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During the winter of 1825, Richard Hamilton?a timid Harvard philosophy student?arrives in St. Louis on business for his father. Robbed and beaten, desperate to save his life, he reluctantly joins the crew of the Maria, a fur trader?s keelboat. Bound for the beautiful, wild, and dangerous Indian country of the Upper Yellowstone River, the native Bostonian begins the education and adventure of a lifetime.
On a converging path is Packrat, a Pawnee warrior who captures a beautiful ...
During the winter of 1825, Richard Hamilton—a timid Harvard philosophy student—arrives in St. Louis on business for his father. Robbed and beaten, desperate to save his life, he reluctantly joins the crew of the Maria, a fur trader’s keelboat. Bound for the beautiful, wild, and dangerous Indian country of the Upper Yellowstone River, the native Bostonian begins the education and adventure of a lifetime.
On a converging path is Packrat, a Pawnee warrior who captures a beautiful young Shoshone medicine woman named Heals Like a Willow. But slaves with ties to the spirit world can—and do—fight back.
As the Maria struggles deeper into the wilderness, Richard and Willow are cast together: seekers of knowledge and spirit, unwitting adversaries separated by time, space, and birthright. As inevitable as the collision of their two worlds, their love begins to unfold—and with it the terrible consequences of a forbidden consummation.
The Morning River is the first of The Man from Boston duology from bestselling author W. Michael Gear—a western that has become a classic tale of the dangers and possibilities of the American frontier.
Richard Hamilton, timid Harvard philosophy student and intellectual snob (with a propensity for verbally biting the hand that feeds him), accepts a challenge from his father: Deliver $30,000 to a business associate in St. Louis. If he doesn't accept the task, the elder Hamilton will cut the purse strings. Appalled by his father's lack of appreciation for abstract philosophy—but also by the prospect of supporting himself—Richard leaves Boston determined to remain true to his ideals and untainted by any necessary association with the "animals" and "savages" inhabiting the frontier. Predictably, one of the "animals" takes umbrage at Richard's contempt and retaliates. Richard, now penniless, finds himself sold into a two-year indenture as a deckhand on a Missouri River keelboat engaged in an illegal trading expedition led by an old mountain man named Travis Hartman. Richard's journey up the river is one of intellectual discovery as well as a quest for self-knowledge. In apposition to Richard is Heal Like A Willow, a young Shoshoni woman whose philosophy is also limited by lack of experience. Her rigidity of beliefs mirrors Richard's own, but experience gained during her time on the keelboat transforms her limited perceptions of white culture, in contrast to Richard's continued inability to admit the fallacies of his philosophy.
Weaving together realistic characters, authentic dialogue that only occasionally overdoes the frontier dialect, and a historically accurate setting, Gear creates believable fiction that transcends and transforms its predictable plot.