Modern China Studies
(1) From Public Critique to Secret Assistance: Divergence in and Response of the Party Central Committee to the Reforms and Open-Up Policies of Guangdong after the Two Provincial Conferences in 1982 (Li Chen); (2) Imagining the Crowd: Screening the Masses of China's Cultural Revolution (Li Guo); (3) "Mountain Heads" in the Military of the Chinese Communist Party and the Way Mao Governed the Military Since 1949 (Shen Xiaoyun); (4) Wang Jingwei before Fleeing and Chen Bijun in Prison: A Reading of The Diary of Chen Kewen (Bin Yang); (5) Frontier as Ruin: The National Allegory in Landscape (Wu Xueshan); (6) Uncanny, or "Old Ghosts Coming Again": Mirror Images and Visual Illusions in Modern China (Hongfeng Tang); (7) Cultural Interaction and Comparative Literature in Modern China: A Special Issue (Yao Dadui); (8) God vs. Dragon: On Samuel I. Woodbridge's English Translation (1895) of "Westward Journey Stories" Contained in a Script of Tongzi Drama (Wu Xiaofang); (9) The Circulation and Reproduction of World Literature: Aesop's Fables in Modern China (Yao Dadui); (10) Chinese Genres, Western Works: The Formation of the Idea of Foreign Literature in Late Qing China (Carlos Yu-Kai Lin)
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Modern China Studies
(1) From Public Critique to Secret Assistance: Divergence in and Response of the Party Central Committee to the Reforms and Open-Up Policies of Guangdong after the Two Provincial Conferences in 1982 (Li Chen); (2) Imagining the Crowd: Screening the Masses of China's Cultural Revolution (Li Guo); (3) "Mountain Heads" in the Military of the Chinese Communist Party and the Way Mao Governed the Military Since 1949 (Shen Xiaoyun); (4) Wang Jingwei before Fleeing and Chen Bijun in Prison: A Reading of The Diary of Chen Kewen (Bin Yang); (5) Frontier as Ruin: The National Allegory in Landscape (Wu Xueshan); (6) Uncanny, or "Old Ghosts Coming Again": Mirror Images and Visual Illusions in Modern China (Hongfeng Tang); (7) Cultural Interaction and Comparative Literature in Modern China: A Special Issue (Yao Dadui); (8) God vs. Dragon: On Samuel I. Woodbridge's English Translation (1895) of "Westward Journey Stories" Contained in a Script of Tongzi Drama (Wu Xiaofang); (9) The Circulation and Reproduction of World Literature: Aesop's Fables in Modern China (Yao Dadui); (10) Chinese Genres, Western Works: The Formation of the Idea of Foreign Literature in Late Qing China (Carlos Yu-Kai Lin)
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Modern China Studies

Modern China Studies

Modern China Studies

Modern China Studies

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Overview

(1) From Public Critique to Secret Assistance: Divergence in and Response of the Party Central Committee to the Reforms and Open-Up Policies of Guangdong after the Two Provincial Conferences in 1982 (Li Chen); (2) Imagining the Crowd: Screening the Masses of China's Cultural Revolution (Li Guo); (3) "Mountain Heads" in the Military of the Chinese Communist Party and the Way Mao Governed the Military Since 1949 (Shen Xiaoyun); (4) Wang Jingwei before Fleeing and Chen Bijun in Prison: A Reading of The Diary of Chen Kewen (Bin Yang); (5) Frontier as Ruin: The National Allegory in Landscape (Wu Xueshan); (6) Uncanny, or "Old Ghosts Coming Again": Mirror Images and Visual Illusions in Modern China (Hongfeng Tang); (7) Cultural Interaction and Comparative Literature in Modern China: A Special Issue (Yao Dadui); (8) God vs. Dragon: On Samuel I. Woodbridge's English Translation (1895) of "Westward Journey Stories" Contained in a Script of Tongzi Drama (Wu Xiaofang); (9) The Circulation and Reproduction of World Literature: Aesop's Fables in Modern China (Yao Dadui); (10) Chinese Genres, Western Works: The Formation of the Idea of Foreign Literature in Late Qing China (Carlos Yu-Kai Lin)

Product Details

ISBN-13: 9781720313496
Publisher: CreateSpace Publishing
Publication date: 05/24/2018
Series: Regular Issue , #25
Pages: 206
Product dimensions: 5.98(w) x 9.02(h) x 0.47(d)
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