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The first Western autobiography since Augustine's Confessions, the Monodies is set against the backdrop of the First Crusade and offers stunning insights into medieval society. As Guibert of Nogent intimately recounts his early years, monastic life, and the bloody uprising at Laon in 1112, we witness a world-and a mind-populated by royals, heretics, nuns, witches, and devils, and come to understand just how fervently he was preoccupied with sin, sexuality, the afterlife, and the dark arts. Exotic, disquieting, and illuminating, the Monodies is a work in which the dreams, fears, and superstitions of one man illuminate the psychology of an entire people. It is joined in this volume by On the Relics of Saints, a theological manifesto that has never appeared in English until now.
For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
"Marvelous: a revelation. I had not heard of Guibert of Nogent. His Monodies is a very dark autobiography and profoundly moving in its visions of sin." — —Harold Bloom
"This magnificent autobiography has all the stuff of a psychological drama, the excitement of a great social upheaval, and the intrigue of a monastic mystery. It is one of those rare books that both delights scholars of the period and makes fascinating reading for the general literate soul." — —R. Howard Bloch, Yale University
“This is a valuable addition to medieval literature, and Penguin are to be applauded for adding it to their list of Classics. . . . The Monodies has been translated before but clumsily, and here at last is a smooth and comprehensible version. . . . [It] provides an intriguing insight into the mind of a medieval monk . . . a complex and troubled man, austere, conservative, at sea with a changing world . . . an isolated and introspective figure who broods continually on his relationship with God. This is, of course, one of the reasons why the Monodies is so interesting.” — —Charles Freeman, History Today