Monkey Business

( 22 )

Editorial Reviews

Barnes & Noble
The Black Eyed Peas were just a quirky, if critically acclaimed, trio of break-dancing rappers from L.A.'s underground rap scene until former Wild Orchid singer Fergie joined the group and they released the organically groovy Elephunk, which catapulted the Peas into the mainstream. Chock-full of improvisational breaks and genre-defying tracks, the album was more hipster than hip-hop. And their follow-up, Monkey Business, follows that multi-platinum blueprint to a tee. Produced primarily by head Pea will.i.am, the disc boasts a festive energy that's best displayed on up-tempo cuts like "Pump It" and "Disco Club." But it's the James Brown–assisted "They Don't Want Music," dissecting the industry's fascination with ...
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Editorial Reviews

Barnes & Noble
The Black Eyed Peas were just a quirky, if critically acclaimed, trio of break-dancing rappers from L.A.'s underground rap scene until former Wild Orchid singer Fergie joined the group and they released the organically groovy Elephunk, which catapulted the Peas into the mainstream. Chock-full of improvisational breaks and genre-defying tracks, the album was more hipster than hip-hop. And their follow-up, Monkey Business, follows that multi-platinum blueprint to a tee. Produced primarily by head Pea will.i.am, the disc boasts a festive energy that's best displayed on up-tempo cuts like "Pump It" and "Disco Club." But it's the James Brown–assisted "They Don't Want Music," dissecting the industry's fascination with the bottom line instead of the bass line, that kicks the party-hearty album into high gear. Yet the multicultural quartet reveal their many shades by balancing out the groove-fest with more substantive tracks like the somber "Gone Going," featuring Dante Santiago, which discusses the insignificance of fame without love, and the politically charged "Union," featuring Sting, which calls for racial equality throughout the world. Ultimately, the Peas' socially charged messages are what separate them from other rappers sowing the same fields. Even though they tend to monkey around on the mic, they always find time to get down to business. Anslem Samuel
All Music Guide - Jason Thurston
The Black Eyed Peas' fourth outing, Monkey Business, picks up right where their platinum-selling breakout album, Elephunk, left off, with the feel of a non-stop party run by an ultra-savvy DJ. "Pump It" opens the disc on a straight sample of Dick Dale's surf classic "Misirlou," as the three MCs of BEP float in and out with Fergie stepping in on cue to alternately sing softly or with deep, soulful emotion. The Peas' origins are tied to the DJ-driven world of breakdancing, and that flavor saturates Monkey Business. As beats drop in and out, tracks blend into other tracks, and a lighthearted spirit of sophisticated ecstasy prevails. The group turned from underground favorites to hit-making performers on Elephunk; this follow-up continues that progression.
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Product Details

  • Release Date: 6/7/2005
  • Label: A&M
  • UPC: 602498804803
  • Catalog Number: 000434102
  • Sales rank: 31,480

Tracks

Disc 1
  1. 1 Pump It (3:33)
  2. 2 Don't Phunk With My Heart (3:59)
  3. 3 My Style - Justin Timberlake (4:28)
  4. 4 Don't Lie (3:39)
  5. 5 My Humps (5:26)
  6. 6 Like That - John Legend (4:34)
  7. 7 Dum Diddly - Dante Santiago (4:19)
  8. 8 Feel It (4:19)
  9. 9 Gone Going (3:13)
  10. 10 They Don't Want Music (6:46)
  11. 11 Disco Club (3:48)
  12. 12 Bebot (3:30)
  13. 13 Ba Bump (3:56)
  14. 14 Audio Delite at Low Fidelity (5:29)
  15. 15 Union (5:04)
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Album Credits

Performance Credits
The Black Eyed Peas Primary Artist
James Brown Vocals
Sting Bass, Vocals
Bruce Dukov Violin
Sid Page Violin
Tippa Irie Background Vocals
Charlie Bisharat Violin
Jacqueline Brand Violin
Mino Cinelu Percussion
Brian Dembow Viola
Joel Derouin Violin
Stephen Erdody Cello
Ron Fair Harmonica, Conductor
Julie Gigante Violin
Endre Granat Violin
Alan Grunfeld Violin
David Low Cello
Rene Mandel Violin
Branford Marsalis Saxophone
Simon Oswell Viola
Katia Popov Violin
Q-Tip Rap
Cecilia Tsan Cello
Josefina Vergara Violin
Cynthia Morey Background Vocals
Taboo Vocals
Suzie Katayama Cello
Chaos Bass
Jeff Watkins Saxophone
Natalie Leggett Violin
Cee Lo Green Vocals
Sheila Wheat Background Vocals
Damon Wood Guitar
Talib Kweli Rap
will.i.am Organ, Synthesizer, Bass, Hammond Organ, Vocals, Clavinet, Moog Synthesizer, fender rhodes
Mike Fratantuno Bass
Roberto Cani Violin
Justin Timberlake Vocals
Printz Board Synthesizer, Bass, Trumpet, Drums, Moog Synthesizer, Mellotron, fender rhodes
Sarah Thornblade Violin
Jack Johnson Guitar
apl.de.ap Strings, Vocals, Clavinet
A.P.L. Vocals
Tim Izo Orindgreff Flute, Saxophone
Dante Santiago Vocals, Background Vocals
Ray Brady Guitar
Robert "Dandy" Thompson Organ, Bass, Drums, Clavinet
Fergie Vocals
James H. Brown Vocals
Kevin Rudolf Guitar
Songa Lee Violin
John Legend Vocals
Charlie Baccarat Electric Violin
Jimmy Limon Organ, Bass, Guitar, Percussion, Clavinet
Victoria Miskolczy Viola
Phillip Levy Violin
Mario de León Violin
Matthew Funes Viola
Keith Harris Percussion, Drums, Keyboards
Technical Credits
Rick James Composer
Full Force Composer
David Payton Composer
Larry Blackmon Composer
Leslie Bricusse Composer
Ron Fair Arranger, Producer, Executive Producer, String Arrangements
Lloyd Ferguson Composer
Brian Gardner Mastering
Ted Howard Engineer
Robert Lyn Composer
Anthony Newley Composer
Chris Peters Composer
Nicholas Roubanis Composer
Stacy Ferguson Composer
Thomas Jenkins Composer
Darryl Barnes Composer
Chaos Engineer, drum programming
Timbaland Audio Production
Anthony Tidd Composer
Talib Kweli Composer
Drew Peters Composer
Kamaal Fareed Composer
will.i.am Producer, Engineer, Executive Producer, drum programming, Audio Production
Shepard Fairey Cover Design, Logo Design
Benjamin Brown Composer
Will Adams Composer
Neil Tucker Engineer
Justin Timberlake Composer
Printz Board Composer
Jean Baptiste Composer
Dylan Dresdow Engineer
Tal Herzberg Engineer, Digital Editing
apl.de.ap drum programming
Danja Mowf Producer
Allen Pineda Composer
Jason Villaroman Engineer
Ray Brady Composer
Ethan Willoughby Engineer
Robert "Dandy" Thompson drum programming
Mike Jurkovac Cover Art
Jaime A. Dávila "Tame" Gómez Composer
Dennis Gomez Booklet Design
Jimmy Limon drum programming
Noize Trip Producer
Jaime Gomez Composer
Keith Harris Composer
Marcella Araica Digital Editing
William Adams Composer
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Customer Reviews

Average Rating 4
( 22 )
Rating Distribution

5 Star

(8)

4 Star

(7)

3 Star

(6)

2 Star

(1)

1 Star

(0)

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See All Sort by: Showing 1 – 20 of 22 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    BEP!

    I think this is their BEST album. It really reaches into rap (which I don't like), and mixes it with pop to give it their signature, edgy sound. Fergie is wonderful when it comes to vocals. The thing is, on their single "Pump It", I'm amazed at how fast Apple can rap. My Humps is sleazy, but that doesn't stop them. My personal favorite is "Don't Phunk With My Heart" because my favorite band member, Fergie, does a great job with a helium induced sound when she says, "Oh, no, no, don't phunk with my heart!". GO, BEP!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 1, 2010

    My daughter loved it so much (she is 13)

    This is a great album came the words of my thirteen year old daughter. I bought the album for her thinking it was just one of those pop/hip-hop bands that were utterly riduclous (hint: britanny spears, christina aguilara, pussycat dolls, etc.)

    1 out of 1 people found this review helpful.

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  • Posted October 1, 2010

    Monkey Business essentials

    This is a GREAT Classic!!

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  • Posted October 1, 2010

    more from this reviewer

    I Also Recommend:

    I Can Dig It!

    The Black Eyed Peas' Elephunk album was a great album, and this album was no different. I particularly enjoy their style and sound over a lot of other hip hop artists, and unlike many artists in their genre, The Black Eyed Peas are fairly clean. They chose to rap more about peace, love, romance, and just gettin down and having a good time. I definitely respect them for that. There are a lot of hip hop artists that I will not listen to, simply because they rap about nothing but sex, drugs, drinking, and gang violence...and they often swear a lot, which just taints music in my opinion, when used frequently. With the Black Eyed Peas, they say the occasional swear word, but it's not consistent and in every song. It's just every here and there, and I don't see that to be all that bad. It's just when language is used frequently and consistently that it really begins to bug me. This album is definitely a great album to jive to. Mad props are due to these guys. I still don't yet know what to think of My Humps necessarily, though it sounds cool. Silly song though, but it's all good. I have not yet heard their newest album, E.N.D., but I plan to look into it soon. If you like good quality hip hop, check into this album.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 1, 2010

    HEY , HERE COMES THE PHUNKIN' MUSIC!!!!!

    The Black Eyed Peas Are Back with their senior album Monkey Business featuring The sexy My Humps and the showstopper Don't Phunk With My Heart as well as hot collaberations with John Legend-Like That, and Justin Timberlake-My Style. This is great rap and club music. Get this showstopper cd now.

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  • Anonymous

    Posted October 1, 2010

    catchy but disappointing

    The black eyed peas release those songs that get stuck in your head and that's not always bad when the songs are well written which these are not. If you can move past the sigability of the songs and actually look at the lyrics you see uninspired mess. "Don't phunk with my heart" while most of the song is enjoyable it does have the weak lyrics of "girl the way you make me feel, you know you make me feel so real, i love you more than sex appeal..." in the same time that Green Day is putting out When september ends and bolevard of broken dreams this is floating around the airwaves, do your self a favor and let this group fade.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 1, 2010

    Group has a lot of potential but...

    On this latest album thay have about 4-5 very good songs that don't sound like "rap" but the rest are too "rappy." The "rap" songs give me the chills, like some gang bangers are going to get whitey. I am hoping that in future albums they get away from "rap" because this group has so much potential.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 1, 2010

    There's no Monkey Business on Monkey Business, Just Great Music

    First of all, the album cover looks fantastic and draws attention. Second of all the tracks "Dum Diddly", "Union", "Don't Lie", "My Humps", and "My Style" were very good. This is a total must buy!

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  • Anonymous

    Posted January 7, 2010

    No text was provided for this review.

  • Anonymous

    Posted July 19, 2009

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  • Anonymous

    Posted March 30, 2009

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    Posted May 24, 2009

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    Posted July 28, 2009

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    Posted June 7, 2009

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    Posted June 11, 2009

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    Posted July 23, 2009

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    Posted October 26, 2008

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    Posted August 31, 2009

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    Posted December 29, 2008

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    Posted December 24, 2009

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See All Sort by: Showing 1 – 20 of 22 Customer Reviews