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| Thelonious Monk | Primary Artist, Piano, Track Performer |
| Sonny Rollins | Tenor Saxophone |
| Julius Watkins | French Horn |
| Percy Heath | Bass |
| Ray Copeland | Trumpet |
| Art Blakey | Drums |
| Frank Foster | Tenor Saxophone |
| Curly Russell | Bass |
| Willie Jones III | Drums |
| Ray Copeland | Contributor |
| Art Blakey | Contributor |
| Frank Foster | Contributor |
| Rudy Van Gelder | Engineer, Liner Notes, Author, Remastering |
| Ira Gitler | Liner Notes |
| Doug Hawkins | Engineer |
| Willie Jones | Contributor |
| Teo Macero | Producer |
| Nick Phillips | Producer |
| Axl Rose | Composer |
| Curly Russell | Contributor |
| Slash | Composer |
| Bob Weinstock | Producer |
Editorial Reviews
All Music Guide - Scott Yanow
Thelonious Monk's Prestige recordings reissued on three LP-length CDs have been somewhat neglected through the years but, with the exception of a date for Vogue, they are the only documentation that exists of the unique pianist-composer's work as a leader during the latter half of 1952 through 1954. This set has four numbers including Monk's originals "Wee See," "Locomotive" and the catchy "Hackensack" featuring Monk with trumpeter Ray Copeland an underrated player, tenor saxophonist Frank Foster, bassist Curly Russell and drummer Art Blakey. However it is "Let's Call This" and the two versions of "Think of One" that are best-known, for Monk teams up with the French horn ...