Moura: The Dangerous Life of the Baroness Budberg (New York Review Books Classics Series)

Overview

Baroness Maria Ignatievna Zakrevskaya Benckendorff Budberg hailed from the Russian aristocracy and lived in the lap of luxury—until the Bolshevik Revolution forced her to live by her wits. Thereafter her existence was a story of connivance and stratagem, a succession of unlikely twists and turns. Intimately involved in the mysterious Lockhart affair, a conspiracy which almost brought down the fledgling Soviet state, mistress to Maxim Gorky and then to H.G. Wells, Moura was a woman of enormous energy, ...
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Overview

Baroness Maria Ignatievna Zakrevskaya Benckendorff Budberg hailed from the Russian aristocracy and lived in the lap of luxury—until the Bolshevik Revolution forced her to live by her wits. Thereafter her existence was a story of connivance and stratagem, a succession of unlikely twists and turns. Intimately involved in the mysterious Lockhart affair, a conspiracy which almost brought down the fledgling Soviet state, mistress to Maxim Gorky and then to H.G. Wells, Moura was a woman of enormous energy, intelligence, and charm whose deepest passion was undoubtedly the mythologization of her own life.

Recognized as one of the great masters of Russian twentieth-century fiction, Nina Berberova here proves again that she is the unsurpassed chronicler of the lives of Soviet émigrés. In Moura Budberg, a woman who shrouded the facts of her life in fiction, Berberova finds the ideal material from which to craft a triumph of literary portraiture, a book as engaging and as full of life and incident as any one of her celebrated novels.

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Editorial Reviews

From the Publisher
"Nina Berberova, canny witness and survivor, tells a story that offers the satisfactions of history and the intimacy and strangeness of her extraordinary fiction. She brings to life not only the unknowable Baroness Budberg—probable spy, sometime translator and film scenarist—but her unlikely trio of lovers—the British agent Bruce Lockhart, Maxim Gorky and H.G. Wells."
— Honor Moore

“In this fascinating late work by a writer of genius, the encounter of biographer and subject—the Baroness, lover of Wells as well as Gorky, suspected spy and double agent—is among the most mysterious and vital in twentieth-century literature. Nina Berberova was a gourmand of the ‘juiciness’ of secrets, the tingle of lies and silence. She claims to have left herself out of her portrait of Moura, whom she knew and whom she admired for her refusal to be a victim. But the book is permeated with what feels to the reader like an enduring power-struggle. Is this an indictment, or a love-song? Nina, in seizing Moura’s life-story, emerges as the victor.”  —Kennedy Fraser, author of Ornament and Silence

“Nina Berberova, canny witness and survivor, tells a story that offers the satisfactions of history and the intimacy and strangeness of her extraordinary fiction. She brings to life not only the unknowable Baroness Budberg—probable spy, sometime translator and film scenarist—but her unlikely trio of lovers—the British agent Bruce Lockhart, Maxim Gorky and H.G. Wells.” 
—Honor Moore, author of The White Blackbird

“Although Moura’s life provides the thread of this biography, Berberova enriches the story with pen portraits of revolutionaries, spies, international financiers and what seem like half the characters from an Eric Ambler thriller.”
— Michael Dirda, The Washington Post Book World

“Moura is revealed as a true femme fatale, capable not only of enchanting men but of luring them into turbulent, even dangerous waters. Berberova can sometimes bring herself to admire Moura’s courage and sangfroid; she can even acknowledge her undoubted charm. But she produces a chilling portrait of a woman who scrupled at very little in order to achieve her goal, which was basically her survival in circumstances as favorable as possible.
Moura certainly kept her head when all about her were losing theirs, but once you have read Nina Berberova’s pungent portrait of her, you cannot help thinking at least a little bit about those people who did not succeed in keeping theirs. And this is not the least of Berberova’s accomplishments in her admirably humane book.” 
— Martin Rubin, Washington Times

“Berberova’s [ ] own favorite book was this dramatic, richly descriptive, and historically illuminating biography of a fellow Russian refugee and a woman for all seasons, Moura Budberg, a work just now published in English... Given the volatile times and Moura’s masterful practice of the art of survival, Berberova takes on a complex and compelling tale of political upheaval, espionage, sexual passion, and all the suffering wrought by war, poverty, oppression, and exile, and tells it brilliantly with empathy and panache.”
Booklist

"The mysterious baroness known as Moura, was likely a Soviet spy and possibly a double agent, as Berberova shows in this intricate biography, one that is also a meditation on the Bolsheviks, penniless Baltic nobility and the attractions of the femme fatale….Though Moura was published in Russian in 1981, it didn’t appear in English until four years ago, with Marian Schwartz and Richard D. Sylvester’s translation. As many readers discovered then, Berberova is a splendid writer who deserves to be better known."
The Wall Street Journal

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Product Details

  • ISBN-13: 9781590171370
  • Publisher: New York Review Books
  • Publication date: 6/28/2005
  • Series: New York Review Books Classics Series
  • Pages: 360
  • Product dimensions: 5.88 (w) x 8.54 (h) x 1.07 (d)

Meet the Author

Nina Berberova (1901–1993) was born in St. Petersburg. She and her companion Vladislav Khodasevich, later described by Vladimir Nabokov as the “greatest Russian poet of our time,” lived in the household of Maxim Gorky for some years before emigrating to Paris. Khodasevich died in 1939, and in 1950 Berberova moved to the United States, where she taught herself English and worked as a clerk before becoming a professor of Russian literature at Princeton in 1963. In 1985, the novellas Berberova had written in the 1930s about Russian émigrés living in Paris were rediscovered by Hubert Nyssen, the director of the French publishing house Actes Sud, who began a program of reissuing her works, which include The Ladies from St. Petersburg, The Tattered Cloak, The Book of Happiness, The Accompanist, and an autobiography, The Italics Are Mine.

Marian Schwartz has been translating Russian fiction and nonfiction for over thirty years. Her work includes Edvard Radzinsky’s The Last Tsar, Yuri Olesha’s Envy, and many works by Nina Berberova.

Richard D. Sylvester is Professor Emeritus of Russian at Colgate. His writings about Russian poetry include essays on Khodasevich and Brodsky, and Tchaikovsky’s Complete Songs: A Companion with Texts and Translations published by Indiana University Press.

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Table of Contents

Translators' Note ix
Author's Preface xiii
1 The Beginnings 1
2 Love and Prison 48
3 The Struggle 87
4 Italian Intermezzo 147
5 The Deal 202
6 Survival 255
Select Bibliography 301
Index of Names 311
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