Modern Methods for Musicology: Prospects, Proposals, and Realities

Written by leading experts, this volume provides a picture of the realities of current ICT use in musicology as well as prospects and proposals for how it could be fruitfully used in the future. Through its coverage of topics spanning content-based sound searching/retrieval, sound and content analysis, markup and text encoding, audio resource sharing, and music recognition, this book highlights the breadth and inter-disciplinary nature of the subject matter and provides a valuable resource to technologists, musicologists, musicians and music educators. It facilitates the identification of worthwhile goals to be achieved using technology and effective interdisciplinary collaboration.


1122761167
Modern Methods for Musicology: Prospects, Proposals, and Realities

Written by leading experts, this volume provides a picture of the realities of current ICT use in musicology as well as prospects and proposals for how it could be fruitfully used in the future. Through its coverage of topics spanning content-based sound searching/retrieval, sound and content analysis, markup and text encoding, audio resource sharing, and music recognition, this book highlights the breadth and inter-disciplinary nature of the subject matter and provides a valuable resource to technologists, musicologists, musicians and music educators. It facilitates the identification of worthwhile goals to be achieved using technology and effective interdisciplinary collaboration.


149.95 In Stock
Modern Methods for Musicology: Prospects, Proposals, and Realities

Modern Methods for Musicology: Prospects, Proposals, and Realities

Modern Methods for Musicology: Prospects, Proposals, and Realities

Modern Methods for Musicology: Prospects, Proposals, and Realities

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Overview

Written by leading experts, this volume provides a picture of the realities of current ICT use in musicology as well as prospects and proposals for how it could be fruitfully used in the future. Through its coverage of topics spanning content-based sound searching/retrieval, sound and content analysis, markup and text encoding, audio resource sharing, and music recognition, this book highlights the breadth and inter-disciplinary nature of the subject matter and provides a valuable resource to technologists, musicologists, musicians and music educators. It facilitates the identification of worthwhile goals to be achieved using technology and effective interdisciplinary collaboration.



Product Details

ISBN-13: 9781409486039
Publisher: Ashgate Publishing Ltd
Publication date: 10/01/2012
Series: Digital Research in the Arts and Humanities
Sold by: Barnes & Noble
Format: eBook
File size: 5 MB

About the Author

Tim Crawford is Senior Lecturer in Computational Musicology at Goldsmiths, University of London. He is the UK coordinator and co-founder of the OMRAS (Online Music Recognition and Searching) project. Lorna Gibson is a Divisional Manager at the University College London, UK.

David Meredith, Geraint A. Wiggins, Frans Wiering, Michael Fingerhut, Nicolas Donin, David M. Howard, Celia Duffy, Werner Goebl, Gerhard Widmer, Adam T. Lindsay, Michael Casey, Alan Marsden.


Table of Contents

Contents: Preface; Introduction, David Meredith; Computer representation of music in the research environment, Geraint A. Wiggins; Digital critical editions of music: a multidimensional model, Frans Wiering; Filling gaps between current musicological practice and computer technology at IRCAM, Michael Fingerhut and Nicolas Donin; The computer and the singing voice, David M. Howard; Mapping the use of ICT in creative music practice, Celia Duffy; On the use of computational methods for expressive music performance, Werner Goebl and Gerhard Widmer; Understanding the capabilities of ICT tools for searching, annotation and analysis of audio-visual media, Adam T. Lindsay; Audio tools for music discovery, Michael Casey; 'What was the question?': music analysis and the computer, Alan Marsden; Bibliography; Index.


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