Move

( 5 )

Editorial Reviews

All Music Guide - Andree Farias
After a number of career moves attempting to position themselves as the next big thing in rock, Third Day appear resigned to their place as one of the biggest rockers in Christian music: nothing more, nothing less. Move, the Atlanta foursome's ninth studio disc and umpteenth return to form, reveals that much, as it finds the group embracing, hopefully definitively, that midpoint between spiritual fervor and Southern rock passion that suits them so well. Neither facet gets more playtime than the other; instead, they coexist as one, allowing Third Day to sound more assured and natural than they have in years. If previous efforts like Wire and Revelation were intentionally ...
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Editorial Reviews

All Music Guide - Andree Farias
After a number of career moves attempting to position themselves as the next big thing in rock, Third Day appear resigned to their place as one of the biggest rockers in Christian music: nothing more, nothing less. Move, the Atlanta foursome's ninth studio disc and umpteenth return to form, reveals that much, as it finds the group embracing, hopefully definitively, that midpoint between spiritual fervor and Southern rock passion that suits them so well. Neither facet gets more playtime than the other; instead, they coexist as one, allowing Third Day to sound more assured and natural than they have in years. If previous efforts like Wire and Revelation were intentionally populist in approach, Move appears to be aimed squarely at the ardent Christian fan base the band has amassed over the years: those who loved their anthems "Cry Out to Jesus," "My Hope Is You," and "Show Me Your Glory." In that sense, Move is a move in the right direction: the songs are so huge and unapologetic -- big guitars, big choruses, big messages -- they leave no doubt as to the group's spiritual intentions. It is this Third Day -- not the mainstream-friendly, erstwhile Seattle rock doppelganger -- that has been responsible for some of the most enduring repertoire modern CCM has seen.
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Product Details

  • Release Date: 10/19/2010
  • Label: Essential
  • UPC: 083061092122
  • Catalog Number: 10921
  • Sales rank: 45,560

Album Credits

Performance Credits
Third Day Primary Artist
Tracy Silverman Viola
David Carr Drums, Group Member
Mac Powell Vocals, Group Member
Jason Eskridge Choir, Chorus
Scotty Wilbanks Piano, Clavinet, Wurlitzer, Hammond B3
Five Blind Boys of Alabama Background Vocals
Will Sayles Percussion
Paul Moak Harmonica, Piano, Pedal Steel Guitar, Background Vocals, Mellotron, chamberlain, Hammond B3
Nickie Conley Choir, Chorus
Bear Rinehart Background Vocals
Claire Indie Cello
Kerrie Roberts Background Vocals
Missi Hale Choir, Chorus
Zach Casebolt Violin
Mark Lee Banjo, Guitar, Mandolin, Guitar (Resonator), Weissenborn, Group Member
Eleonore Denig Violin
Tal Anderson Bass, Group Member
New Hope Academy Children's Choir Choir, Chorus
Technical Credits
Third Day Composer
David Carr Composer
Chris Athens Mastering
Beth Lee Art Direction
Terry Hemmings Executive Producer
Mac Powell Composer
Tim Parker Art Direction
Paul Moak Producer, Engineer
Andy Hunt Engineer
Seth Bolt Vocal Engineer
Bear Rinehart Composer
Bo Rinehart Composer
K.S. Rhoads String Arrangements
Nikki Brown Assistant Hair Stylist, Make-Up Assistant
Mark Lee Composer
Tal Anderson Composer
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Customer Reviews

Average Rating 3.5
( 5 )
Rating Distribution

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(2)

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3 Star

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1 Star

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Sort by: Showing all of 5 Customer Reviews
  • Anonymous

    Posted October 28, 2011

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    Posted October 26, 2010

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    Posted October 20, 2010

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    Posted July 31, 2011

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    Posted October 24, 2010

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Sort by: Showing all of 5 Customer Reviews