Motives for Fiction

Overview

“For many serious readers,” Robert Alter writes in his preface, “the novel still matters, and I have tried here to suggest some reasons why that should be so.” In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers.

Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, ...

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Overview

“For many serious readers,” Robert Alter writes in his preface, “the novel still matters, and I have tried here to suggest some reasons why that should be so.” In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers.

Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter's essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue.

Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

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Product Details

  • ISBN-13: 9780674587625
  • Publisher: Harvard University Press
  • Publication date: 1/28/1984
  • Pages: 248
  • Product dimensions: 6.16 (w) x 9.61 (h) x 1.00 (d)

Meet the Author

Robert Alter is Professor of Hebrew and Comparative Literature at the University of California, Berkeley. He is the author of numerous critical works, the most recent of which is the prize-winning book The Art of Biblical Narrative.
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Table of Contents


  1. I. Fiction and Reality
  2. Mimesis and the Motive for Fiction
  3. History and the New American Novel
  4. The American Political Novel
  5. The Real and Imaginary Worlds of Norman Mailer
  6. Nabokov and the Art of Politics
  7. Ada, or the Perils of Paradise
  8. Tristrant Shandy and the Game of Love
  9. The Demons of History in Dickens's Tale
  10. Flaubert Through His Letters
  11. Proust and the Ideological Reader
  12. Borges, Stevens, and Post-Symbolist Writing
  13. Daniel Martin and the Mimetic Task

  14. II. The Stances of Criticism
  15. The American Edmund Wilson
  16. Literature and Ideology in the Thirties
  17. The Education of Alfred Kazin
  18. Literary Lives
  • Notes
  • Credits
  • Index

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