Mourning Ruby

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Abandoned as a baby, Rebecca has no tie to her parents other than the men's size-eleven shoebox in which she was found. Yet she grows from a child of no one and nowhere into a woman who creates her own unorthodox but tender family. First, there is Joe-a brilliant historian and loyal friend who longs for more than Rebecca can give him, but whose devotion sustains her. Adam, Joe's friend, is the man who becomes her husband. And Ruby is the daughter whom Rebecca loves with almost ...

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Overview

Abandoned as a baby, Rebecca has no tie to her parents other than the men's size-eleven shoebox in which she was found. Yet she grows from a child of no one and nowhere into a woman who creates her own unorthodox but tender family. First, there is Joe-a brilliant historian and loyal friend who longs for more than Rebecca can give him, but whose devotion sustains her. Adam, Joe's friend, is the man who becomes her husband. And Ruby is the daughter whom Rebecca loves with almost unbearable intensity.

Then this hopeful life is dealt a blow that could shatter the strongest ties. Rebecca flees her marriage, and Adam sinks into a life numbed by routine and isolation. In the end, it is Joe who enables them to find the way back to understanding, and offers Rebecca a history that she can call her own.

Illuminated by both sorrow and vivid joy, Mourning Ruby is ultimately about the transcendent power of storytelling itself.

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Editorial Reviews

From Barnes & Noble
In her eighth novel, Orange Prize–winning novelist Helen Dunmore creates a vivid, moving portrait of a young woman's attempt to reclaim both her past and future. Abandoned as a newborn and raised in a cold adoptive family, Rebecca has grown up with no history to call her own. She feels the blankness of her past, having nothing to treasure but the size 11 shoebox in which she was found and vague reports of her mother's shadowy shape fleeing the scene of her abandonment. Her best friend, Joe, a writer, creates alternative histories for Rebecca in which he imagines her mother and the circumstances of Rebecca's birth. Through Joe she meets and marries Adam and gives birth to a red-haired daughter named Ruby. With every passing year, Rebecca's desperate need for family is happily fulfilled -- until a freak accident irrevocably changes her dyllic life. Lost, alone, and unmoored by grief, Rebecca finds that she must try to reconnect with her many histories before she can find the strength to forge a new future for herself. Original, imaginative, and totally distinctive, this novel -- with its poignant themes of love, loss, and redemption -- is sure to delight Dunmore's legions of fans.
Publishers Weekly
This is that rare novel, an intensely emotional, fiercely intelligent story, fiction with the power to offer redemption.
Publishers Weekly
When Rebecca, the narrator of most of Dunmore's fine, almost unbearably sad eighth novel (after 2003's Ice Cream), shares a flat with Joe in London, she begins to enjoy the pleasures of friendship and family for the first time in her life: she was abandoned as a baby and adopted by a couple remarkably unsuitable for parenting. Joe, a historian interested in Stalin, introduces her to simple pleasures and shows her that loneliness need not be permanent. And it's through Joe that she meets Adam, a neonatologist who becomes her husband and the father of their daughter, Ruby ("For the first time, I was tied to someone by blood"). Given the book's title, Ruby's death is no surprise (though it's still heartbreaking without being melodramatic), and Dunmore plumbs the consequences of loss: How does one mourn, and then accept, the unacceptable? Numbed by Ruby's death, Rebecca drifts away from Adam, finding diversion in a job as an assistant to a hotelier, Mr. Damiano; Adam buries himself in his work with premature babies. Ambitiously, Dunmore complements this tragic narrative with two other stories, one autobiographical, told by Mr. Damiano, about growing up in a circus where his parents were trapeze artists, and one told by Joe, a work of fiction set during WWI about a man and a woman who could be his and Rebecca's ancestors. Rebecca's own story isn't told linearly, so these narrative asides aren't as distracting as they sound. And they are critical to the author's main theme: that narrative is a key to understanding and to acceptance. This is that rare novel, an intensely emotional, fiercely intelligent story, fiction with the power to offer redemption. Author tour. (Mar.) FYI: Dunmore has won Britain's Orange Prize for Fiction. Copyright 2004 Reed Business Information.
KLIATT
Helen Dunmore is an exquisite storyteller who demands attention from her readers. As a translator of Mandelstam, she evokes his image of poetry as an aeroplane flying, giving birth to a baby aeroplane that flies on its own. This literary symbolism moves the story of adopted Rebecca, and her dear friend Joe, who ultimately pens the story within the story that helps Rebecca find her own peace and family history. There are many narratives within this depressing yet consuming tale, each introducing the reader to magnificently drawn characters who move back and forth, putting together the mysteries of Rebecca's life. Joe, her friend; Adam, her husband; and Ruby, their baby daughter who meets a tragic, fatal accident, are at the center. Minor characters like Olga, Mr. Damiano and his sister Bella, and Stalin's wife, Nadya, are memorable in their original voices and positions in this lyrical prose. Adoption, love and loss are themes that YAs identify with but only a select group of those readers will appreciate the depth and complexity of this breathtaking endeavor. KLIATT Codes: A—Recommended for advanced students and adults. 2004, Penguin, Berkley, 294p., Ages 17 to adult.
—Nancy Zachary
Library Journal
Part of growing up is learning the story of your life and your family, but for Rebecca there is no story. She was abandoned as a baby in a shoebox and later adopted by parents who really wanted a boy. When she grows up, she tries to create her story by starting her own family. After she marries Adam and gives birth to their precious daughter, Ruby, Rebecca has the life that she never had growing up. Adam is a successful neonatologist, and she is a happy homemaker. Then tragedy strikes, and all that she has gained is lost in one devastating moment. Rebecca and Adam drift apart, and she gets a job as a personal assistant to a successful hotelier. She flies all over the world setting up hotels for him until one day she has a vision that causes her to rethink the last three years of her life and what her future holds. Dunmore, who in 1996 became the first winner of England's prestigious Orange Prize for A Spell of Winter, has written an elegantly interwoven tale of past and present. The characters' lives and stories wrap together to create an intriguing, well-written work about family, love, tragedy, and friendship. Recommended for most public libraries. [Previewed in Prepub Alert, LJ 10/1/03.]-Robin Nesbitt, Columbus Metropolitan Lib., OH Copyright 2004 Reed Business Information.
Kirkus Reviews
Award-winning British novelist Dunmore (Ice Cream, 2003, etc.) tracks the rollercoaster ride of a young woman from nothingness to identity, a journey she is fated to repeat. In 1965, newborn Rebecca's mother abandons her in a shoebox behind an Italian restaurant. The kitchen help find her before the rats, and she is passed on to adoptive parents who feed her but forget to love her. Haunted by the void in her past, Rebecca must wait until she is grown to find salvation in two men. Joe, who's writing a book about Stalin's second wife that eventually becomes a bestseller, is her empathetic roommate, the brother she has never had. His equally attentive friend Adam, a doctor whose specialty is premature babies, becomes Rebecca's husband, and her adult identity is complete when she gives birth to Ruby. Life is wonderful until five-year-old Ruby dies in a car accident and Rebecca regresses to "the habit of nothing." She and Adam separate, but she encounters a third unconventional savior, Mr. Damiano, a circus impresario turned hotelier who places absolute trust in her abilities as his personal assistant. Meanwhile, Joe, who has never forgotten Rebecca's need for ancestors, is writing a story to erase her fixation on that wretched shoebox. In his work-in-progress, set in France in 1917, single mother Florence vows never to abandon her daughter, even if it means working in a brothel close to the front. Joe's story is both echo chamber and harbinger: Florence shields her child from hostile aircraft just as Rebecca had once dreamed of shielding Ruby from traffic, while the brothel's attic bedroom will find its counterpart in the attic bedroom that reunites Adam and Rebecca. The layered narrativesomewhat muffles the impact of Rebecca's emotional death and rebirth, but Dunmore's eighth novel still offers plenty of incidental pleasures. Agent: Caradoc King
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Product Details

  • ISBN-13: 9781585474424
  • Publisher: Center Point Large Print
  • Publication date: 7/1/2004
  • Series: Platinum Series
  • Edition description: Large Print
  • Pages: 303
  • Product dimensions: 5.90 (w) x 8.50 (h) x 1.00 (d)

Meet the Author

Helen Dunmore is the author of seven novels, including A Spell of Winter, With Your Crooked Heart, and Talking to the Dead, and has been published in fifteen countries. She is also a children's novelist, short-story writer, prizewinning poet, and the first-ever winner of Britain's prestigious Orange Prize.

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Read an Excerpt

Mourning Ruby


By Helen Dunmore

Center Point Large Print

Copyright © 2004 Helen Dunmore
All right reserved.

ISBN: 1585474428


Chapter One

ABOUTBOOK: DISCUSSIONQUES:

Q> For much of her life, the shoebox that Rebecca was abandoned in is her only connection to her real mother. Later in life, Rebecca realizes, "I needed the story, not the object." Once Rebecca recognizes this, she tells Lucia, "The truth is that it was only possible for me to come and find you when I was no longer in search of my mother at all." Why do you think Rebecca feels that way? What is she in search of, if not her mother? Does she ever find it?

Q> Airplanes are discussed throughout the novel by several characters. In Chapter 2 Rebecca recalls the story of Mandelstam's baby airplanes: "The Russian poet Mandelstam once wrote about baby aeroplanes. He wrote about an aeroplane in full flight giving birth to another aeroplane which immediately flies off and gives birth to its own baby ..." Joe tells Rebecca that the story is a metaphor for the way things came alive in Mandelstam's head. What could the airplanes represent in Rebecca's life? What is the significance of airplanes to other characters in the novel?

Q> Why do you think Rebecca sees Ruby riding on the fire truck after her airplane makes the emergency landing?

Q> Rebecca is not the only character in the novel that experiences a sense of loss. Which other characters experience feelings similar to Rebecca? Rebecca says that it was Mr. Damiano who taught her to learn poems by heart so that during the many times that she thought she had nothing she would find that she still had the poems. Does this help Rebecca? Do Rebecca and the other characters with similar feelings overcome this loss? If so, through what means?

Q> Compare Rebecca's relationship with Joe to her relationship with Adam. What does Adam offer Rebecca that Joe does not/can not?

Q> Rebecca mentions her desire to feel safe throughout the novel. What does she want to be safe from? Does Rebecca ever feel safe?

Q> While visiting Joe in Moscow, Rebecca has an epiphany: "My whole body was flooded with happiness ... I thought that this was why we had come to Moscow, though we hadn't known it. We had come to be loosened from ourselves, to hear of griefs that were larger than our own, to be able to say those sweet words that so often stuck on our tongues." How does this change once Rebecca and Adam experience their own immense grief?

Q> Discuss the differences between how Adam and Rebecca mourn for Ruby.

Q> Though the title is MOURNING RUBY, Ruby is not the only person mourned in this book. Who or what else is mourned? How does this impact other characters?

Q> Who do you think Rebecca is speaking to at the end of the novel?



Continues...


Excerpted from Mourning Ruby by Helen Dunmore Copyright © 2004 by Helen Dunmore. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Interviews & Essays

Q> For much of her life, the shoebox that Rebecca was abandoned in is her only connection to her real mother. Later in life, Rebecca realizes, "I needed the story, not the object." Once Rebecca recognizes this, she tells Lucia, "The truth is that it was only possible for me to come and find you when I was no longer in search of my mother at all." Why do you think Rebecca feels that way? What is she in search of, if not her mother? Does she ever find it?

Q> Airplanes are discussed throughout the novel by several characters. In Chapter 2 Rebecca recalls the story of Mandelstam's baby airplanes: "The Russian poet Mandelstam once wrote about baby aeroplanes. He wrote about an aeroplane in full flight giving birth to another aeroplane which immediately flies off and gives birth to its own baby..." Joe tells Rebecca that the story is a metaphor for the way things came alive in Mandelstam's head. What could the airplanes represent in Rebecca's life? What is the significance of airplanes to other characters in the novel?

Q> Why do you think Rebecca sees Ruby riding on the fire truck after her airplane makes the emergency landing?

Q> Rebecca is not the only character in the novel that experiences a sense of loss. Which other characters experience feelings similar to Rebecca? Rebecca says that it was Mr. Damiano who taught her to learn poems by heart so that during the many times that she thought she had nothing she would find that she still had the poems. Does this help Rebecca? Do Rebecca and the other characters with similar feelings overcome this loss? If so, through what means?

Q> Compare Rebecca's relationship with Joe to her relationship with Adam. What does Adam offer Rebecca that Joe does not/can not?

Q> Rebecca mentions her desire to feel safe throughout the novel. What does she want to be safe from? Does Rebecca ever feel safe?

Q> While visiting Joe in Moscow, Rebecca has an epiphany: "My whole body was flooded with happiness...I thought that this was why we had come to Moscow, though we hadn't known it. We had come to be loosened from ourselves, to hear of griefs that were larger than our own, to be able to say those sweet words that so often stuck on our tongues." How does this change once Rebecca and Adam experience their own immense grief?

Q> Discuss the differences between how Adam and Rebecca mourn for Ruby.

Q> Though the title is MOURNING RUBY, Ruby is not the only person mourned in this book. Who or what else is mourned? How does this impact other characters?

Q> Who do you think Rebecca is speaking to at the end of the novel?
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Customer Reviews

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted August 30, 2008

    Journey to Healing and Recovery of Self

    Newborn Rebecca mother puts her in a shoebox and leaves her for someone to find. She grows up in a foster home where emotional contact and sense of family were absent. She marries a doctor, gives birth to a daughter, and lives happily until her young daughter dies after being hit by a car while riding her bicycle. All the loss she¿s experienced overtakes her and she falls into depression. Mourning Ruby is about Rebecca¿s journey to healing and recovery of self.

    Was this review helpful? Yes  No   Report this review
  • Posted December 9, 2008

    more from this reviewer

    A poignant, but melancholy character study

    Over three decades may have passed, but the pivotal moment in Rebecca¿s life still haunts her. Her biological mom left her as a newborn in a shoebox in the alley behind Vittori¿s restaurant. An onion saves her from becoming rat meal. Her adoptive parents had no idea how to cope with a colic baby that did not sleep through the night; over the years they fed and dressed the kid, but were unable to show any love or affection towards the alley brat................ As an adult Rebecca rooms with historian Joe, who treats her like a younger sibling and introduces her to her future husband neonatologist Adam. They have a daughter Ruby, who makes Rebecca feel human for the first time in her life. The next five years are terrific as she and Adam shower Ruby with love. When Ruby dies in a car accident, Rebecca returns to her life of nothingness. Adam leaves her, but she meets Mr. Damiano, who hires her as his assistant while Joe tries to provide her solace with a World War I story about a single mother vowing to raise her child though it means working the brothels at the front.................. MOURNING RUBY is a poignant, but melancholy character study. The title protagonist lives an extreme roller coaster life starting with the box, followed by the loveless early years; a fine interlude with a friend and a lover; the crescendo starring Ruby; replaced by deep grief and hiding in a ¿box¿; and finally friends trying to help her move on. Helen Dunmore provides a deep look that human means grieving for loved ones but also those who love you are there for you even when you reject them...................... .

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  • Anonymous

    Posted February 22, 2010

    No text was provided for this review.

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