Mosses from an Old Manseby Nathaniel Hawthorne
Mosses from an Old Manse is Nathaniel Hawthorne’s second story collection, first published in 1846 in two volumes and featuring sketches and tales written over a span of more than twenty years, including such classics as “Young Goodman Brown,” “The Birthmark,” and “Rappaccini’s Daughter.” Herman Melville deemed/i>… See more details below
Mosses from an Old Manse is Nathaniel Hawthorne’s second story collection, first published in 1846 in two volumes and featuring sketches and tales written over a span of more than twenty years, including such classics as “Young Goodman Brown,” “The Birthmark,” and “Rappaccini’s Daughter.” Herman Melville deemed Hawthorne the American Shakespeare, and Henry James wrote that his early tales possess “the element of simple genius, the quality of imagination. That is the real charm of Hawthorne’s writing—this purity and spontaneity and naturalness of fancy.”
Read an Excerpt
The Old Manse
The Author makes the Reader acquainted with his Abode.
Between two tall gateposts of roughhewn stone (the gate itself having fallen from its hinges at some unknown epoch) we beheld the gray front of the old parsonage, terminating the vista of an avenue of black ash trees. It was now a twelvemonth since the funeral procession of the venerable clergyman, its last inhabitant, had turned from that gateway towards the village burying ground. The wheel track leading to the door, as well as the whole breadth of the avenue, was almost overgrown with grass, affording dainty mouthfuls to two or three vagrant cows and an old white horse who had his own living to pick up along the roadside. The glimmering shadows that lay half asleep between the door of the house and the public highway were a kind of spiritual medium, seen through which the edifice had not quite the aspect of belonging to the material world. Certainly it had little in common with those ordinary abodes which stand so eminent upon the road that every passer by can thrust his head, as it were, into the domestic circle. From these quiet windows the figures of passing travellers looked too remote and dim to disturb the sense of privacy. In its near retirement and accessible seclusion it was the very spot for the residence of a clergyman—a man not estranged from human life, yet enveloped, in the midst of it, with a veil woven of intermingled gloom and brightness. It was worthy to have been one of the time-honored parsonages of England, in which, through many generations, a succession of holy occupants pass from youth to age, and bequeath each an inheritance of sanctity to pervade the house and hover over it as with an atmosphere.
Nor, in truth, had the Old Manse ever been profaned by a lay occupant until that memorable summer afternoon when I entered it as my home. A priest had built it; a priest had succeeded to it; other priestly men from time to time had dwelt in it; and children born in its chambers had grown up to assume the priestly character. It was awful to reflect how many sermons must have been written there. The latest inhabitant alone—he by whose translation to paradise the dwelling was left vacant—had penned nearly three thousand discourses, besides the better, if not the greater, number that gushed living from his lips. How often, no doubt, had he paced to and fro along the avenue, attuning his meditations to the sighs and gentle murmurs and deep and solemn peals of the wind among the lofty tops of the trees! In that variety of natural utterances he could find something accordant with every passage of his sermon, were it of tenderness or reverential fear. The boughs over my head seemed shadowy with solemn thoughts as well as with rustling leaves. I took shame to myself for having been so long a writer of idle stories, and ventured to hope that wisdom would descend upon me with the falling leaves of the avenue, and that I should light upon an intellectual treasure in the Old Manse well worth those hoards of long-hidden gold which people seek for in mossgrown houses. Profound treatises of morality; a layman’s unprofessional, and therefore unprejudiced, views of religion; histories (such as Bancroft might have written had he taken up his abode here as he once purposed) bright with picture, gleaming over a depth of philosophic thought,—these were the works that might fitly have flowed from such a retirement. In the humblest event, I resolved at least to achieve a novel that should evolve some deep lesson and should possess physical substance enough to stand alone.
In furtherance of my design, and as if to leave me no pretext for not fulfilling it, there was in the rear of the house the most delightful little nook of a study that ever afforded its snug seclusion to a scholar. It was here that Emerson wrote Nature; for he was then an inhabitant of the Manse, and used to watch the Assyrian dawn and Paphian sunset and moonrise from the summit of our eastern hill. When I first saw the room its walls were blackened with the smoke of unnumbered years and made still blacker by the grim prints of Puritan ministers that hung around. These worthies looked strangely like bad angels, or at least like men who had wrestled so continually and so sternly with the devil that somewhat of his sooty fierceness had been imparted to their own visages. They had all vanished now; a cheerful coat of paint and golden-tinted paper hangings lighted up the small apartment; while the shadow of a willow tree that swept against the overhanging eaves attempered the cheery western sunshine. In place of the grim prints there was the sweet and lovely head of one of Raphael’s Madonnas and two pleasant little pictures of the Lake of Como. The only other decorations were a purple vase of flowers, always fresh, and a bronze one containing graceful ferns. My books (few, and by no means choice; for they were chiefly such waifs as chance had thrown in my way) stood in order about the room, seldom to be disturbed.
The study had three windows, set with little, old-fashioned panes of glass, each with a crack across it. The two on the western side looked, or rather peeped, between the willow branches, down into the orchard, with glimpses of the river through the trees. The third, facing northward, commanded a broader view of the river, at a spot where its hitherto obscure waters gleam forth into the light of history. It was at this window that the clergyman who then dwelt in the Manse stood watching the outbreak of a long and deadly struggle between two nations: he saw the irregular array of his parishioners on the farther side of the river and the glittering line of the British on the hither bank. He awaited, in an agony of suspense, the rattle of the musketry. It came; and there needed but a gentle wind to sweep the battle smoke around this quiet house.
Perhaps the reader, whom I cannot help considering as my guest in the Old Manse and entitled to all courtesy in the way of sightshowing,—perhaps he will choose to take a nearer view of the memorable spot. We stand now on the river’s brink. It may well be called the Concord—the river of peace and quietness; for it is certainly the most unexcita- ble and sluggish stream that ever loitered imperceptibly towards its eternity—the sea. Positively I had lived three weeks beside it before it grew quite clear to my perception which way the current flowed. It never has a vivacious aspect except when a north-western breeze is vexing its surface on a sunshiny day. From the incurable indolence of its nature, the stream is happily incapable of becoming the slave of human ingenuity, as is the fate of so many a wild, free mountain torrent. While all things else are compelled to subserve some useful purpose, it idles its sluggish life away in lazy liberty, without turning a solitary spindle or affording even water power enough to grind the corn that grows upon its banks. The torpor of its movement allows it nowhere a bright, pebbly shore, nor so much as a narrow strip of glistening sand, in any part of its course. It slumbers between broad prairies, kissing the long meadow grass, and bathes the overhanging boughs of elder bushes and willows or the roots of elms and ash trees and clumps of maples. Flags and rushes grow along its plashy shore; the yellow water lily spreads its broad, flat leaves on the margin; and the fragrant white pond lily abounds, generally selecting a position just so far from the river’s brink that it cannot be grasped save at the hazard of plunging in.
It is a marvel whence this perfect flower derives its loveliness and perfume, springing as it does from the black mud over which the river sleeps, and where lurk the slimy eel, and speckled frog, and the mud turtle, whom continual washing cannot cleanse. It is the very same black mud out of which the yellow lily sucks its obscene life and noisome odor. Thus we see, too, in the world that some persons assimilate only what is ugly and evil from the same moral circumstances which supply good and beautiful results—the fragrance of celestial flowers—to the daily life of others.
The reader must not, from any testimony of mine, contract a dislike towards our slumberous stream. In the light of a calm and golden sunset it becomes lovely beyond expression; the more lovely for the quietude that so well accords with the hour, when even the wind, after blustering all day long, usually hushes itself to rest. Each tree and rock and every blade of grass is distinctly imaged, and, however unsightly in reality, assumes ideal beauty in the reflection. The minutest things of earth and the broad aspect of the firmament are pictured equally without effort and with the same felicity of success. All the sky glows downward at our feet; the rich clouds float through the unruffled bosom of the stream like heavenly thoughts through a peaceful heart. We will not, then, malign our river as gross and impure while it can glorify itself with so adequate a picture of the heaven that broods above it; or, if we remember its tawny hue and the muddiness of its bed, let it be a symbol that the earthliest human soul has an infinite spiritual capacity and may contain the better world within its depths. But, indeed, the same lesson might be drawn out of any mud puddle in the streets of a city; and, being taught us every where, it must be true.
Come, we have pursued a somewhat devious track in our walk to the battle ground. Here we are, at the point where the river was crossed by the old bridge, the possession of which was the immediate object of the contest. On the hither side grow two or three elms, throwing a wide circumference of shade, but which must have been planted at some period within the threescore years and ten that have passed since the battle day. On the farther shore, overhung by a clump of elder bushes, we discern the stone abutment of the bridge. Looking down into the river, I once discovered some heavy fragments of the timbers, all green with half a century’s growth of water moss; for during that length of time the tramp of horses and human footsteps have ceased along this ancient highway. The stream has here about the breadth of twenty strokes of a swimmer’s arm—a space not too wide when the bullets were whistling across. Old people who dwell hereabouts will point out the very spots on the western bank where our countrymen fell down and died; and on this side of the river an obelisk of granite has grown up from the soil that was fertilized with British blood. The monument, not more than twenty feet in height, is such as it befitted the inhabitants of a village to erect in illustration of a matter of local interest rather than what was suitable to commemorate an epoch of national history. Still, by the fathers of the village this famous deed was done; and their descendants might rightfully claim the privilege of building a memorial.
A humbler token of the fight, yet a more interesting one than the granite obelisk, may be seen close under the stone wall which separates the battle ground from the precincts of the parsonage. It is the grave,—marked by a small, mossgrown fragment of stone at the head and another at the foot,—the grave of two British soldiers who were slain in the skirmish, and have ever since slept peacefully where Zechariah Brown and Thomas Davis buried them. Soon was their warfare ended; a weary night march from Boston, a rattling volley of musketry across the river and then these many years of rest. In the long procession of slain invaders who passed into eternity from the battle fields of the revolution, these two nameless soldiers led the way.
Lowell, the poet, as we were once standing over this grave, told me a tradition in reference to one of the inhabitants below. The story has something deeply impressive, though its circumstances cannot altogether be reconciled with probability. A youth in the service of the clergyman happened to be chopping wood, that April morning, at the back door of the Manse; and when the noise of battle rang from side to side of the bridge he hastened across the intervening field to see what might be going forward. It is rather strange, by the way, that this lad should have been so diligently at work when the whole population of town and country were startled out of their customary business by the advance of the British troops. Be that as it might, the tradition says that the lad now left his task and hurried to the battle field with the axe still in his hand. The British had by this time retreated; the Americans were in pursuit; and the late scene of strife was thus deserted by both parties. Two soldiers lay on the ground—one was a corpse; but, as the young New Englander drew nigh, the other Briton raised himself painfully upon his hands and knees and gave a ghastly stare into his face. The boy,—it must have been a nervous impulse, without purpose, without thought, and betokening a sensitive and impressible nature rather than a hardened one,—the boy uplifted his axe and dealt the wounded soldier a fierce and fatal blow upon the head.
I could wish that the grave might be opened; for I would fain know whether either of the skeleton soldiers has the mark of an axe in his skull. The story comes home to me like truth. Oftentimes, as an intellectual and moral exercise, I have sought to follow that poor youth through his subsequent career and observe how his soul was tortured by the blood stain, contracted as it had been before the long custom of war had robbed human life of its sanctity and while it still seemed murderous to slay a brother man. This one circumstance has borne more fruit for me than all that history tells us of the fight.
Many strangers come in the summer time to view the battle ground. For my own part, I have never found my imagination much excited by this or any other scene of historic celebrity; nor would the placid margin of the river have lost any of its charm for me had men never fought and died there. There is a wilder interest in the tract of land—perhaps a hundred yards in breadth—which extends between the battle field and the northern face of our Old Manse, with its contiguous avenue and orchard. Here, in some unknown age, before the white man came, stood an Indian village, convenient to the river, whence its inhabitants must have drawn so large a part of their substance. The site is identified by the spear and arrowheads, the chisels, and other implements of war, labor, and the chase, which the plough turns up from the soil. You see a splinter of stone, half hidden beneath a sod; it looks like nothing worthy of note; but, if you have faith enough to pick it up, behold a relic! Thoreau, who has a strange faculty of finding what the Indians have left behind them, first set me on the search; and I afterwards enriched myself with some very perfect specimens, so rudely wrought that it seemed almost as if chance had fashioned them. Their great charm consists in this rudeness and in the individuality of each article, so different from the productions of civilized machinery, which shapes every thing on one pattern. There is exquisite delight, too, in picking up for one’s self an arrowhead that was dropped centuries ago and has never been handled since, and which we thus receive directly from the hand of the red hunter, who purposed to shoot it at his game or at an enemy. Such an incident builds up again the Indian village and its encircling forest, and recalls to life the painted chiefs and warriors, the squaws at their household toil, and the children sporting among the wigwams, while the little wind rocked pappoose swings from the branch of a tree. It can hardly be told whether it is a joy or a pain, after such a momentary vision, to gaze around in the broad daylight of reality and see stone fences, white houses, potato fields, and men doggedly hoeing in their shirt sleeves and homespun pantaloons.16 But this is nonsense. The Old Manse is better than a thousand wigwams.
The Old Manse! We had almost forgotten it, but will return thither through the orchard. This was set out by the last clergyman, in the decline of his life, when the neighbors laughed at the hoary-headed man for planting trees from which he could have no prospect of gathering fruit. Even had that been the case, there was only so much the better motive for planting them, in the pure and unselfish hope of benefiting his successors—an end so seldom achieved by more ambitious efforts. But the old minister, before reaching his patriarchal age of ninety, ate the apples from this orchard during many years, and added silver and gold to his annual stipend by disposing of the superfluity. It is pleasant to think of him walking among the trees in the quiet afternoons of early autumn and picking up here and there a windfall, while he observes how heavily the branches are weighed down, and computes the number of empty flour barrels that will be filled by their burden. He loved each tree, doubtless, as if it had been his own child. An orchard has a relation to mankind, and readily connects itself with matters of the heart. The trees possess a domestic character; they have lost the wild nature of their forest kindred, and have grown humanized by receiving the care of man as well as by contributing to his wants. There is so much individuality of character, too, among apple trees that it gives them an additional claim to be the objects of human interest. One is harsh and crabbed in its manifestations; another gives us fruit as mild as charity. One is churlish and illiberal, evidently grudging the few apples that it bears; another exhausts itself in freehearted benevolence. The variety of grotesque shapes into which apple trees contort themselves has its effect on those who get acquainted with them: they stretch out their crooked branches, and take such hold of the imagination that we remember them as humorists and odd fellows. And what is more melancholy than the old apple trees that linger about the spot where once stood a homestead, but where there is now only a ruined chimney rising out of a grassy and weedgrown cellar? They offer their fruit to every wayfarer—apples that are bitter sweet with the moral of Time’s vicissitude.
I have met with no other such pleasant trouble in the world as that of finding myself, with only the two or three mouths which it was my privilege to feed, the sole inheritor of the old clergyman’s wealth of fruits. Throughout the summer there were cherries and currants; and then came autumn, with his immense burden of apples, dropping them continually from his overladen shoulders as he trudged along. In the stillest afternoon, if I listened, the thump of a great apple was audible, falling without a breath of wind, from the mere necessity of perfect ripeness. And, besides, there were pear trees, that flung down bushels upon bushels of heavy pears; and peach trees, which, in a good year, tormented me with peaches, neither to be eaten nor kept, nor, without labor and perplexity, to be given away. The idea of an infinite generosity and exhaustless bounty on the part of our Mother Nature was well worth obtaining through such cares as these. That feeling can be enjoyed in perfection only by the natives of summer islands where the bread fruit, the cocoa, the palm and the orange grow spontaneously and hold forth the ever-ready meal; but likewise almost as well by a man long habituated to city life, who plunges into such a solitude as that of the Old Manse, where he plucks the fruit of trees that he did not plant, and which therefore, to my heterodox taste, bear the closest resemblance to those that grew in Eden. It has been an apothegm these five thousand years, that toil sweetens the bread it earns. For my part, (speaking from hard experience, acquired while belaboring the rugged furrows of Brook Farm,) I relish best the free gifts of Providence.
Not that it can be disputed that the light toil requisite to cultivate a moderately-sized garden imparts such zest to kitchen vegetables as is never found in those of the market gardener. Childless men, if they would know something of the bliss of paternity, should plant a seed,—be it squash, bean, Indian corn,18 or perhaps a mere flower or worthless weed,—should plant it with their own hands, and nurse it from infancy to maturity altogether by their own care. If there be not too many of them, each individual plant becomes an object of separate interest. My garden, that skirted the avenue of the Manse, was of precisely the right extent. An hour or two of morning labor was all that it required. But I used to visit and revisit it a dozen times a day, and stand in deep contemplation over my vegetable progeny with a love that nobody could share or conceive of who had never taken part in the process of creation. It was one of the most bewitching sights in the world to observe a hill of beans thrusting aside the soil, or a row of early peas just peeping forth sufficiently to trace a line of delicate green. Later in the season the humming birds were attracted by the blossoms of a peculiar variety of bean; and they were a joy to me, those little spiritual visitants, for deigning to sip airy food out of my nectar cups. Multitudes of bees used to bury themselves in the yellow blossoms of the summer squashes. This, too, was a deep satisfaction; although, when they had laden themselves with sweets, they flew away to some unknown hive, which would give back nothing in requital of what my garden had contributed. But I was glad thus to fling a benefaction upon the passing breeze with the certainty that somebody must profit by it and that there would be a little more honey in the world to allay the sourness and bitterness which mankind is always complaining of. Yes, indeed; my life was the sweeter for that honey.
Speaking of summer squashes, I must say a word of their beautiful and varied forms. They presented an endless diversity of urns and vases, shallow or deep, scalloped or plain, moulded in patterns which a sculptor would do well to copy, since Art has never invented any thing more graceful. A hundred squashes in the garden were worthy, in my eyes at least, of being rendered indestructible in marble. If ever Providence (but I know it never will) should assign me a superfluity of gold, part of it shall be expended for a service of plate, or most delicate porcelain, to be wrought into the shapes of summer squashes gathered from vines which I will plant with my own hands. As dishes for containing vegetables, they would be peculiarly appropriate.
But not merely the squeamish love of the beautiful was gratified by my toil in the kitchen garden. There was a hearty enjoyment, likewise, in observing the growth of the crook-necked winter squashes, from the first little bulb, with the withered blossom adhering to it, until they lay strewn upon the soil, big, round fellows, hiding their heads beneath the leaves, but turning up their great yellow rotundities to the noontide sun. Gazing at them, I felt that by my agency something worth living for had been done. A new substance was born into the world. They were real and tangible existences, which the mind could seize hold of and rejoice in. A cabbage, too,—especially the early Dutch cabbage,19 which swells to a monstrous circumference, until its ambitious heart often bursts asunder,—is a matter to be proud of when we can claim a share with the earth and sky in producing it. But, after all, the hugest pleasure is reserved until these vegetable children of ours are smoking on the table, and we, like Saturn,20 make a meal of them.
What with the river, the battle field, the orchard, and the garden, the reader begins to despair of finding his way back into the Old Manse. But, in agreeable weather, it is the truest hospitality to keep him out of doors. I never grew quite acquainted with my habitation till a long spell of sulky rain had confined me beneath its roof. There could not be a more sombre aspect of external Nature than as then seen from the windows of my study. The great willow tree had caught and retained among its leaves a whole cataract of water, to be shaken down at intervals by the frequent gusts of wind. All day long, and for a week together, the rain was drip-drip-dripping and splash-splash-splashing from the eaves and bubbling and foaming into the tubs beneath the spouts. The old, unpainted shingles of the house and out buildings were black with moisture; and the mosses of ancient growth upon the walls looked green and fresh, as if they were the newest things and afterthought of Time. The usually mirrored surface of the river was blurred by an infinity of raindrops; the whole landscape had a completely water-soaked appearance, conveying the impression that the earth was wet through like a sponge; while the summit of a wooded hill, about a mile distant, was enveloped in a dense mist, where the demon of the tempest seemed to have his abiding-place and to be plotting still direr inclemencies.
Nature has no kindness, no hospitality, during a rain. In the fiercest heat of sunny days she retains a secret mercy, and welcomes the wayfarer to shady nooks of the woods whither the sun cannot penetrate; but she provides no shelter against her storms. It makes us shiver to think of those deep, umbrageous21 recesses, those overshadowing banks, where we found such enjoyment during the sultry afternoons. Not a twig of foliage there but would dash a little shower into our faces. Looking reproachfully towards the impenetrable sky,—if sky there be above that dismal uniformity of cloud,—we are apt to murmur against the whole system of the universe, since it involves the extinction of so many summer days in so short a life by the hissing and spluttering rain. In such spells of weather—and it is to be supposed such weather came—Eve’s bower in paradise must have been but a cheerless and aguish22 kind of shelter, nowise comparable to the old parsonage, which had resources of its own to beguile the week’s imprisonment. The idea of sleeping on a couch of wet roses!
Happy the man who in a rainy day can betake himself to a huge garret, stored, like that of the Manse, with lumber23 that each generation has left behind it from a period before the revolution. Our garret was an arched hall, dimly illuminated through small and dusty windows; it was but a twilight at the best; and there were nooks, or rather caverns, of deep obscurity, the secrets of which I never learned, being too reverent of their dust and cobwebs. The beams and rafters, roughly hewn and with strips of bark still on them, and the rude masonry of the chimneys, made the garret look wild and uncivilized—an aspect unlike what was seen elsewhere in the quiet and decorous old house. But on one side there was a little whitewashed apartment, which bore the traditionary title of the Saint’s Chamber, because holy men in their youth had slept, and studied, and prayed there. With its elevated retirement, its one window, its small fireplace, and its closet convenient for an oratory,24 it was the very spot where a young man might inspire himself with solemn enthusiasm and cherish saintly dreams. The occupants, at various epochs, had left brief records and ejaculations inscribed upon the walls. There, too, hung a tattered and shrivelled roll of canvas, which on inspection proved to be the forcibly wrought picture of a clergyman, in wig, band,25 and gown, holding a Bible in his hand. As I turned his face towards the light he eyed me with an air of authority such as men of his profession seldom assume in our days. The original had been pastor of the parish more than a century ago, a friend of Whitefield,26 and almost his equal in fervid eloquence. I bowed before the effigy of the dignified divine, and felt as if I had now met face to face with the ghost by whom, as there was reason to apprehend, the Manse was haunted.
Houses of any antiquity in New England are so invariably possessed with spirits that the matter seems hardly worth alluding to. Our ghost used to heave deep sighs in a particular corner of the parlor, and sometimes rustled paper, as if he were turning over a sermon in the long upper entry—where nevertheless he was invisible, in spite of the bright moonshine that fell through the eastern window. Not improbably he wished me to edit and publish a selection from a chest full of manuscript discourses that stood in the garret. Once, while Hillard27 and other friends sat talking with us in the twilight, there came a rustling noise as of a minister’s silk gown, sweeping through the very midst of the company, so closely as almost to brush against the chairs. Still there was nothing visible. A yet stranger business was that of a ghostly servant maid, who used to be heard in the kitchen at deepest midnight, grinding coffee, cooking, ironing,—performing, in short, all kinds of domestic labor,—although no traces of any thing accomplished could be detected the next morning. Some neglected duty of her servitude—some ill-starched ministerial band—disturbed the poor damsel in her grave and kept her at work without any wages.
But to return from this digression. A part of my predecessor’s library was stored in the garret—no unfit receptacle indeed for such dreary trash as comprised the greater number of volumes. The old books would have been worth nothing at an auction. In this venerable garret, however, they possessed an interest, quite apart from their literary value, as heirlooms, many of which had been transmitted down through a series of consecrated hands from the days of the mighty Puritan divines. Autographs of famous names were to be seen in faded ink on some of their flyleaves; and there were marginal observations or interpolated pages closely covered with manuscript in illegible shorthand, perhaps concealing matter of profound truth and wisdom. The world will never be the better for it. A few of the books were Latin folios, written by Catholic authors; others demolished Papistry,28 as with a sledge hammer, in plain English. A dissertation on the book of Job29—which only Job himself could have had patience to read—filled at least a score of small, thickset quartos, at the rate of two or three volumes to a chapter. Then there was a vast folio body of divinity—too corpulent a body, it might be feared, to comprehend the spiritual element of religion. Volumes of this form dated back two hundred years or more, and were generally bound in black leather, exhibiting precisely such an appearance as we should attribute to books of enchantment. Others equally antique were of a size proper to be carried in the large waistcoat pockets of old times—diminutive, but as black as their bulkier brethren, and abundantly interfused with Greek and Latin quotations. These little old volumes impressed me as if they had been intended for very large ones, but had been unfortunately blighted at an early stage of their growth.
The rain pattered upon the roof and the sky gloomed through the dusty garret windows while I burrowed among these venerable books in search of any living thought which should burn like a coal of fire or glow like an inextinguishable gem beneath the dead trumpery that had long hidden it. But I found no such treasure; all was dead alike; and I could not but muse deeply and wonderingly upon the humiliating fact that the works of man’s intellect decay like those of his hands. Thought grows mouldy. What was good and nourishing food for the spirits of one generation affords no sustenance for the next. Books of religion, however, cannot be considered a fair test of the enduring and vivacious properties of human thought, because such books so seldom really touch upon their ostensible subject, and have, therefore, so little business to be written at all. So long as an unlettered soul can attain to saving grace there would seem to be no deadly error in holding theological libraries to be accumulations of, for the most part, stupendous impertinence.
Meet the Author
Mary Oliver is the author of eleven books of poetry, including American Primitive, for which she was awarded the Pulitzer Prize; New and Selected Poems, which won the National Book Award; and House of Light, which won the Christopher Award and the L. L. Winship/PEN New England Award. She lives in Provincetown, Massachusetts.
- Date of Birth:
- July 4, 1804
- Date of Death:
- May 19, 1864
- Place of Birth:
- Salem, Massachusetts
- Place of Death:
- Plymouth, New Hampshire
- Bowdoin College, Brunswick, Maine, 1824
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >