Moon Over Soho (Peter Grant Series #2)

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The song. That’s what London constable and sorcerer’s apprentice Peter Grant first notices when he examines the corpse of Cyrus Wilkins, part-time jazz drummer and full-time accountant, who dropped dead of a heart attack while playing a gig at Soho’s 606 Club. The notes of the old jazz standard are rising from the body—a sure sign that something about the man’s death was not at all natural...
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Moon Over Soho (Peter Grant Series #2)

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The song. That’s what London constable and sorcerer’s apprentice Peter Grant first notices when he examines the corpse of Cyrus Wilkins, part-time jazz drummer and full-time accountant, who dropped dead of a heart attack while playing a gig at Soho’s 606 Club. The notes of the old jazz standard are rising from the body—a sure sign that something about the man’s death was not at all natural but instead supernatural.

Body and soul—they’re also what Peter will risk as he investigates a pattern of similar deaths in and around Soho. With the help of his superior officer, Detective Chief Inspector Thomas Nightingale, the last registered wizard in England, and the assistance of beautiful jazz aficionado Simone Fitzwilliam, Peter will uncover a deadly magical menace—one that leads right to his own doorstep and to the squandered promise of a young jazz musician: a talented trumpet player named Richard “Lord” Grant—otherwise known as Peter’s dear old dad.

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Editorial Reviews

From Barnes & Noble

The first clue was that the corpse was emitting music; "Body and Soul" to be specific, but whatever it was, London constable/sorcerer's apprentice Peter Grant knew that there was something undeniably supernatural about the murder of jazz drummer Cyrus Wilkins. As that tune echoes in the air, Grant and his wizard supervisor embark on an evocative venture into things not quite right. A refreshingly original mass market original.

From the Publisher
“A terrific follow-up to [Aaronovitch’s] novel Midnight Riot, the debut of Peter Grant and his own weird London. Grant continues to learn the ropes of magical London, a process that takes him on a trip through Nightingale's haunted past and into some of the most interesting places you won't find on any official tour. Aaronovitch makes the story sing, building momentum until the ending is literally breathless.”  --SF Revu

“A realistic modern-day police procedural populated by increasingly solid characters and written in the same consistently witty style as the first Peter Grant novel [Midnight Riot]. . . . One of the most entertaining books I’ve read in a long time.”  --Fantasy Literature

From the Publisher
"Fresh and exciting and an absolute must buy." —-Saxon Bullock, SFX Magazine
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Product Details

  • ISBN-13: 9780345524591
  • Publisher: Random House Publishing Group
  • Publication date: 3/1/2011
  • Series: Peter Grant Series , #2
  • Format: Mass Market Paperback
  • Pages: 304
  • Sales rank: 78,153
  • Product dimensions: 4.10 (w) x 6.80 (h) x 0.90 (d)

Meet the Author

Ben Aaronovitch was born in London in 1964 and had the kind of dull routine childhood that drives a man to drink or to science fiction. He is a screenwriter, with early notable success on BBC television’s legendary Doctor Who, for which he wrote some episodes now widely regarded as classics, and which even he is quite fond of. He has also penned several groundbreaking TV tie-in novels. After a decade of such work, he decided it was time to show the world what he could really do and embarked on his first serious original novel. The result is Midnight Riot, the debut adventure of Peter Grant, followed by Moon Over Soho.
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Read an Excerpt

chapter 1

Body and Soul

It’s a sad fact of modern life that if you drive long enough, sooner or later you must leave London behind. If you drive northeast up the A12 you eventually come to Colchester, Britain’s first Roman capital and the first city to be burned down by that redheaded chavette from Norfolk known as Boudicca. I knew all this because I’d been reading the Annals of Tacitus as part of my Latin training. He’s surprisingly sympathetic to the revolting Brits and scathing about the unpreparedness of the Roman generals who thought more of what was agreeable than expedient. The classically educated chinless wonders who run the British army obviously took this admonition to heart because Col?chester is now the home of their toughest soldiers—the parachute regiment. Having spent many a Saturday night as a probationary PC wrestling squaddie in Leicester Square, I made sure I stayed on the main road and bypassed the city altogether.

Beyond Colchester I turned south and, with the help of the GPS on my phone, got myself onto the B1029 heading down the wedged-shaped bit of dry ground jammed between the River Colne and Flag Creek. At the end of the road lay Brightlingsea–lining the coast, so Leslie had always told me, like a collection of rubbish stranded at the high-water mark. Actually I didn’t think it was that bad. It had been raining in London but after Colchester I’d driven into clear blue skies and the sun lit up the rows of well-kept Victorian terraces that ran down to the sea.

Chez May was easy to spot, a 1970s brick-built fake Edwardian cottage that had been carriage-lamped and pebble-dashed within an inch of its life. The front door was flanked on one side by a hanging basket full of blue flowers and on the other by the house number inscribed on a ceramic plate in the shape of a sailing yacht. I paused and checked the garden; there were gnomes loitering near the ornamental birdbath. I took a breath and rang the doorbell.

There was an immediate chorus of female yelling from inside. Through the reproduction stained-glass window in the front door I could just make out blurry figures running back and forth at the far end of the hall. Somebody yelled, “It’s your boyfriend!” which earned a shush and a sotto voce reprimand from someone else. A white blur marched up the hallway until it filled the view through the window from side to side. I took a step backward and the door opened. It was Henry May—Leslie’s father.

He was a large man, and driving big trucks and hauling heavy gear had given him broad shoulders and heavily muscled arms. Too many transport café breakfasts and standing his round at the pub had put a tire around his waist. He had a square face and had dealt with a receding hairline by shaving his hair down to a brown fuzz. His eyes were blue and clever. Leslie had gotten her eyes from her dad.

Having four daughters meant that he had parental looming down to a fine art, and I fought the urge to ask whether Leslie could come out and play.

“Hello, Peter,” he said.

“Mr. May,” I said.

He made no effort to unblock the doorway; nor did he invite me in.

“Leslie will be out in a minute,” he said.

“She all right?” I asked. It was a stupid question and Leslie’s dad didn’t embarrass either of us by trying to answer it. I heard someone coming down the stairs and braced myself.

There’d been severe damage to the maxilla, nasal spine, ramus, and mandible, Dr. Walid had said. And although much of the underlying muscle and tendons had survived, the surgeons at UCH had been unable to save much of the skin surface. They’d put in a temporary scaffold to allow her to breathe and ingest food, and there was a chance that she might benefit from a partial face transplant—if they could find a suitable donor. Given that what was left of her jaw was currently held together by a filigree of hypoallergenic metal, talking was out of the question. Dr. Walid had said that once the bones were sufficiently fused, they might be able to restore enough functionality to the jaw to allow for speech. But it all sounded a bit conditional to me. Whatever you see, he’d said, take as long a look as you need to get used to it, to accept it, and then move on as if nothing has changed.

“Here she is,” said Leslie’s dad and turned sideways to allow a slim figure to squeeze past him. She wore a blue-and-white-striped hoodie with the hood up, drawstring pulled tight so that it hid her forehead and chin. The lower face was covered by a matching blue-and-white-patterned scarf and her eyes by a pair of unfashionably large sunglasses I suspected had been looted from her mum’s forgotten-clothes drawer. I stared but there was nothing to see.

“You should have said we were going out robbing,” I said. “I’d have brought a balaclava.”

She gave me a disgusted look—I recognized it from the tilt of her head and the way she held her shoulders. I felt a stutter in my chest and took a deep breath.

“Fancy a walk then?” I asked.

She nodded to her dad, took me firmly by the arm, and led me away from the house.

I felt her dad’s eyes on my back as we walked off.

If you don’t count the boatbuilding and the light engineering, Brightlingsea is not a noisy town even in the summer. Now, two weeks after the end of the school holidays, it was almost silent, just the occasional car and the sound of the gulls. I stayed quiet until we’d crossed the high street where Leslie pulled her police-issue notebook out of her bag, flipped it open to the last page, and showed it to me.

What have you been up to? was written in black Biro across the page.

“You don’t want to know,” I said.

She made it clear through hand gestures that yeah, she did want to know.

So I told her about the guy that had had his dick bitten off by a woman with teeth in her vagina, which seemed to amuse Leslie, and about the rumors that DCI Seawoll was being investigated by the IPCC about his conduct during the Covent Garden riots, which did not. I also didn’t tell her that Terrence Pottsley, the only other victim to survive the magic that had damaged Leslie’s face, had topped himself as soon as his family’s backs were turned.

We didn’t go straight to the shore. Instead Leslie led me the back way down Oyster Tank Road and through a grassy car park where rows of dinghies were parked on their trailers. A brisk wind from the sea moaned through the rigging and clonked the metal fittings together like cowbells. Hand in hand, we picked our way through the boats and out onto the windswept concrete esplanade. On one side cement steps led down to a beach carved into narrow strips by rotting breakwaters; on the other stood a line of brightly colored huts. Most were closed up tight but I did see one family determined to stretch the summer as far as it would go, the parents drinking tea in the shelter of their doorway while the kids kicked a soccer ball on the beach.

Between the end of the beach huts and the open-air swimming pool was a strip of grass and a shelter where we finally got to sit down. Constructed in the 1930s when people had realistic expectations of the British climate, it was brick-built and solid enough to serve as a tank trap. We sat down out of the wind on the bench that ran along the back of the alcove. The inside had been decorated with a mural of the seafront, blue sky, white clouds, red sails. Some total wanker had graffitied bmx across the sky and there was a list of names crudely painted down the side wall—brooke t., emily b. and leslie m. They were just in the right location to have been painted by a bored teenager slumped on the corner of the bench. You didn’t need to be a copper to see that this was where the yoofs of Brightlingsea came to hang out in that difficult gap between the age of criminal responsibility and that of legal drinking.

Leslie pulled an iPad clone out of her bag and fired it up. She typed in keyboard mode and the iPad spoke—somebody in her family must have installed a speech synthesizer. It was a basic model with an American accent that made Leslie sound like an autistic surfer dude, but at least we could have an almost normal conversation.

She didn’t bother with small talk.

“Can magic fix?” she asked.

“I thought Dr. Walid had talked to you about that.” I’d been dreading this question.

“Want you say,” she said.


Leslie leaned over her pad and stabbed deliberately at the screen with her finger. She typed several separate lines before hitting return.

“I want to hear it from you,” said the iPad.


“Because I trust you.”

I took a breath. A pair of old-age pensioners raced past the shelter on mobility scooters.

“As far as I can tell magic works within the same framework of physical laws as everything else,” I said.

“What magic do,” said the iPad, “magic can undo.”

“If you burn your hand on fire or electricity it’s still a burn—you fix it with bandages and cream and stuff like that. You don’t use more electricity or more fire. You . . .”

Had the skin and muscles of your face been pulled out of shape by a fucking malevolent spirit—your jaw was all smashed up and the whole thing was held together with magic and when that ran out your face fell off. Your beautiful face. I was there, I watched it happen. And there was nothing I could do.

“Can’t just wish it away,” I said.

“Know everything?” asked the iPad.

“No,” I said. “And I don’t think Nightingale does either.”

She sat silent and unmoving for a long while. I wanted to put my arm around her but I didn’t know how she’d react. I was just about to reach out when she nodded to herself and picked up the iPad again.

“Show me,” said the iPad.

“Leslie . . .”

“Show me.” She hit the repeat button several times. “Show me, show me, show me . . .”

“Wait,” I said and reached for her iPad, but she pulled it out of my reach.

“I have to take the battery out,” I said. “Or the magic will blow the chips.”

Leslie flipped the iPad, cracked it open, and pulled the battery. After going through five phones in a row I’d retrofitted my latest Samsung with a hardware cutoff that kept it safe but meant that the case was held together with elastic bands. Leslie shuddered when she saw it and made a snorting sound that I suspected was laughter.

I made the shape of the appropriate forma in my mind, opened my hand, and brought forth a werelight. Not a big one but enough to cast a pale light that was reflected in Leslie’s sunglasses. She stopped laughing. I closed my hand and the light went out.

Leslie stared at my hand for a moment and then made the same gesture, repeating it twice, slowly and methodically. When nothing happened she looked up at me and I knew, underneath the glasses and scarf, that she was frowning.

“It’s not that easy,” I said. “I practiced every morning for four hours for a month and a half before I could do that and that’s just the first thing you have to learn. Have I told you about the Latin, the Greek . . . ?”

We sat in silence for a moment, then she poked me in the arm. I sighed and produced another werelight. I could practically do it in my sleep by then. She copied the gesture and got nothing. I’m not joking about how long it takes to learn.

The OAPs returned, drag racing past on the esplanade. I put the light out but Leslie carried on making the gesture, the movements becoming more impatient with every try. I stood it as long as I could before I took her hand in mine and made her stop.

We walked back to her house soon afterward. When we reached her porch she patted me on the arm, stepped inside, and shut the door in my face. Through the stained glass I watched her blurry shape retreat quickly down the hallway. Then she was gone.

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Interviews & Essays

I've always supplemented my nutritious and tasty science fiction and fantasy reading with a healthy dose of crime, and ever since I can remember I've always rooted for the detectives. For me Clarice Starling was the star of Silence of the Lambs, not Hannibal Lector, and while I find the antics of Elmore Leonard's myriad lowlifes amusing I always hanker for the moment when the heavy hand of the law lands on their shoulder and the cuffs go on. In short, my subgenre of choice is what's known as the police procedural, or as the French call it, le policier.

The undisputed king of American procedurals is Evan Hunter, writing under the name of Ed McBain. If you wanted to know the single biggest influence on the Peter Grant books (Midnight Riot and Moon Over Soho, with a third coming this fall), it would be his 87th Precinct novels, which started with Cop Hater in 1956 and continued until Hunter's death in 2005. I challenge anyone to find a fantasy world as lovingly and meticulously created as the unnamed imaginary city in which the 87th Precinct novels take place, and certainly no braver heroes in song and story than the working stiffs who solve the mysteries.

One thing I always remember about the novels is that they contain official-looking forms and interrogation transcripts illustrating police procedure. Under this influence I went forth and delved into the arcane and Byzantine world of London's Metropolitan Police Service, with its AWARE terminals and HOLMES 2 computer systems, the HAT car, MISPERs, FATACs, and every copper's friend, the Evidence and Action Book, which contains all the forms you absolutely have to have filled in before you can book your suspect into the custody suite – even if they're a werewolf.

The 87th Precinct series is also why Peter Grant isn't "the chosen one" or the uniquely gifted child of two warring races, it's why he doesn't have a Maori tattoo and why he carries a standard Metropolitan Police extendable baton, not a katana. It's why he's a hardworking flat-foot who sometimes is deadly afraid when he walks down those mean streets, and yet still does his duty because it's his job and he swore an oath.

I like to think that Detective 2nd Grade Steve Carella and the rest of the boys in the bullpen back at the old 87th would have approved.

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Customer Reviews

Average Rating 4.5
( 50 )
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See All Sort by: Showing 1 – 20 of 50 Customer Reviews
  • Posted August 17, 2011

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    Solid Second Book

    Fast paced and very enjoyable second book to the series. Peter Grant gets in over his head when he starts to investigate the mysterious deaths of several jazz musicians. There are new and interesting characters to meet, but favorite character from the first book are not ignored. London is still a lovingly detailed backdrop to Peter's investigation. The magic elements are starting to develop in fascinating ways. If you liked the first book, you'll want to read this one, too.

    2 out of 2 people found this review helpful.

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  • Posted April 17, 2011

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    A good read

    The sequel to Midnight Riot. I greatly enjoyed it and handed the book over to my wife so she could enjoy some of the scenes. I look forward to more stories in this series and will keep an eye out for more books by Ben Aaronovitch.

    1 out of 1 people found this review helpful.

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  • Posted December 26, 2014

    worthy 2nd installment 

    worthy 2nd installment 

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  • Posted June 2, 2012

    Not up there on my list with a series like Jim Butcher's The Dre

    Not up there on my list with a series like Jim Butcher's The Dresden File, but I enjoyed this second book and I look forward to reading the third. I hope Peter learns more magic a little faster in the next book.

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  • Posted May 30, 2012

    more from this reviewer

    Love love love this series! Cannot wait to read whatever comes n

    Love love love this series! Cannot wait to read whatever comes next and whatever else Ben Aaronovitch writes.
    Touring through Peter Grant's London is highly excellent. This time it's through the jazz scene, the magical jazz scene. There are beasties out there and it's up to Peter to sort them out since his mentor, Nightengale, is supposed to be resting up after being shot and Peter's partner, Leslie, is recovering from magical injuries.
    Someone is killing jazz musicians and they look like natural deaths, but Peter and Nightengale know better.

    Such a FAB book! More please and soonest, Ben!!

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