Moby Dick or, The Whale / Edition 1

Moby Dick or, The Whale / Edition 1

by Herman Melville, Barry Moser
ISBN-10:
0520043545
ISBN-13:
9780520043541
Pub. Date:
11/10/1981
Publisher:
University of California Press
ISBN-10:
0520043545
ISBN-13:
9780520043541
Pub. Date:
11/10/1981
Publisher:
University of California Press
Moby Dick or, The Whale / Edition 1

Moby Dick or, The Whale / Edition 1

by Herman Melville, Barry Moser

Hardcover

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Overview

This trade edition of Moby-Dick is a reduced version of the Arion Press Moby-Dick, which was published in 1979 in a limited edition of 250 copies and has been hailed as a modern masterpiece of bookmaking. It was hand set under the supervision of one of America's finest book designers and printers. The initial letters that begin each chapter were designed especially for this book and christened "Leviathan." The illustrations, of places, creatures, objects or tools, and processes connected with nineteenth-century whaling, are original boxwood engravings by Massachusetts artist Barry Moser. The text of Moby-Dick used in this edition is based on that used in the critical edition of Melville's works published by the Northwestern University Press and the Newberry Library.

This reduced version is smaller in size than the Arion edition and the California deluxe edition, but it includes all of the original pages and illustrations. It is printed in black only throughout, and it is not slipcased.

Product Details

ISBN-13: 9780520043541
Publisher: University of California Press
Publication date: 11/10/1981
Edition description: First Edition
Pages: 608
Sales rank: 435,687
Product dimensions: 6.75(w) x 10.00(h) x 1.90(d)

About the Author

Herman Melville was born in August 1, 1819, in New York City, the son of a merchant. Only twelve when his father died bankrupt, young Herman tried work as a bank clerk, as a cabin-boy on a trip to Liverpool, and as an elementary schoolteacher, before shipping in January 1841 on the whaler Acushnet, bound for the Pacific. Deserting ship the following year in the Marquesas, he made his way to Tahiti and Honolulu, returning as ordinary seaman on the frigate United States to Boston, where he was discharged in October 1844. Books based on these adventures won him immediate success. By 1850 he was married, had acquired a farm near Pittsfield, Massachussetts (where he was the impetuous friend and neighbor of Nathaniel Hawthorne), and was hard at work on his masterpiece Moby-Dick.

Literary success soon faded; his complexity increasingly alienated readers. After a visit to the Holy Land in January 1857, he turned from writing prose fiction to poetry. In 1863, during the Civil War, he moved back to New York City, where from 1866-1885 he was a deputy inspector in the Custom House, and where, in 1891, he died. A draft of a final prose work, Billy Budd, Sailor, was left unfinished and uncollated, packed tidily away by his widow, where it remained until its rediscovery and publication in 1924.

Date of Birth:

August 1, 1819

Date of Death:

September 28, 1891

Place of Birth:

New York, New York

Place of Death:

New York, New York

Education:

Attended the Albany Academy in Albany, New York, until age 15

Read an Excerpt

Chapter I: Loomings

Call me Ishmael. Some years ago -- never mind how long precisely -- having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off -- then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs -- commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme down-town is the Battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.

Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see? -- are wedded for ever.

But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd's head, yet all were vain, unless the shepherd's eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies -- what is the one charm wanting? -- Water -- there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and make him the own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus , who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.

Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick -- grow quarrelsome -- don't sleep of nights -- do not enjoy themselves much, as a general thing -- no, I never go as a passenger; nor, though I am something of a salt, do I ever to go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honorable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. And as for going as cook, -- though I confess there is considerable glory in that, a cook being a sort of officer on ship-board -- yet, somehow, I never fancied broiling fowls -- though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.

N o, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal masthead. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one's sense of honor, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tarpot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time.

What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scale of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who aint a slave? Tell me that. Well, then, however the old sea-captains may order me about -- however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way -- either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other's shoulder-blades, and be content.

Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid, -- what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition!

Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the forecastle deck. For as in this world, head winds are far more prevalent than winds from astern (that is, if you never violate the Pythagorean maxim), so for the most part the Commodore on the quarter-deck gets his atmosphere at second hand from the sailors on the forecastle. He thinks he breathes it first; but not so. In much the same way do the commonalty lead their leaders in many other things, at the same time that the leaders little suspect it. But wherefore it was that after having repeatedly smelt the sea as a merchant sailor, I should now take it into my head to go on a whaling voyage; this the invisible police officer of the Fates, who has the constant surveillance of me, and secretly dogs me, and influences me in some unaccountable way -- he can better answer than any one else. And, doubtless, my going on this whaling voyage, formed part of the grand programme of Providence that was drawn up a long time ago. It came in as a sort of brief interlude and solo between more extensive performances. I t ake it that this part of the bill must have run something like this:

Grand Contested Election for the
Presidency of the United States.

WHALING VOYAGE BY ONE ISHMAEL.
BLOODY BATTLE IN AFFGHANISTAN.

Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces -- though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.

Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish. With other men, perhaps, such things would not have been inducements; but as for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it -- would they let me -- since it is but well to be on friendly terms with all the inmates of the place one lodges in.

By reason of these things, then, the whaling voyage was we lcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, midmost of them all, one grand hooded phantom, like a snow hill in the air.

Copyright © 1999 by Simon & Schuster Inc.

Table of Contents

ETYMOLOGY
EXTRACTS

CHAPTER I Loomings
2 The Carpet Bag
3 The Spouter-Inn
4 The Counterpane
5 Breakfast
6 The Street
7 The Chapel
8 The Pulpit
9 The Sermon
1O A Bosom Friend
II Nightgown
I2 Biographical
I3 Wheelbarrow
I4 Nantucket
IS Chowder
I6 The Ship
I7 The Ramadan
I8 His Mark
I9 The Prophet
20 All Astir
2I Going Aboard
22 Merry Christmas
23 The Lee Shore
24 The Advocate
25 Postscript
26 Knights and Squires
27 Knights and Squires
28 Ahab
29 Enter Ahab; to him, Stubb
30 The Pipe
3I Queen Mab
32 Cetology
33 The Specksynder
34 The Cabin Table
35 The Mast-Head
36 The Quarter-Deck · Ahab and all
37 Sunset
38 Dusk
39 First Night-Watch
40 Forecastle-Midnight
41 Moby Dick
42 The Whiteness of the Whale
43 Hark!
44 The Chart
45 The Affidavit
46 Surmises
47 The Mat-Maker
48 The First Lowering
49 The Hyena
50 Ahab's Boat and Crew-Fedallah
51 The Spirit-Spout
52 The Pequod meets the Albatross
53 The Gam
54 The Town Ho's Story
55 Monstrous Pictures of Whales
56 Less Erroneous Pictures of Whales
57 Of Whales in Paint, in Teeth, &c.
58 Brit
59 Squid
6o The Line
61 Stubb kills a Whale
62 The Dart
63 The Crotch
64 Stubb's Supper
65 The Whale as a Dish
66 The Shark Massacre
67 Cutting In
68 The Blanket
69 The Funeral
70 The Sphynx
71 The Pequod meets the Jeroboam ·Her Story
72 The Monkey-rope
73 Stubb and Flask kill a Right Whale
74 The Sperm Whale's Head
75 The Right Whale's Head
76 The Battering Ram
77 The great Heidelburgh Tun
78 Cistern and Buckets
79 The Prairie
8o The Nut
8I The Pequod meets the Virgin
82 The Honor and glory of Whaling
83 Jonah Historically Regarded
84 Pitch poling
85 The Fountain
86 The Tail
87 The Grand Armada
88 Schools & Schoolmasters
89 Fast Fish and Loose Fish
90 Heads or Tails
91 The Pequod meets the Rose Bud
92 Ambergris
93 The Castaway
94 A Squeeze of the Hand
95 The Cassock
96 The Try-Works
97 The Lamp
98 Stowing Down & Clearing Up
99 The Doubloon
IOO The Pequod meets the Samuel Enderby of London
IOI The Decanter
I02 A Bower in the Arsacides
I03 Measurement of the Whale's Skeleton
I04 The Fossil Whale
I05 Does the Whale Diminish?
I06 Ahab's Leg
I07 The Carpenter
I08 The Deck · Ahab and the Carpenter
109 The Cabin · Ahab and Starbuck
IIO Queequeg in his Coffin
III The Pacific
II2 The Blacksmith
Il3 The Forge
114 The Gilder
II5 The Pequod meets the Bachelor
II6 The Dying Whale
II7 The Whale-Watch
II8 The Quadrant
II9 The Candles
I20 The Deck
121 Midnight, on the Forecastle
I22 Midnight, Aloft
I23 The Musket
I24 The Needle
I25 The Log and Line
I26 The Life, Buoy
127 Ahab and the Carpenter
I28 The Pequod meets the Rachel
129 The Cabin· Ahab and Pip
130 The Hat
I31 The Pequod meets the Delight
I32 The Symphony
I33 The Chase · First Day
I34 The Chase · Second Day
I35 The Chase · Third Day
EPILOGUE
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