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Pico IyerThe short story is a craftsman’s form, and Toibin’s craft is immaculate. Not many writers in Britain and Ireland are working at this level of intensity and seriousness, with not a slack sentence in 270 pages and nothing shoddy or easily sardonic throughout. The short story also seems an ideal form for a writer much more interested in emotion, and the slow exposing of a character, than in action or community.
— The New York Times