Overview


When Honoré Greenwood sits down to tell his tale, people listen. Friend of such stalwarts of the West as Kit Carson, Thomas Fitzpatrick, John Hatcher, and the Brent brothers, Charles and William, Honoré, at ninety-nine, has lived the life that has become the dime novel.

As a young schoolboy, Jean Guy was considered a genius. The only thing distracting him from his love of books was his love for a kitchen maid, Nicole. When Nicole is raped ...
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Moon Medicine

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Overview


When Honoré Greenwood sits down to tell his tale, people listen. Friend of such stalwarts of the West as Kit Carson, Thomas Fitzpatrick, John Hatcher, and the Brent brothers, Charles and William, Honoré, at ninety-nine, has lived the life that has become the dime novel.

As a young schoolboy, Jean Guy was considered a genius. The only thing distracting him from his love of books was his love for a kitchen maid, Nicole. When Nicole is raped and brutalized, Jean exacts revenge, murdering the rapist and stowing away on an English packet bound for New Orleans. It is there that the young Jean Guy changes his name and becomes Honoré Greenwood, soon to become one of the legends of the American West.

New Orleans is an exciting place for the young Honoré, but falling in love with Gabriela Badfillo-a beautiful young woman from Taos, New Mexico, who is promised to another in an arranged marriage-forces Honoré to flee, brokenhearted into the wilderness. He volunteers for a most dangerous project, building a fort right in the heart of Comanche country. His orders are to establish trade with the warlike, horse-rich Comanches.

The Mexican War and the California Gold Rush usher chaos into the plains. And the Comanches are a proud, powerful, and unpredictable people, but Honoré earns their trust, but the vile whiskey trader, Bill Snakehead Jackson, is happy corrupting the Comanches and breeding violence between them and their ancient enemies, the Apaches.

It will take all of Honoré's genius and his strange power to hold the trade together. Because his power follows the phases of the moon enabling him to go without sleep for days, the Comanches dub it Moon Medicine. Through it all, Honoré becomes a successful trader and ransom negotiator, earning the title Plenty Man. But when Gabriela desperately calls for help, Honoré will risk everything he has for the woman he still loves.

At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.


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Editorial Reviews

Publishers Weekly
At the end of his western novel Too Long at the Dance, Blakely introduced an intriguing character called Plenty Man. In this, his 10th novel (after Comanche Dawn), Blakely launches the first in a planned series featuring the adventures of Honore Greenwood, dubbed Plenty Man by the Comanche Indians. Like a spirited western Forrest Gump with a high IQ, Greenwood is an enigmatic fellow who rollicks through the 1840s in company with buckskinned historical legends like Kit Carson, Ceran St. Vrain and the Bent brothers, Charles and William. Greenwood is a young Frenchman, a fugitive from Paris where he is wanted for murdering his fencing instructor in a matter of honor. An unabashed intellectual genius who plays the violin, recites poetry and performs magic tricks, he sleeps only with the full moon and is short and remarkably ugly. He is also fearless, passionate and loyal, which makes him a valued companion in numerous Indian fights, the Taos rebellion, the Mexican War, various explorations and the ransoming of white captives from the Indians. Other chapters in his adventures include a forbidden romance with a married Mexican woman, a hair-raising rescue of a captive child from the Apaches and a gruesome showdown with a sociopathic whiskey trader. Greenwood tells this story in 1927 at age 99, with arrogant good humor and the honesty of an old man who delights in admitting that "Even in my youth I was a marvelous liar." Blakely's lively story is a rapid-fire series of thrills and suspense, and readers will want more of Plenty Man's escapades. (Aug.) Copyright 2001 Cahners Business Information.
From the Publisher

"A gifted storyteller."-Texas Books in Review

BACK COVER COPY

"Moon Medicine is not just a great Western story, but a great novel by any standard."-True West Magazine

"Honore Greenwood is simply the finest character Mike Blakely has ever created . . . a dang fine book with a magnificent sense of place and magnificent characters . . . Blakely seems to get better with each book."-The Globe News

"Most entertaining, because of the novelty of the main character."-The Tampa Tribune

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Product Details

  • ISBN-13: 9781466820067
  • Publisher: Tom Doherty Associates
  • Publication date: 2/17/2003
  • Sold by: Macmillan
  • Format: eBook
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 416
  • File size: 2 MB

Meet the Author


A native of Texas, Mike Blakely grew up working on the family ranch. He is a veteran of the United States Air Force and holds a Bachelor of Journalism degree from the University of Texas at Austin. He is the former president of Western Writers of America and has taught fiction writing at numerous workshops nationwide. He is a winner of the Spur Award for Best Western Novel. Also a singer/songwriter, Blakely tours all over the U.S. and in Europe with his band and records his original songs on his own independent record label. He currently lives on his horse ranch near Marble Falls, Texas.

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Read an Excerpt



MOON MEDICINE

ONE
ADOBE WALLS, TEXAS MARCH, 1927
 

The ghosts of Charles and William Bent spoke to me last night. The spirit of Kit Carson came to me in the same vision. This was not a dream, but a vision. I know the difference.
Kit said, "Come on, Plenty Man, I've marked the trail."
William said, "It's alright, Kid."
Charles added, "Better hurry, Mr. Greenwood, before you do something stupid and take the low road."
As I woke, the echoes of their voices faded and became raindrops tapping the windowpane. The pale light of dawn illuminated my one-room sod house. I got up and went out in the weather in my nightshirt. I say, "Bah!" to anyone who suggests that a man of ninety-nine years should not be trudging around in the cold rain. The rain won't hurt you. And if you breathe a smudge of fir needles, it will ward off attacks from the Thunderbird. The Comanche medicine man, Burnt Belly, taught me that decades ago, and I have never been struck by lightning.
The smudge? Simple. Place the fir needles on a hot coal, and breathe the pungent smoke. You will need a forked stick of chokecherry to lift the coal from the fire. Chokecherry is dense and hard and resists burning. A live chokecherry tree will tell you all this and more if you listen hard enough.
Anyway, this morning, I went out into the drizzle and walked through the orchard and up the gentle grade of the prairie, letting the raindrops fall on my bare head, and feeling the mud ooze between my toes. I stood over the vestigesof the last few sunbaked bricks--all that remain now of Fort Adobe.
The casual observer would not even recognize these as adobe bricks. They now resemble a mere bump rising from the prairie. Grasses have taken root upon them. It looks as if someone dumped a wheelbarrow full of dirt here and left it. Yet, I know what lofty dreams and desperate struggles those few decaying adobes represent.
"Ta'a ko'oitu," I said in Comanche. We are dying.
I was not really sad. I got over my sorrow long ago. I remembered things I had done here. The children I had ransomed out of captivity. The battles I had fought. The demons I had slain. Here I rode with trappers and traders legendary in their own time. Jim Bridger, John "Freckled Hand" Hatcher, Thomas "Broken Hand" Fitzpatrick. Old Gabe. And, of course, William Bent and Ceran St. Vrain. Here Kit Carson would become my friend. The Comanche chief, Shaved Head, would adopt me. The warrior, Kills Something, would become my brother. The shaman, Burnt Belly, would show me how to make medicine and listen to plants and animals talk.
But now you think you are listening to the fanciful ramblings of a senile old fool, for I have tried to tell too much at once. Bear with me. Hear my tale. It is strange, and so am I. Yet, my story is like yours--or his--or hers--or theirs. I have lived and seen and done the strange, the unusual. Haven't you? Think. Could you not amaze me with some memory of your own? Of course you could. Perhaps you shall. Let me share with you what I have experienced. My peculiar fate. My singular destiny. Give me time. I will try not to disappoint.
Shall I make you laugh? I hope I will. I welcome your laughter. My ego can withstand even your ridicule. Will you make me laugh? You can. Think. You can make me laugh. And I will. I will laugh well. I have earned it. You need to know my laughter as much as I need to know yours.
But that is only the beginning. After we have laughed together, with genuine mirth and tearful eyes, then we willhave only started, each to know the other. As I tell you these things about my life that will test your utmost credulity, you must stop and think. I will wait, even though you may ponder silently at length. I will wait. Think. You possess the selfsame humanity as do I. With what true tale from your own experience could you arouse my suspicion and disbelief? My story, though strange to you, is no stranger than yours. Only different. I will begin at the beginning. But first, I want to tell you about the adobes. The ones I watched this morning in the rain.
I made these last remaining bricks by hand, eighty-two years ago, when I was a lad of seventeen. These were the first I used in building the fort. They have lasted the longest. They possess parts of my soul. When the grass roots finally split them, and when the rain melts the last of the old mud bricks back into the earth, and when the wind turns them to dust, I will die; for my life intertwines with all that is left of Fort Adobe. But this morning, standing there in the rain, I saw that there were still a few adobes left. There is time yet, and I will make it precious. If you wish, I will spend some of my remaining moments with you, telling my tale. That would please me.
Anyway, when the rain began to chill me this morning, I turned away from the crumbling adobes and hiked back toward my sod house. On the way, an airplane flew over me. It flew lower than usual. Because of the rain, I suppose. Some fellow carries the mail in that airplane, I have been told, and apparently likes to follow the Canadian River as a landmark. He always flies right over my sod house. The noise doesn't last long, but it irritates me. One day, having calculated his schedule through observation, I waited for him to fly over. I sent a warning shot across his propeller with my old Sharps buffalo gun. I don't suppose he ever knew.
This morning, I watched him fly over and disappear into the mist, and said to him, "Godspeed, lad," for I harbor no real resentment toward him. I read in the newspapers that men are attempting to fly the Atlantic in one of those machines.I crossed the ocean on a square-rigger once. A man would need to possess courage in amplitude to fly where I sailed.
After the drone of the airplane faded up the river valley, I went into my sod house and made a good fire in the woodstove. It was forty-nine degrees outside. Oh, pshaw! I won't catch cold! That doesn't happen. Germs cause colds. The Indians knew this generations before anyone knew what a germ was. Comanches make themselves go out in the cold. They swim in icy streams. I am part Comanche. Not by blood, by heart. A good walk in the cold rain braces the body and the spirit.
So, I dried off, got dressed, warmed up, and played a bit of Chopin's trio on my left-handed Stradivarius violin. I ate some pemmican I prepared just last week from dried venison and tallow and fruit from the native plum trees over on Bent's Creek. Now I am cozy and content and since you have come to visit I want to tell you the things I have seen here in this place that called my name far across the ocean a lifetime ago. I want to tell you about the buffalo. About the Indians. About Snakehead Jackson, the whiskey trader. The black-powder days. I want to tell you about the wilderness.
First, I must tell you about myself. Have I mentioned that I am a genius? The question is rhetorical. I know I haven't mentioned it because my memory is and always has been perfect. I'm not boasting. I simply am a genius. It's nothing to brag about, really.
I am also a liar, but I'm not lying about being a genius. I am also a murderer and a thief. That is the truth. But now I have tried to tell too much at once again. Allow me to begin at the beginning. If you don't mind, I will wash and cut some dogbane root while we talk. I keep it on hand to chew. It helps me sleep and wards off night terrors. I am afflicted with an almost intolerable sense of efficiency. I can't just sit here and talk. I have to be doing something with my hands while I talk lest I should toss and turn all night over the time I have wasted.
There. Now I can begin. Let me tell you a story. This is the truth, so you will find it difficult to swallow. Should I lie, you should believe every word, but I will suffer your incredulity and hold to the truth. The Gospel, as they say. Yes, I knew Kit Carson, but I cannot just start there. I will begin ... well, at the beginning ... .
Copyright © 2001 by Mike Blakely

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