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Overview

Welcome to Mossy Creek, your home town. You'll find a friendly face at every window, and a story behind every door.
We've got a mayor who cleans her own gun, and a Police Chief who doesn't need one. We've got scandal at the coffee shop and battles on the ballfield, a cantankerous Santa and a flying Chihuahua. You'll want to meet Rainey, the hairdresser with a tendency toward hysteria, and Hank, who takes care of our animals like they were his children. Don't forget to stop in for a bite at Mama's All You Can Eat Café, and while you're there say hello to our local celebrity, Sue Ora. Like as not, she'll sit you right down and tell you a story. People are like that in Mossy Creek.
Award winning authors Debra Dixon, Donna Ball, Sandra Chastain, Virginia Ellis, Nancy Knight, and Deborah Smith (Sweet Tea and Jesus Shoes) come together once again to blend their unique southern voices into a collection of tales about the South, this time focusing their talents on the fictional town of Mossy Creek, Georgia. Chances are, you'll recognize it. But even if you don't, you'll want to come back, again and again.
So welcome to Mossy Creek, the town that ain't going nowhere and don't want to.

Product Details

ISBN-13: 9781935661016
Publisher: BelleBooks Inc.
Publication date: 05/31/2001
Series: Mossy Creek Series , #1
Sold by: Barnes & Noble
Format: eBook
Sales rank: 159,012
File size: 4 MB

Read an Excerpt

CHAPTER 1

Ida Shoots The Sign

Ida

I WAS SIX years old, the year was 1950, and the torch of stubborn Mossy Creek pride was about to pass to me in true Mossy Creek style. I clutched the railing on a rickety wooden scaffold the Hamilton farmhands had hung fifty feet up the side of the whitewashed Hamilton Farm corn silo. My grandmother and namesake, Ida Hamilton, stood precariously on a level of scaffolding above me, wildly waving a small brush dipped in black paint. Big Miss Ida, as people called her, was six feet tall, thick-limbed and as strong as a mountain lumberman. Yet she wore her silver hair in a snazzy French twist and her trademark pearl necklace always showed above the collar of her practical chintz work dress. I was known as Little Miss Ida. I trembled in my overalls and Davy Crockett coonskin cap as I gazed up at Grandma's stocky legs and chintz-covered behind, directly above my head. If Grandma made one wrong move, I'd be known as Little Miss Squashed Ida.

"Pray like a saint and paint like a heathen!" Grandma sang out, slinging specks of black paint everywhere. Oily dabs speckled my upturned face. I refused to duck. I had to be brave. This had to be crazy. But in Mossy Creek, courage was a given, and crazy was a virtue. Helping Grandma repaint the aged Mossy Creek welcome sign on the big corn silo was as solemn as a prayer in church, only without hard patent-leather shoes. The silo stood in a sanctuary framed by broad cattle pastures, high, wooded ridges, and blue-green Southern mountains. I stared up at Grandma's painting project — the tall, faded words of the town slogan.

WELCOME TO MOSSY CREEK THE TOWN YOU CAN COUNT ON AIN'T GOIN' NOWHERE, AND DON'T WANT TO

Those words had greeted town visitors for generations. The silo faced South Bigelow Road, the country two-lane that led the world to our mountain doorstep with the promise of great charm but also stubborn independence, metropolitan Mossy Creek. You could count on Mossy Creek to stay put, to always be the hometown you remembered, the place you would never forget and never wanted to. We might make only a pinpoint on maps of the world, but that pinpoint was a jewel. And so I, Little Miss Ida The Terrified, vowed to survive and uphold the town motto.

A gust of wind hit the scaffolding. I hung on for dear life. Mossy Creek might not be moving, but me, Grandma, and the scaffolding were headed out on a north wind. "Come on up, Little Miss Ida, the weather's fine!" Grandma bellowed, swashbuckling in her defiance of gravity, Picasso-sequel in her ability to slap abstract dabs of black house paint precisely inside the fading borders of huge words that had been stenciled on the silo's side by a Hamilton ancestor long before either Grandma or I were born.

"Do you think I'll bounce if I fall off?" I asked, eyeing a narrow wooden ladder that led from my level to hers.

"You're a Hamilton! You won't bounce, you won't bend, you won't break! Now clamber on up here. She who hesitates is last." The wind puffed Grandma's dress, and I saw straight up her flowered skirt. My grandmother, a pillar of the community, a rich woman who commanded 200 acres of prime cattle farm and owned half the countryside in and around Mossy Creek, wore lacy pink panties. I began to giggle, and the scaffold shook harder.

I pulled my coonskin cap down hard on my auburn Hamilton hair and prayed the way my mother taught me in church, where I was expected to set an example for lesser humans. Have no fear. Lead and defend. Hamiltons, like most Mossy Creekites, had a passion for honorable eccentricity and practical self-defense.

Have no fear. Lead and defend.

I climbed the ladder to Grandma's scaffold then held onto her outstretched hand like a squirrel wrapped around a telephone pole. She grinned at me. "See? It's all about shouting down the wild wind!" Suddenly I felt as tall as the softly molded green mountains around us. I threw back my head. "I hope to shout!"

"Yaaah hooo!"

"Yaaah hooo!"

Grandma placed her small paintbrush in my hands. She gestured at the welcome slogan. "I'm afraid I'll mess it up," I admitted in a whisper.

"Bullfeathers. All it takes is a steady hand and a respect for tradition."

"Ardaleen says the saying's backward and stubborn. She says people down in Bigelow think we're all a bunch of pee-culiar small town mountain hicks." Ardaleen was my much-older sister, already sixteen and extremely annoying.

Grandmother snorted. "Your sister's struck with the prissy stick. Firstborns are always a stickler for rules. She liked her diapers too tight from day one. That's why I took a hard look at her in the crib and said,

'Nope, name the next one after me.'"

I beamed at her. "Because you knew I wouldn't be struck with the prissy stick."

"I know I can depend on you to knock sense into your sister's head if she ever sets her sights against her own hometown. And knock sense into anybody else who wants to throw out the baby with the bath water, tradition-wise." She nodded at the slogan. "You've got to keep the words up here and their meaning in your heart."

I put one paint-speckled hand over my heart. "I swear I'll knock and keep."

"Good girl. Now, paint." Grandma helped me guide the brush. Ain't Going Nowhere and Don't Want To. I put a big dab of black paint on the "I" in AIN'T. "So I will always stand out," I said.

Grandma laughed. "See? You've got the knack. You'll be the Big Miss Ida around here someday, and I'll be proud of you in Heaven."

"How will I know you're watching?"

She winked at me and pointed at her behind. "Whenever you see pink clouds in the sky, that'll be me showing off."

I laughed and suddenly understood my place in the world. I, Ida Hamilton The Knocker and Keeper, would shout down the wind, hold onto our best old ways but welcome new ones, and when in doubt look up to heaven for a glimpse of Grandma's pink drawers.

In Mossy Creek, that brand of philosophy makes perfect sense.

FIFTY YEARS passed as quickly as a dream. I woke up on a cool spring morning and lay quietly in my big bed at Hamilton Farm, gently remembering that day with Grandma at the corn silo. I was the Big Miss Ida, now. I put a Best of Fleetwood Mac CD in the sound system of my parlor office, turned up the volume on "Don't Stop Thinking About Tomorrow," drank a swig of scotch straight from the bottle, unlocked my mahogany gun cabinet, and loaded shells into my heirloom twelve-gauge shotgun with the silver-inlaid Hamilton crest.

After my parents disinherited Ardaleen for marrying a Bigelow, I inherited a lion's share of the Hamilton property and buildings, both in town and at Hamilton Farm. Ardaleen lives on a fake English estate down in Bigelow and hasn't spoken to me in twenty years. I'm the mayor, not to mention being the town's biggest property owner and landlord. And, if I do say so myself, I'm a fine-looking woman. I allow a few gray tendrils around the front of my hair now, but I consider them racing stripes.

I dressed in tailored khakis, a silk blouse and a dark blazer. I put my hair up with a tortoiseshell clip and polished my wedding ring. I've been a widow for longer than I care to remember, and though I've had my share of menfriends, I still wear my husband's etched gold wedding band. Over my parlor desk, I have a little bronze plaque he gave me: Tradition. Courage. Love. Finally, I latched a single strand of heirloom pearls around my neck. Grandma's pearls.

It was time to knock heads.

The mountains had begun greening like a dime store shillelagh. We were smack in the Ides of March. I walked down the long gravel farm road, through the woods and pastures, carrying the shotgun like a baby. Caesar will get his due, I vowed grimly.

Fifty of my fat, tan-and-white Guernsey cows followed me along a pasture fence as if I was the Pied Piper of moo-dom. Beyond the farm's big front pastures, South Bigelow Road still snaked past Hamilton Farm on its way into town, and the old corn silo still stood proudly, bearing the Mossy Creek welcome sign. A big, ugly, neon-yellow state highway truck squatted across from it, on the far side of South Bigelow.

I reached the road, and several workmen looked up from their project. When they saw the shotgun, they backed away, their eyes going wide. They reached into their yellow coveralls, pulled out cell phones, and began calling for backup. I lifted the shotgun. "Just stand back, boys. This is between me and my sister Ardaleen's son."

I looked up at the old silo. Thanks to my fresh coat of paint, its tall black words still stood out against the white sides as if stamped there by a huge hand. Ain't Going Nowhere, And Don't Want To. I nodded to that sentiment then faced the road crew's handiwork, an antiseptically modern, green-metallic sign with reflective white lettering:

Mossy Creek, Georgia The Town That IS Going Somewhere, And DOES Want To. By Order of Hamilton Bigelow, Governor of Georgia

I blasted that sign. I shot it again, then reloaded and shot it two more times. By the time I finished, the sign leaned backwards like a drunk in a windstorm. The last blast punched a hole the size of a fist through the metal. There were only a few readable pieces of words left, to my satisfaction.

Ham to Go.

I turned my attention to the blue March sky. A wisp of pink morning clouds showed over the mountains. Grandma's panties.

She was watching, and she was proud. "I hope to shout," I yelled.

And Ham's road crew ran.

POLICE OFFICER Mutt Bottoms shuffled his feet and bit his lip as if he wished he could drop into a long, dark hole and forget he had a duty to perform. Behind him, in the yard of my big Victorian farmhouse, a Mossy Creek municipal patrol car waited. Mutt was young and he was dedicated, but he looked as if he feared I'd grab him on one ear, the way I had when he was ten years old and I caught him in town hiding stink bombs under the breakfast porch of the Hamilton House Inn. Mutt had already sent five of the inn's guests inside complaining about dead skunks.

All these years later, he put a hand over one ear. "Miss Ida, I feel like you got me again."

"It's all right, Officer Bottoms. I'm not upset."

He cleared his throat so hard his Adam's apple bobbed like a fishing cork. "Okay. Then, uh, Mayor, you're under arrest for shooting the new welcome sign." He sagged a little. "Amos said I had to come get you. It wasn't my idea."

"It's all right." I smiled. Mossy Creek Chief of Police Amos Royden did not disappoint me. Amos played fair and square, and mayor or not, I was going to jail. Perfect. I picked up the paisley overnight bag I'd packed with a little make-up, a mirror, my laptop computer, and a press release I'd already written. "See you later, June," I called to my curly-haired Scottish housekeeper.

"Be good, Madam Ida," she chimed back and stepped out into the hall from the kitchen, waving. June McEvers grinned like a large, blonde, Scottish Shirley Temple. "Or at least look good."

I nodded and smiled as I faced poor Mutt, who gulped. "Aren't you going to handcuff me?" I asked.

He backed down my veranda steps as if I'd grown extra heads. "I'd rather be skinned alive."

I sighed. "Let's save your hide, then." I walked past him down the steps, through the front garden, to the patrol car.

He loped to the vehicle and held the door for me, like a chauffeur.

THE NEWS of my assault on Governor Ham Bigelow's sign began to spread. Phones rang in the outlying mountain communities of Bailey Mill, Chinaberry, Look Over, and Yonder. Tongues wagged happily all over Greater Mossy Creek. In Hamilton's Department Store — the grand old three-story stone building that dominated Mossy Creek's town square — my stoic, decent, kind but entirely too serious son, 32-year-old Robert Walker, the store president, received the news in person from his wife, Teresa.

"Chief Royden just arrested your mother for shooting the new welcome sign," Teresa said calmly. "I'm going over to the jail and try to spring her, if she'll let me. You know your mother is always trying to make me feel tougher than I am, and I've been reading up on criminal statutes." She paused, frowning but loyal. Teresa was a tax attorney, not exactly a criminal defense shark. "Maybe I could argue temporary insanity brought on by the start of tax season."

Robert, who had solemnly ordained himself a man at twelve years old when his father died, sat back in the chair of the antique desk where several generations of Hamiltons had commanded a world of clothing, knickknacks, home accessories, and all-purpose practical needs for comfortable living. He didn't even look surprised. "I used to think," he said, "that Mother would run away with the circus someday. Then I realized that the circus wants to run away with Mother."

True to Hamilton heritage, Robert was a creature of tradition — but not, like his late father and me — a natural-born troublemaker. After graduating from the University of Georgia with a business degree, he'd bought the aging small town department store from me with a token down payment he'd saved working part-time as a stockbroker, of all things. I'd never imagined a tall, strong, good-looking son of mine wanting to manage our failing old dinosaur of a department store, staffed by ten longtime employees so slow they chewed cuds. But Robert worked a miracle. He renovated and re-energized the building, he upgraded the merchandise, and he soon had the staff chanting Smile and Sell at staff meetings. Recently, he'd put a handsome new sign above the awnings of the main doors.

Hamilton's Because quality and good service still matter.

There may be cheap, sloppy competition everywhere else on the planet, but in Mossy Creek a smiling clerk at Hamilton's shoe department will still measure a shopper's foot with a metal shoe ruler then bring a choice of potential shoes while the person sits in a comfortable chair, waiting like royalty. At Hamilton's, a little old lady with a measuring tape pinned to her sweater will still help customers shop for a dress. At Hamilton's, an old, freckled doorman will carry a woman's purchases to her car. At Hamilton's, people matter.

Suffice to say, everyone in Mossy Creek adores my son, and so do I.

I just wish he wouldn't expect me to behave.

"Go see if Mother will agree to bail," he told Teresa. "Or bake her a cake with a file in it."

THAT EVENING — just in time for the six o'clock news — I stood outside the Mossy Creek jail on Main Street. From the Hamilton House Inn to O'Day's Pub and all the way up to Mama's All You Can Eat Café, citizens, reporters and camera trucks vied for space. The Mossy Creek town square is normally the most peaceful place this side of a Norman Rockwell painting, but on that spring night it became a hotbed of protest. People waved placards out the upstairs windows of the shops, dangled little bean-bag effigies of my nephew from the limbs of the square's towering beech trees among signs that read HAM STRUNG, and had even wrapped the square's looming sculpture of General Augustas Brimberry Hamilton of Jefferson's Third Confederate Division in the official town flag. The flag bore our town seal, a medallion of creek and mountains circled by those glorious words, Ain't Going Nowhere, And Don't Want To.

"No New Sign! No New Sign!" the crowd chanted.

Camera lights flooded the whole scene. The entire town council stood behind me, forming a seven-person wall of sorrowful faces and ruffled feathers. I tried very hard to look noble and martyred, as if I hadn't just spent a grueling six hours in a jail cell with window curtains. "Governor Bigelow is ashamed of his mother's hometown," I said into the microphones of all the major Atlanta radio and television stations, which only sent crews to the wilds of north Georgia when winter snowstorms threatened tourists or Hamiltons threatened Bigelows. "He has asked us repeatedly to change our welcome motto to something he considers politically correct. After I told him in no uncertain terms we would never surrender our heritage, he forced a new sign on us."

"Do you want people to think that Mossy Creekers are against progress?" a reporter asked.

"Creekites," I corrected. "Mossy Creekites."

"Uh, sorry, Mossy Creekites."

(Continues…)



Excerpted from "Mossy Creek"
by .
Copyright © 2001 BelleBooks, Inc..
Excerpted by permission of BelleBooks, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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