In this provocative and engaging book, Leigh Wilson finds magic at the heart of modernism. Looking afresh at its fascination with the occult, she suggests that modernist writers and filmmakers drew on magical thinking in their experimental art to create works that radically transformed the world they knew.
Professor Helen Carr, Goldsmiths, University of London
This is a major contribution not only to our understanding of modernism's fascination with the supernatural, but of modernism's fundamental investment in modern magic. It breaks new ground by considering magic's importance for filmmakers and artists, novelists and poets. It is the most important book on the topic in over a decade.
Dr Stephen Ross, University of Victoria