The New York Times
A Most Wanted Manby John le Carré
Now a major film starring Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe, and Robin Wright—the acclaimed bestselling novel about spies in “The War on Terror.”
A half-starved young Russian man in a long black overcoat is smuggled into Hamburg at dead of night. He has an improbable amount of cash secreted in a purse around his neck./b>… See more details below
Now a major film starring Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe, and Robin Wright—the acclaimed bestselling novel about spies in “The War on Terror.”
A half-starved young Russian man in a long black overcoat is smuggled into Hamburg at dead of night. He has an improbable amount of cash secreted in a purse around his neck. He is a devout Muslim. Or is he? He says his name is Issa.
Annabel, an idealistic young German civil rights lawyer, determines to save Issa from deportation. Soon her client’s survival becomes more important to her than her own career—or safety. In pursuit of Issa’s mysterious past, she confronts the incongruous Tommy Brue, the sixty-year-old scion of Brue Frères, a failing British bank based in Hamburg.
Annabel, Issa, and Brue form an unlikely alliance—and a triangle of impossible loves is born. Meanwhile, sensing a sure kill in the “War on Terror,” the rival spies of Germany, England, and America converge upon the innocents.
Thrilling, compassionate, with characters you’ll never forget, A Most Wanted Man is a work of deep humanity and uncommon relevance to our times.
The New York Times
When boxer Melik Oktay and his mother, both Turkish Muslims living in Hamburg, take in a street person calling himself Issa at the start of this morally complex thriller from le Carré (The Mission Song), they set off a chain of events implicating intelligence agencies from three countries. Issa, who claims to be a Muslim medical student, is, in fact, a wanted terrorist and the son of Grigori Karpov, a Red Army colonel whose considerable assets are concealed in a mysterious portfolio at a Hamburg bank. Tommy Brue, a stereotypical flawed everyman caught up in the machinations of spies and counterspies, enters the plot when Issa's attorney seeks to claim these assets. The book works best in its depiction of the rivalries besetting even post-9/11 intelligence agencies that should be allies, but none of the characters is as memorable as George Smiley or Magnus Pym. Still, even a lesser le Carré effort is far above the common run of thrillers. (Oct.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
A relatively minor work from le Carré (The Constant Gardener), with less at stake than usual, this fairly straightforward self-read novel is nonetheless compelling for its vividly drawn characters, especially disenchanted British banker Tommy Brue and idealistic civil rights lawyer Annabel Richter. Le Carré lucidly and adeptly handles both the various accents and the pauses and emphases; indeed, the words and phrases he stresses help to clarify motivations even his characters do not fully grasp. Recommended for popular collections. [Unabridged retail-edition CD and digital download available from S. & S. Audio, with Roger Rees reading; watch the book trailer at
“Le Carré continues to be the world’s most reliable witness to the vicissitudes of international paranoia; his books conceive of a Western world that has a costly obsession with its possible enemies; he shows you this world’s secret missions; its botched jobs, its manifold attempts to thwart the corrupting and sometimes terrifying idealism of others, while keeping the reader close to the exact lineaments of the way we live now.” - New York Review of Books
“Astounding, nearly perfect . . . beautifully paced, awesomely crafted . . . desperately readable” - San Francisco Chronicle
“If novels…keep the moral imagination alive, then…A Most Wanted Man brilliantly performs the function…and does so as compellingly as the work which first made his name, The Spy Who Came In From The Cold.” - The Globe and Mail
An instant classic…Provocative and incendiary.” - USA Today
“Black, brilliant, hypnotic…Unhesitatingly recommended.” - Independent on Sunday
"Le Carre's singular genius is to tell small, exquisitely crafted human tales...that shed light on great worldly endeavours." - Winnipeg Free Press
"John le Carre, eminent novelist and former spy..has done more than almost any other writer to forge our idea of how the game is played." - Whig-Standard (Kingston, ON)
"An appealing, morally-engaginag nd terrifying novel, which exemplifies Le Carre's take on modern social injustice...A suspenseful masterpiece of intriguing and complicated subplots with a realism that captivates one's attention from page to page." - Tandem
"[Le Carre] is still sharp, still fizzing with ideas, and fuelled by a righteous fury...his latest book...speaks to one of his preoccupations: the excesses...of American foreign policy and the immoral nature of the intelligence practices that underpin it. - Hamilton Spectator
"A first-class novel about the most pressing moral and political concerns of our time." - The Telegraph (UK)
“…the famous British author has used the genre of the spy novel as subtle exposures of the meaning of loyalty, betrayal and deceit. Le Carre burst on the scene in the 1960s as an antidote to the posturings of Ian Fleming’s superhero James Bond. Le Carres’s heroes were the anti-Bond… They were lovable for their often futile strivings for the Western way of life.” - The Globe and Mail
“As the greatest spy novelist of our times John le Carre has always used as the bedrock of his craft the strange ways people are bound to each other.” - Calgary Sun
“[A Most Wanted Man] stands as one of the most sophisticated fictional responses to the war on terror yet published, a humane novel which takes on the world's latest binarism and exposes troubling shades of grey.” - The Guardian (UK)
“Le Carré's prose remains clear and unflashy; as unflashy as his spies, who are far more cloak than dagger. This lack of James Bond gadgets and dead bodies make the story all the more credible.” - The Telegraph (UK)
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Read an Excerpt
A Turkish heavyweight boxing champion sauntering down a Hamburg street with his mother on his arm can scarcely be blamed for failing to notice that he is being shadowed by a skinny boy in a black coat.
Big Melik, as he was known to his admiring neighborhood, was a giant of a fellow, shaggy, unkempt and genial, with a broad natural grin and black hair bound back in a ponytail and a rolling, free-and-easy gait that, even without his mother, took up half the pavement. At the age of twenty he was in his own small world a celebrity, and not only for his prowess in the boxing ring: elected youth representative of his Islamic sports club, three times runner-up in the North German Championship hundred-meter butterfly stroke and, as if all that weren't enough, star goalkeeper of his Saturday soccer team.
Like most very large people, he was also more accustomed to being looked at than looking, which is another reason why the skinny boy got away with shadowing him for three successive days and nights.
The two men first made eye contact as Melik and his mother, Leyla, emerged from the al-Umma Travel Shop, fresh from buying air tickets for Melik's sister's wedding in their home village outside Ankara. Melik felt someone's gaze fixed on him, glanced round and came face-to-face with a tall, desperately thin boy of his own height with a straggly beard, eyes reddened and deep-set, and a long black coat that could have held three magicians. He had a black-and-white kaffiyeh round his neck and a tourist's camel-skin saddlebag slung over his shoulder. He stared at Melik, then at Leyla. Then he came back to Melik, never blinking, but appealing to him with his fiery, sunken eyes.
Yet the boy's air of desperation need not have troubled Melik all that much since the travel shop was situated at the edge of the main railway station concourse, where every variety of lost soul -- German vagrants, Asians, Arabs, Africans, and Turkish like himself but less fortunate -- hung around all day long, not to mention legless men on electric carts, drug sellers and their customers, beggars and their dogs, and a seventy-year-old cowboy in a Stetson and silver-studded leather riding breeches. Few had work, and a sprinkling had no business standing on German soil at all, but were at best tolerated under a deliberate policy of destitution, pending their summary deportation, usually at dawn. Only new arrivals or the willfully foolhardy took the risk. Cannier illegals gave the station a wide berth.
A further good reason to ignore the boy was the classical music that the station authorities boom at full blast over this section of the concourse from a battery of well-aimed loudspeakers. Its purpose, far from spreading feelings of peace and well-being among its listeners, is to send them packing.
Despite these impediments the skinny boy's face imprinted itself on Melik's consciousness and for a fleeting moment he felt embarrassed by his own happiness. Why on earth should he? Something splendid had just occurred, and he couldn't wait to phone his sister and tell her that their mother, Leyla, after six months of tending her dying husband, and a year of mourning her heart out for him, was bubbling over with pleasure at the prospect of attending her daughter's wedding, and fussing about what to wear, and whether the dowry was big enough, and the groom as handsome as everybody, including Melik's sister, said he was.
So why shouldn't Melik chatter along with his own mother? Which he did, enthusiastically, all the way home. It was the skinny boy's stillness, he decided later. Those lines of age in a face as young as mine. His look of winter on a lovely spring day.
That was the Thursday.
And on the Friday evening, when Melik and Leyla came out of mosque together, there he was again, the same boy, the same kaffiyeh and outsized overcoat, huddled in the shadow of a grimy doorway. This time Melik noticed that there was a sideways list to his skinny body, as if he'd been knocked off true and remained at that angle until somebody told him he could straighten up. And the fiery stare burning even more brightly than on the previous day. Melik met his gaze head-on, wished he hadn't and looked away.
And this second encounter was all the less probable because Leyla and Melik scarcely ever went to mosque, not even a moderate Turkish-language one. Since 9/11, Hamburg's mosques had become dangerous places. Go to the wrong one, or the right one and get the wrong imam, and you could find yourself and your family on a police watch list for the rest of your life. Nobody doubted that practically every prayer row contained an informant who was earning his way with the authorities. Nobody was likely to forget, be he Muslim, police spy or both, that the city-state of Hamburg had been unwitting host to three of the 9/11 hijackers, not to mention their fellow cell-members and plotters; or that Mohammed Atta, who steered the first plane into the Twin Towers, had worshiped his wrathful god in a humble Hamburg mosque.
It was also a fact that since her husband's death Leyla and her son had become less observant of their faith. Yes, of course the old man had been a Muslim, and a laic too. But he was a militant supporter of workers' rights, which was why he had been driven out of his homeland. The only reason they had gone to mosque at all was that Leyla in her impulsive way had felt a sudden need. She was happy. The weight of her grief was lifting. Yet the first anniversary of her husband's death was approaching. She needed to have a dialogue with him and share the good news. They had already missed the main Friday prayer, and could just as well have prayed at home. But Leyla's whim was law. Arguing correctly that personal invocations stand a better chance of being heard if they are offered in the evening, she had insisted on attending the last prayer hour of the day, which incidentally meant that the mosque was as good as empty.
So clearly Melik's second encounter with the skinny boy, like the first, was mere chance. For what else could it be? Or so, in his plain way, the good-hearted Melik reasoned.
The next day being a Saturday, Melik took a bus across town to visit his affluent paternal uncle at the family candle factory. Relationships between his uncle and his father had at times been strained, but since his father's death he had learned to respect his uncle's friendship. Jumping aboard the bus, whom should he see but the skinny boy sitting below him in the glass shelter, watching him depart? And six hours later, when he returned to the same bus stop, the boy was still there, wrapped in his kaffiyeh and magician's overcoat, crouched in the same corner of the shelter, waiting.
At the sight of him Melik, who as a rule of life was pledged to love all mankind equally, was seized by an uncharitable aversion. He felt that the skinny boy was accusing him of something and he resented it. Worse, there was an air of superiority about him, despite his miserable condition. What did he think he was achieving with that ridiculous black coat, anyway? That it made him invisible or something? Or was he trying to imply that he was so unfamiliar with our Western ways that he had no idea of the image he created?
Either way, Melik determined to shake him off. So instead of going up to him and asking him whether he needed help, or was ill, which in other circumstances he might have done, he struck out for home at full stride, confident that the skinny boy stood no chance of keeping up with him.
The day was unseasonably hot for spring, and the sun was beating off the crowded pavement. Yet the skinny boy contrived by some kind of miracle to keep pace with Melik, limping and panting, wheezing and sweating, and now and then jumping in the air as if in pain, but still managing to draw up alongside him at pedestrian crossings.
And when Melik let himself into the tiny brick house that, after decades of family scrimping, his mother now owned almost free of debt, he had only to wait a few breaths before the front doorbell chimed its carillon. And when he returned downstairs, there stood the skinny boy on the doorstep with his saddlebag over his shoulder and his eyes blazing from the effort of the walk, and sweat pouring down his face like summer rain, and in his trembling hand he held a piece of brown cardboard on which was written in Turkish: I am a Muslim medical student. I am tired and I wish to stay in your house. Issa. And as if to ram the message home, round his wrist a bracelet of fine gold, and dangling from it, a tiny gold replica of the Koran.
But Melik by now had a full head of outrage. All right, he wasn't the greatest intellect his school had ever seen but he objected to feeling guilty and inferior, and being followed and preyed upon by a beggar with attitude. When his father died Melik had proudly assumed the role of master of the house and his mother's protector and, as a further assertion of his authority, done what his father had not succeeded in doing before his death: as a second-generation Turkish resident, he had launched himself and his mother on the long, stony road to German citizenship, where every aspect of a family's lifestyle was taken under the microscope, and eight years of unblemished behavior were the first prerequisite. The last thing he or his mother needed was some deranged vagrant claiming to be a medical student and begging on their doorstep.
"Get the hell out of here," he ordered the skinny boy roughly in Turkish, shaping up to him in the doorway. "Get out of here, stop following us and don't come back."
Meeting no reaction from the haggard face except a wince as if it had been struck, Melik repeated his instruction in German. But when he made to slam the door, he discovered Leyla standing on the stair behind him, looking over his shoulder at the boy and at the cardboard notice shaking uncontrollably in his hand.
And he saw that she already had tears of pity in her eyes.
Sunday passed and on the Monday morning Melik found excuses not to show up at his cousin's greengrocery business in Wellingsbüttel. He must stay home and train for the Amateur Open Boxing Championship, he told his mother. He must work out in the gym and in the Olympic pool. But in reality he had decided she was not safe to be left alone with an elongated psycho with delusions of grandeur who, when he wasn't praying or staring at the wall, prowled about the house, fondly touching everything as if he remembered it from long ago. Leyla was a peerless woman, in her son's judgment, but since her husband's death volatile and guided solely by her feelings. Those whom she chose to love could do no wrong. Issa's softness of manner, his timidity and sudden rushes of dawning happiness, made him an instant member of that select company.
On the Monday and again on the Tuesday, Issa did little except sleep, pray and bathe himself. To communicate he spoke broken Turkish with a peculiar, guttural accent, furtively, in bursts, as though talking were forbidden, and yet still in some unfathomable way, to Melik's ear, didactic. Otherwise he ate. Where on earth did he put all that food? At any hour of the day, Melik would walk into the kitchen and there he was, head bowed over a bowl of lamb and rice and vegetables, spoon never still, eyes slipping from side to side lest somebody snatch his food away. When he'd finished, he'd wipe the bowl clean with a piece of bread, eat the bread and, with a muttered "Thanks be to God" and a faint smirk on his face as if he had a secret that was too good to share with them, take the bowl to the sink and wash it under the tap, a thing Leyla would never in a month of Sundays have allowed her own son or husband to do. The kitchen was her domain. Men keep out.
"So when are you reckoning to start your medical studies, Issa?" Melik asked him casually, in his mother's hearing.
"God willing, it will be soon. I must be strong. I must not be beggar."
"You'll need a residence permit, you know. And a student's ID. Not to mention like a hundred thousand euros for board and lodging. And a neat little two-seater to take your girlfriends out."
"God is all-merciful. When I am not beggar, He will provide."
Such self-assurance went beyond mere piety in Melik's view.
"He's costing us real money, Mother," he declared, barging into the kitchen while Issa was safely in the attic. "The way he eats. All those baths."
"No more than you, Melik."
"No, but he's not me, is he? We don't know who he is."
"Issa is our guest. When he is restored to health, with Allah's help we shall consider his future," his mother replied loftily.
Issa's implausible efforts at self-effacement only made him more conspicuous in Melik's eyes. Sidling his way down the cramped corridor, or preparing to climb the stepladder to the attic where Leyla had made up a bed for him, he employed what Melik regarded as exaggerated circumspection, seeking permission with his doe eyes, and flattening himself against the wall when Melik or Leyla needed to pass.
"Issa has been in prison," Leyla announced complacently one morning.
Melik was appalled. "Do you know that for a fact? We're harboring a jailbird? Do the police know that for a fact? Did he tell you?"
"He said that in prison in Istanbul they give only one piece of bread and a bowl of rice a day," said Leyla, and before Melik could protest any more, added one of her late husband's favorite nostrums: "We honor the guest and go to the assistance of those in distress. No work of charity will go unrewarded in Paradise," she intoned. "Wasn't your own father in prison in Turkey, Melik? Not everyone who goes to prison is a criminal. For people like Issa and your father, prison is a badge of honor."
But Melik knew she had other thoughts up her sleeve that she was less inclined to reveal. Allah had answered her prayers. He had sent her a second son to make up for the husband she had lost. The fact that he was an illegal half-crazed jailbird with delusions about himself was of no apparent interest to her.
He was from Chechnya.
That much they established on the third evening when Leyla astonished them both by trilling out a couple of sentences of Chechen, a thing Melik never in his life had heard her do. Issa's haggard face lit up with a sudden amazed smile that vanished equally quickly, and thereafter he seemed to be struck mute. Yet Leyla's explanation of her linguistic skills turned out to be simple. As a young girl in Turkey she had played with Chechen children in her village and picked up snippets of their language. She guessed Issa was Chechen from the moment she set eyes on him but kept her counsel because with Chechens you never knew.
He was from Chechnya, and his mother was dead and all he had to remember her by was the golden bracelet with the Koran attached to it that she had placed round his wrist before she died. But when she died and how she died, and how old he was when he inherited her bracelet were questions he either failed to understand or didn't wish to.
"Chechens are hated everywhere," Leyla explained to Melik, while Issa kept his head down and went on eating. "But not by us. Do you hear me, Melik?"
"Of course I hear you, Mother."
"Everyone persecutes Chechens except us," she continued. "It is normal all over Russia and the world. Not only Chechens, but Russian Muslims everywhere. Putin persecutes them and Mr. Bush encourages him. As long as Putin calls it his war on terror, he can do with the Chechens whatever he wishes, and nobody will stop him. Is that not so, Issa?"
But Issa's brief moment of pleasure had long passed. The shadows had returned to his wracked face, the spark of suffering to his doe eyes, and a haggard hand closed protectively over the bracelet. Speak, damn you, Melik urged him indignantly but not aloud. If somebody surprises me by talking Turkish at me, I speak Turkish back, it's only polite! So why don't you answer my mother with a few obliging words of Chechen, or are you too busy knocking back her free food?
He had other worries. Carrying out a security inspection of the attic that Issa now treated as his sovereign territory -- stealthily, as Issa was in the kitchen, talking as usual to his mother -- he had made certain revealing discoveries: hoarded scraps of food as though Issa was planning his escape; a gilt-framed miniature head-and-shoulder photograph of Melik's betrothed sister at eighteen, purloined from his mother's treasured collection of family portraits in the living room; and his father's magnifying glass, lying across a copy of the Hamburg Yellow Pages, open at the section devoted to the city's many banks.
"God gave your sister a tender smile," Leyla pronounced contentedly, in answer to Melik's outraged protests that they were harboring a sexual deviant as well as an illegal. "Her smile will lighten Issa's heart."
Issa was from Chechnya then, whether or not he spoke the language. Both his parents were dead, but when asked about them he was as puzzled as his hosts were, gazing sweetly into a corner of the room with his eyebrows raised. He was stateless, homeless, an ex-prisoner and illegal, but Allah would provide the means for him to study medicine once he was no longer a beggar.
Well, Melik too had once dreamed of becoming a doctor and had even extracted from his father and uncles a shared undertaking to finance his training, a thing that would have entailed the family real sacrifice. And if he'd been a bit better at exams and maybe played fewer games, that's where he'd be today: at medical school, a first-year student working his heart out for the honor of his family. It was therefore understandable that Issa's airy assumption that Allah would somehow enable him to do what Melik had conspicuously failed to do should have prompted him to throw aside Leyla's warnings and, as best his generous heart allowed, launch himself on a searching examination of his unwanted guest.
The house was his. Leyla had gone shopping and would not be back until midafternoon.
"You've studied medicine then, have you?" he suggested, sitting himself down beside Issa for greater intimacy, and fancying himself the wiliest interrogator in the world. "Nice."
"I was in hospitals, sir."
"As a student?"
"I was sick, sir."
Why all these sir's? Were they from prison too?
"Being a patient's not like being a doctor, though, is it? A doctor has to know what's wrong with people. A patient sits there and waits for the doctor to put it right."
Issa considered this statement in the complicated way that he considered all statements of whatever size, now smirking into space, now scratching at his beard with his spidery fingers, and finally smiling brilliantly without answering.
"How old are you?" Melik demanded, becoming more blunt than he had planned. "If you don't mind my asking" -- sarcastically.
"Twenty-three, sir." But again only after prolonged consideration.
"That's quite old then, isn't it? Even if you got your residence tomorrow, you wouldn't be a qualified doctor till you were thirty-five or something. Plus learning German. You'd have to pay for that too."
"Also God willing I shall marry good wife and have many children, two boys, two girls."
"Not my sister, though. She's getting married next month, I'm afraid."
"God willing she will have many sons, sir."
Melik considered his next line of attack and plunged: "How did you get to Hamburg in the first place?" he asked.
"It is immaterial."
Immaterial? Where did he get that word from? And in Turkish?
"Didn't you know that they treat refugees worse in this town than anywhere in Germany?"
"Hamburg will be my home, sir. It is where they bring me. It is Allah's divine command."
"Who brought you? Who's they?"
"It was combination, sir."
"Combination of what?"
"Maybe Turkish people. Maybe Chechen people. We pay them. They take us to boat. Put us in container. Container had little air."
Issa was beginning to sweat, but Melik had gone too far to pull back now.
"We? Who's we?"
"Was group, sir. From Istanbul. Bad group. Bad men. I do not respect these men." The superior tone again, even in faltering Turkish.
"How many of you?"
"Maybe twenty. Container was cold. After few hours, very cold. This ship would go to Denmark. I was happy."
"You mean Copenhagen, right? Copenhagen in Denmark. The capital."
"Yes" -- brightening as if Copenhagen was a good idea -- "to Copenhagen. In Copenhagen, I would be arranged. I would be free from bad men. But this ship did not go immediately Copenhagen. This ship must go first Sweden. To Gothenburg. Yes?"
"There's a Swedish port called Gothenburg, I believe," Melik conceded.
"In Gothenburg, ship will dock, ship will take cargo, then go Copenhagen. When ship arrive in Gothenburg we are very sick, very hungry. On ship they tell to us: 'Make no noise. Swedes hard. Swedes kill you.' We make no noise. But Swedes do not like our container. Swedes have dog." He reflects awhile. " 'What is your name, please?' " he intones, but loud enough to make Melik sit up. " 'What papers, please? You are from prison? What crimes, please? You escape from prison? How, please?' Doctors are efficient. I admire these doctors. They let us sleep. I am grateful to these doctors. One day I will be such a doctor. But God willing I must escape. To escape to Sweden is no chance. There is NATO wire. Many guards. But there is also toilet. From toilet is window. After window is gate to harbor. My friend can open this gate. My friend is from boat. I go back to boat. Boat takes me to Copenhagen. At last, I say. In Copenhagen was lorry for Hamburg. Sir, I love God. But the West I also love. In West I shall be free to worship Him."
"A lorry brought you to Hamburg?"
"A Chechen lorry?"
"My friend must first take me to road."
"Your friend from the crew? That friend? The same guy?"
"No, sir. Was different friend. To reach road was difficult. Before lorry, we must sleep one night in field." He looked up, and an expression of pure joy momentarily suffused his haggard features. "Was stars. God is merciful. Praise be to Him."
Wrestling with the improbabilities of this story, humbled by its fervor yet infuriated as much by its omissions as his own incapacity to overcome them, Melik felt his frustration spread to his arms and fists, and his fighter's nerves tighten in his stomach.
"Where did it drop you off then, this magic lorry that showed up out of nowhere? Where did it drop you?"
But Issa was no longer listening, if he had been listening at all. Suddenly -- or suddenly to the honest if uncomprehending eyes of Melik -- whatever had been building up in him erupted. He rose drunkenly to his feet and with a hand cupped to his mouth hobbled stooping to the door, wrestled it open although it wasn't locked and lurched down the corridor to the bathroom. Moments later, the house was filled with a howling and retching, the like of which Melik hadn't heard since his father's death. Gradually it ceased, to be followed by a slopping of water, an opening and closing of the bathroom door and a creaking of the attic steps as Issa scaled the ladder. After which a deep, troubling silence descended, broken each quarter hour by the chirping of Leyla's electronic bird clock.
At four the same afternoon, Leyla returned laden with shopping and, interpreting the atmosphere for what it was, berated Melik for transgressing his duties as host and dishonoring his father's name. She too then withdrew to her room, where she remained in rampant isolation until it was time for her to prepare the evening meal. Soon smells of cooking pervaded the house, but Melik remained on his bed. At eight-thirty she banged the brass dinner gong, a precious wedding gift that to Melik always sounded like a reproach. Knowing she brooked no delay at such moments, he slunk to the kitchen, avoiding her eye.
"Issa, dear, come down, please!" Leyla shouted and, receiving no response, grabbed hold of her late husband's walking stick and thumped the ceiling with its rubber ferrule, her eyes accusingly on Melik, who, under her frosty gaze, braved the climb to the attic.
Issa was lying on his mattress in his underpants, drenched in sweat and hunched on his side. He had taken his mother's bracelet from his wrist and was clutching it in his sweated hand. Round his neck he wore a grimy leather purse tied with a thong. His eyes were wide open, yet he seemed unaware of Melik's presence. Reaching out to touch his shoulder, Melik drew back in dismay. Issa's upper body was a slough of crisscross blue-and-orange bruises. Some appeared to be whiplashes, others bludgeon marks. On the soles of his feet -- the same feet that had pounded the Hamburg pavements -- Melik made out suppurating holes the size of cigarette burns. Locking his arms round Issa, and binding a blanket round his waist for propriety, Melik lifted him tenderly and lowered the passive Issa through the attic trap and into Leyla's waiting arms.
"Put him in my bed," Melik whispered through his tears. "I'll sleep on the floor. I don't care. I'll even give him my sister to smile at him," he added, remembering the purloined miniature in the attic, and went back up the ladder to fetch it.
Issa's beaten body lay wrapped in Melik's bathrobe, his bruised legs jutting out of the end of Melik's bed, the gold chain still clutched in his hand, his unflinching gaze fixed resolutely on Melik's wall of fame: press photographs of the champ triumphant, his boxing belts and winning gloves. On the floor beside him squatted Melik himself. He had wanted to call a doctor at his own expense, but Leyla had forbidden him to summon anyone. Too dangerous. For Issa, but for us too. What about our citizenship application? By morning, his temperature will come down and he'll start to recover.
But his temperature didn't come down.
Muffled in a full scarf and traveling partway by cab to discourage her imagined pursuers, Leyla paid an unannounced visit to a mosque on the other side of town where a new Turkish doctor was said to worship. Three hours later she returned home in a rage. The new young doctor was a fool and a fraud. He knew nothing. He lacked the most elementary qualifications. He had no sense of his religious responsibilities. Very likely, he was not a doctor at all.
Meanwhile, in her absence, Issa's temperature had after all come down a little, and she was able to draw upon the rudimentary nursing skills she had acquired in the days before the family could afford a doctor or dared to visit one. If Issa had suffered internal injuries, she pronounced, he would never have been able to gulp down all that food, so she was not afraid to give him aspirin for his subsiding fever, or run up one of her broths made from rice water laced with Turkish herbal potions.
Knowing that Issa in health or death would never permit her to touch his bare body, she provided Melik with towels, a poultice for his brow and a bowl of cool water to sponge him every hour. To achieve this, the remorse-stricken Melik felt obliged to unfasten the leather purse at Issa's neck.
Only after long hesitation, and strictly in the interests of his sick guest -- or so he assured himself -- and not until Issa had turned his face to the other wall and fallen into a half sleep broken by mutterings in Russian, did he untie the thong and loosen the throat of the purse.
His first find was a bunch of faded Russian newspaper clippings, rolled up and held together with an elastic band. Removing the band, he spread them out on the floor. Common to each was a photograph of a Red Army officer in uniform. He was brutish, broad-browed, thick-jowled and looked to be in his midsixties. Two cuttings were memorial announcements, decked with Orthodox crosses and regimental insignia.
Melik's second find was a wad of U.S. fifty-dollar bills, brand-new, ten of them, held together by a money clip. At the sight of them, all his old suspicions came flooding back. A starving, homeless, penniless, beaten fugitive has five hundred untouched dollars in his purse? Did he steal them? Forge them? Was this why he had been in prison? Was this what was left over after he had paid off the people smugglers of Istanbul, the obliging crew member who had hidden him and the lorry driver who had spirited him from Copenhagen to Hamburg? If he's got five hundred left now, how ever much did he set out with? Maybe his medical fantasies aren't so ill-placed after all.
His third find was a grimy white envelope squeezed into a ball as if somebody had meant to throw it away, then changed his mind: no stamp, no address and the flap ripped open. Flattening the envelope, he fished out a crumpled one-page typed letter in Cyrillic script. It had a printed address, a date and the name of the sender -- or so he assumed -- in large black print along the top. Below the unreadable text was an unreadable signature in blue ink, followed by a handwritten six-figure number, but written very carefully, each figure inked over several times, as if to say remember this.
His last find was a key, a small pipestem key, no larger than one knuckle joint of his boxer's hand. It was machine-turned and had complex teeth on three sides: too small for a prison door, he reckoned, too small for the gate in Gothenburg leading back to the ship. But just right for handcuffs.
Replacing Issa's belongings in the purse, Melik slipped it under the sweat-soaked pillow for him to discover when he woke. But by next morning, the guilty feelings that had taken hold of him wouldn't let him go. All through his night's vigil, stretched on the floor with Issa one step above him on the bed, he had been tormented by images of his guest's martyred limbs, and the realization of his own inadequacy.
As a fighter he knew pain, or thought he did. As a Turkish street kid he had taken beatings as well as handing them out. In a recent championship bout, a hail of punches had sent him reeling into the red dark from which boxers fear not to return. Swimming against native Germans, he had tested the extreme limits of his endurance, or thought he had.
Yet compared with Issa he was untried.
Issa is a man and I am still a boy. I always wanted a brother and here he is delivered to my doorstep, and I rejected him. He suffered like a true defender of his beliefs while I courted cheap glory in the boxing ring.
By the early hours of dawn, the erratic breathing that had kept Melik on tenterhooks all night settled to a steady rasp. Replacing the poultice, he was relieved to establish that Issa's fever had subsided. By midmorning, he was propped semi-upright like a pasha amid a golden pile of Leyla's tasselled velvet cushions from the drawing room, and she was feeding him a life-giving mash of her own concoction and his mother's gold chain was back on his wrist.
Sick with shame, Melik waited for Leyla to close the door behind her. Kneeling at Issa's side, he hung his head.
"I looked in your purse," he said. "I am deeply ashamed of what I have done. May merciful Allah forgive me."
Issa entered one of his eternal silences, then laid an emaciated hand on Melik's shoulder.
"Never confess, my friend," he advised drowsily, clasping Melik's hand. "If you confess, they will keep you there forever."
Copyright © 2008 by David Cornwell
Meet the Author
John le Carré was born in 1931. His third novel, The Spy Who Came in From the Cold, secured him a worldwide reputation, which was consolidated by the acclaim for his trilogy: Tinker, Tailor, Soldier, Spy; The Honorable Schoolboy; and Smiley’s People. His novels include The Constant Gardner, The Little Drummer Girl, A Perfect Spy, The Russia House, Our Game, The Tailor of Panama, and Single & Single. He lives in Cornwall, United Kingdom.
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After reading the first few lines of THE MOST WANTED MAN by John LeCarre, the setting is not only clearly revealed, it represents a sinister sense of foreboding. Hamburg, Germany, is the background against which the story is juxtaposed. Some readers may be tipped off by this choice of location, where at least six of the 9/11 terrorists, including Mohammed Atta were undisturbed in plotting their attack. Here a young Muslim man claims to be the son and heir to a fortune, makes clandestine contact with a Turkish family and as more people are drawn into his circle the tension rises. Nothing is as it seems and few of the characters are who they say they say are. A MOST WANTED MAN is a complex, suspenseful and riveting book. John Le Carre takes a dim view on the world of global politics and those who partake in the secret meetings and wholesale agreements that lead to more human carnage, whether in ruining lives or ending them. All of the characters are on edge. No one knows who to trust. But big decisions have to be made and whose moral standards will shape the outcome? But those who have read Le Carre's enormous body of work know that even at 75 years of age, he could never let his fans down. In A MOST WANTED MAN teh author may have had to change the backdrop but he still write with pristine prose and captures the human condition in its most realistic configurations. This remains his strongest creations writing gift. And, he has always made 'it' so real.
I'm not going to make any bones about "A Most Wanted Man." It's one of le Carre's best works to date.
Le Carre continues to run rings around other writers in the espionage thriller field. Whereas most of these writers feel compelled to espouse their political views at the expense of story and character and to mortgage their talent to their PC publishers who have political axes to grind, le Carre remains objectively bent on telling a well-crafted, well-written story.
Other, lesser, writers, propagandists essentially, may fume and pontificate on their soapboxes about their political weltanschauungs in preachy novels that masquerade as thrillers. Le Carre, however, doesn't permit his political biases to interfere with his art. This is especially true in "A Most Wanted Man," which is more a novel than it is a thriller in the sense that there isn't much action in it. It's a novel about lies, manipulation, and doulble-dealing in the spy game, where the innocent and the guilty become caught up in an internecine clandestine political imbrogilo beyond their control.
--Bryan Cassiday, author of "Fete of Death"
The city of Hamburg in Germany has unknowingly harbored many terrorist groups in the past. The people of Hamburg believe that everyone should be treated with respect and trust until they break that trust. This is why terrorists seem attracted to the city. If they do not cause any problems, then they are not questioned, just smiled at and helped. This is the basis for A Most Wanted Man, written by John le Carre.
John le Carre does an excellent job describing the city, characters, and motives in this novel. He uses extreme detail to paint a vivid picture of the situation in the mind of the reader. This talent as writer is very helpful to readers because confusing and complex situations are broken down and explained so that the reader may better understand the storyline.
A Most Wanted Man provokes the mind of the reader and touches on a subject that many people do not fully understand, terrorism. The main character, Issa, is a Chechen fugitive who finds refuge with a family in the city of Hamburg. He states that his main purpose for traveling to the city is to become a doctor, but the German authorities think otherwise. The authorities of Hamburg and even the American CIA accuse Issa of being a terrorist, so Issa is forced to live in an attic for his safety. As the story develops it becomes clear that Issa is not a terrorist, but rather a person who escaped his homeland because of persecution and torture. This is a very interesting and important part of the story that really shaped my opinion of Issa as a reader. The ability to make a reader identify and feel sympathy for a fugitive in Germany is a real skill that John le Carre possesses. Even though the customs, religions, and mannerisms of Issa seem to be foreign to mainstream America, John le Carre makes it very easy to become emotionally attached to the character.
A Most Wanted Man is a great read. The book is full of suspense and thought provoking situations that come together to create a controversial plot for the reader to take a moral stance on. This novel is great for anyone who is looking for a storyline that is current and has very believable characters. This is the first book I have read by John le Carre but certainly not the last. He has a talent for connecting the reader with the characters and has a unique ability to describe situations in extreme, but not boring, detail.
Within the first few pages, I knew I would enjoy this book. Le Carre demonstrates once again his mastery of fiction based on reality, his ability to incorporate current events and contemporary fears into his novels, his wonderful talent at exploring character. There are major events, events of global significance going on in and around this story, but he manages to keep the reader focused on a few people, a few real, flawed people, keeps you wanting to know - who are they, what are they capable of, why do they do this? These are the kinds of characters I wish I could create in my writing. This is the kind of story telling that, as far as I am concerned, makes Le Carre one of the best writers alive today. Cheers to you, John.
The post 9/11 world has been a place of fear and uncertainty. No one can be trusted and no chances can be taken. People are on a constant search for suspicious behavior. All of these things describe the mood within A Most Wanted Man. John le Carré tells a story of an Islamist, Issa, who had recently escaped confinement and made his way to Hamburg, Germany, the place where most of the planning of the 9/11 attacks were planned. At that time, they could plan their violent attacks in peace. This can not be said for the present day.
The moment Issa steps foot in Germany, every move he makes his carefully watched. His innocence at first is murky, but those who truly discover who he is, clearly see his innocence. Those who do their work from a distance still do not trust him. He is religiously devout and would never harm a fly, but because of his race and his questionable past, he is held on a tight leash.
John le Carré develops a theme of not judging those who you do not know. Every character in the novel seems to have a story unknown to the rest of the characters. Not one character can be summarized in a couple of sentences because they are all so elaborate. In order for the true nature of any one character to be revealed, the whole story must be read. This is, for the most part, makes this an amazing read. Characters are no longer characters but real people. You can actually identify with those within the story. You start to feel for those in the book and when it comes to an end, you will just sit and ponder. Ponder the quality of humans in general. That is what makes this book. It shows how people can come together for a common cause, but in the same story show the darker side of human nature.
This book is the definition of suspense. The purpose of the entire book is to figure out why Issa is in Germany, allow him to get his money from a local bank, and to see what kind of connections they can find between Issa and Islamic terrorists. A complex plan is devised and ninety eight percent of the book is just the lead up to the execution of it. I just wanted to keep reading even when my eyes were heavy. It is such a great build up and the end just leaves you shocked.
The way in which the story is told also makes this and interesting read. The story is told by various points of view. At times there is a sort of omniscient point of view, allowing you to get a glimpse of everyone¿s true thoughts. The story is also told from the view of Tommy Brue (the bank owner), Frau Richter (Issa¿s lawyer), and Bachman (works for law enforcement). The only person not really open to the reader is Issa. The only way to judge his character is by his interactions with the others. This allows the reader to form his own opinions about who Issa really is. The voice of the piece also tends to include ludicrous amounts of detail. The settings and the emotions of the characters are always fully developed. This also allows for some confusion. Le Carré sometimes gives so much detail that he ventures off course with tangents that could be excluded from the story.
I definitely recommend this book to anyone who likes suspense and a book with intricate relationships. It is a great read that makes you feel a sort of attachment to the seemingly real characters. This book had me wanting more after I put it down. I will not be surprised if I pick up another novel by John le Carré sometime soon.
I have read all his books and this was no dissapointment, loved it and would recommend it to anyone.
As a fan of le Carre, I think this is one of his very best. But if you didn't like his prior novels, there is nothing here so different as to change your mind.
If you want Ludlum, read Ludlum. This is LeCarre.
I haven't read one of his books for many years and now I remember why. The first half of the book is a very slow read with so much filler information on his people that boredom recovery becomes the main objective when you put it down. He is the king of side stories that add nothing extra to the plot.
Not quite the peak of the Smiley novels, but a very timely plot that allows LeCarre to revisit the espionage territory he does so well and the more universal issues of the deceptions, including self-deceptions, that we all use in daily life, and the inability of even highly intelligent and competent individuals to avoid the tide of history and forces larger than themselves.
Another thrilling story from LeCarré, one of the masters when story-telling is appealing
Issa is indeed wanted; too bad he doesn't know what he wants. LeCarré, once again, takes us on a journey of bad people and worse people with one or two almost good ones tagging along. And always a victim that will bounce among them with skeptical hope. A wonderful read with one of best LeCarré 'gotcha' endings.
A Most Wanted Man is a spy novel extraordaire with themes more relevant to today's issues then most other thrillers I've read. Highlighting the war on terror and they way it has altered rationality, this is a book that should hit close to home for anyone. Issa, a young Russian with horrific scars, comes mysteriously to be in Hamberg. A devout Muslim, he is quickly under suspcion from all sides. Annabel, a young German lawyer is determind to prevent the government from deporting him and she drags a wealthy British banker into her cause. It's a game of cat and mouse as the rival spies try to find proof of Issa's terrorist connections.
I listened to this book and thoroughly enjoyed it. John le Carre reads the book himself, and he does a good job of it. I found the plot to be frighteningly plausible. I liked the main characters and especially enjoyed the relationships between Issa, Annabelle, and Tommy Brue. This is a book peopled with realistic people caught in unimaginably terrifying circumstances!
Very dynamic and thoughts provoking, captivating novel. Hard to read (or listen) in bits and pieces- need to allocate quite a chunk of time ( I missed my bus stop to work).
Im back but ny nook is broke