I tried to imagine every worry that might be churning him up. All I had to do was remember my own dreads of the term before.
       “Everyone’s very nice really. Matron unpacks for you, but you’ve got to take your games clothes down to the bag room yourself, so you’ll have to know your school number so as you can find the right peg. My number’s one-o-four, which is the highest number in the school’s history, but twelve boys left last term and there are only eight or nine new boys, so there probably won’t ever be a one-o-five. I’m an Otter, someone’ll probably tell you what House you’re in. You should watch out for Hampton, he gives Chinese burns and dead legs. If Mr. Kemp is on duty he gives bacon slicers. It’s soccer this term, my bro says. I hate soccer but it’s conkers as well which is supposed to be really good fun. My bro says everyone goes crazy at conker time. Conkers bonkers, my bro says.”
       Bunce closed up the snotty mess in the middle of my hankie and tried to smile.
       “In two weeks’ time,” I said, remembering something my mother had told me, “you’ll be bouncing about like a terrier and you won’t even be able to remember being a bit nervous on the train.”
       I looked out of the window and saw some boaters and female hats approaching.
       “Though in your case,” I added, “you’ll be bunting about. . .”
       A real smile and the sound of a small giggle.
       “Here we go,” I said. “I can hear some boys coming. Tell you what, here’s my Ranger. Why don’t you be reading it when they come in, so you’ll look nice and busy.”
       He took it gratefully.
       “You’re so kind,” he said. “I’ve never met anyone as kind as you”.
       “Nonsense,” I replied, glowing like a hot coal.
       I heard the grand sounds of approaching seniors.
       “Okay then, Mum,” someone said.
       “Don’t say ‘okay,’ darling. And you will write this time, won’t you?”
       “Okay, Mum.”
       My bro and I never called our parents Mum and Dad. It was always Mummy and Daddy until years later when Mother and Father were officially sanctioned. Towards adulthood we allowed ourselves to use, with self-conscious mock-Pooterism, Ma and Pa.
       Last term, I had put my hand up in an art lesson and said, “Mummy, can I have another piece of charcoal?” The form had howled with laughter.
       There again, during the first weeks of summer holidays I often called my mother “Sir” or “Matron.”
       Bunce buried himself in the Trigan Empire, but I knew that he was listening to the sounds too and I could tell that the confidence and loudness of the other boys’ voices terrified him. He clutched the sides of the comic so hard that little rips appeared on the outer pages.
       On the way to Paddington after lunch I had felt more dread, infinitely more terror and despair at the prospect of school than I had the term before. During the long summer holiday Roger had told me to expect this. Homesickness was much worse the second and third terms than it was the first. Bunce had come as a godsend therefore, something to take my mind off my own fears.
       The door to our carriage slid open with a loud bang.
       “Oh God, it’s Fry’s Turkish Delight. And what the hell are you doing by the window?”
       “Hello, Mason,” I said.
       “Come on, shove over.”
       Bunce started to rise like a courteous old commuter offering his seat to a heavily-packaged woman. “Would you like . . .?” he began huskily.
       “No, I want Fry’s seat, if he hasn’t stunk it out yet.”
       Well there it was. I felt my face flush scarlet as I got up mumbling something inaudible, and removed myself to the corner seat farthest from the window.
       For five minutes I had enjoyed the sensation of someone looking up to and admiring me. Bunce had respected me. Believed in me. Trusted me. Now the little puppy would see that the rest of the school treated me as if I was no one. Just another tiresome squit. I sat in my new seat, trying to look unconcerned and stared down at my bare knees and the grazes and indentations of gravel still there from a bicycle fall. Only yesterday afternoon I had been riding along the lanes listening to skylarks high in the huge Norfolk skies and watching partridges tread stubble in the fields. Three weeks ago I had had my eighth birthday party and been taken to see The Great Race at the Gaumont in Norwich.
       Mason settled himself into his conquered seat and looked across at Bunce with great curiosity and an air of faint repugnance, as if Bunce might be of a breed he had never run into before and hoped never to encounter again.
       “You,” said Mason, kicking across at him. “Have you got a name then?”
       The reply came as something of a shock.
       “I have got a name,” said Bunce, rising, “but it’s none of your bloody business.”
       Mason looked stupefied. There was nothing in the least bad about him. In taking my seat and remarking on my smell he had meant no particular insult, he was merely exercising the natural privilege of seniority. Seniority is pay-back time. He had been treated like a worm when he was small, now it was his turn to treat those under him like worms. He was ten, for heaven’s sake. He was allowed to wear long trousers. At prep school, ten is to eight what forty is to twenty in adult life.
       “I’m going over there,” said Bunce, pointing to the seat next to mine. “It smells better over there.” He threw himself down beside me with a determined bounce on the springs and then ruined everything by bursting into tears.
       Mason was denied the chance of any response to this astonishing eruption by the entrance into the compartment of Kalout- sis and his parents. It was not at all done for Family to board the train, but Kaloutsis was Greek and his parents serenely above the finer points of English protocol.
       “Ah, and here’s a little one,” cried Mrs. Kaloutsis, swooping down on Bunce. “And no one looking after you?”
       “Thank you,” Bunce snivelled, “but Fry S. J. is looking after me very well indeed. Very well. Very well indeed. I had a smut in my eye and he lent me his handkerchief.”
       Train boys were generally the sons of military or colonial parents, and had flown in to London Airport to be picked up by uncles, aunts or godparents who would take them on to Paddington. Most other boys at Stouts Hill were driven to school by their parents.
       The reserved compartments filled up over the next quarter-hour with deeply tanned boys returning from hot weeks in places like Northern Rhodesia, Nigeria, India, Aden, the West Indies and Ceylon. One boy, Robert Dale, whom I liked, sat opposite me and Bunce and told us about India. Dale’s father edited an English-language newspaper in Bombay and Dale always shouted “Aiee!” when he was in pain. It had amazed me greatly when I first heard him stubbing his toe against the foot of the bed in the dormitory, since I had never imagined that expressions of pain could vary. I had thought “Ouch!” and “Ow!” were the same all over the world. I had suffered a hot and bothered exchange in my first French lesson, for example, when I was told that the French for “Oh!” was “Ah!”
       “Then how do they say ‘Oh,’ sir?”
       “They say ‘Ah.’“
       “Well then, how do they say ‘Ah’?”
       “Don’t be stupid, Fry.”
       I had sulked for the rest of the lesson.
       Dale took off his shoes and socks and leaned back. He had the most splendidly fine feet, with a perfect, even spread of toes. At the beginning of every autumn term boys like him who spent their school holidays in Africa, Asia or the West Indies would show off by running across gravel barefoot without any pain. By the end of the term, with winter set in, their feet would have lost their natural tough layers of callused skin and they would be just the same as the rest of us.
       A guard looked in and performed a brief headcount. He gazed into the middle distance and told us that the last boy who had rested his foot on a seat had been arrested by the police at Didcot and put in prison, where he still languished on a diet of bread and water.
       “Sounds better than school food,” said Dale.
       The guard grunted at our giggles and left. Boaters were thrown on to luggage-racks, feet put up on seats and talk turned to soccer, what had been done in the hols, who was going to be made prefect and the whole Edwardian schoolboy novel nonsense. Mason seemed to have forgotten all about Bunce’s strange outburst and was delighting the boy opposite with underarm farts.
       After one of those squealing, juddering, stomach-dropping false starts with which trains so tactlessly articulate human emotion, we pulled ourselves out of the great shed of Paddington and steamed west.

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What People are saying about this

Spalding Grey
This book bubbles; it boils and it bubbles with wonderful language, quick wit and loopy digression that always leads you home again. You can always hear Fry's wonderfully lyrical (English) voice in this book, and that voice is delightfully irreverent, cozy, smart, funny and insightfully honest. His voice is a great read.
— Spalding Grey

Meet the Author

Stephen Fry is an actor, producer, director, and writer who has appeared in numerous TV series and movies, including Jeeves and Wooster, Wilde, Gosford Park, V for Vendetta and The Hobbit: The Desolation of Smaug. He is the bestselling author of four novels and several works of nonfiction. He divides his time between New York and the UK.

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