The New York Times Book Review - Jess Walter
The six stories and one novella…might be read as a progression of sorts, from the lucid, laconic Earley of Jim the Boy (2000) and The Blue Star (2008) to an older writer—edgier, in both senses of the word, and not above venturing into deep metafictional woods to contemplate the fading state of storytelling…a deep ruefulness hums from…the whole collection…This is different temporal and emotional terrain than Jim the Boy, and it's a treat to watch a writer as talented as Earley explore it, rising tides, skunk apes and all.
From the Publisher
"Hugely enjoyable... its loping, shaggy charm lands squarely between Theroux's dourness and Guterson's dreaminess, with a dallop of down-home Appalachian soul to boot."—Washington Post
"Earley's poetic sentences empower his stories, making them more poignant, more real, as when Jesse James's laugh causes a suburban woman to imagine "a mouth filled with cobwebs," or when, beset by a horrible flood, Jack the giant-killer's "brain began to shout the thoughts inside his head so that he might hear them." This collection reminds us that imaginative leaps may at times take readers away form what they call reality, but may just as easily bring us closer to it."—Boston Globe
"Tony Earley writes warm, funny stories that will break your heart. His humor and empathy will whisk you from beginning to end, and the sadness and regret at his stories' core will resonate in your memory... Here he has assembled a group of stories that are sad, droll and unforgettable. They are sophisticated and intricate in their construction, yet appealing and accessible—a pleasure to read, never a chore. They show Earley at his best."—Minneapolis Star Tribune
"Assured, evocative tales rich in humor and complex emotion."—New York Times Book Review
"Earley has grown up. Even if apple orchards still conceal secrets, mountain hollows house strange denizens, and the trains rumble reassuringly in the distance, there is undoubtedly a hard edge to this collection... Welcome, perhaps, to the Late Earley."—Publishers Weekly (starred review)
"Punctuated by sharp insights and wry observations on the human condition, featuring strong, idiosyncratic characters having small epiphanies in their small towns."—Kirkus Reviews
"Both funny and bittersweet, these stories offer vivid characters and imaginative scenarios."—Booklist
"Tony Earley more than measures up with Mr. Tall—Vanity Fair
"Studded with his penchant for finding enchanment in everyday lives, their folk tale patina presages the more overt magic running through his new collection of short stories... Throughout, these new fables remain tethered to Earley's trademark preoccupations—the strange alchemy by which people connect, a heartfelt grasping for what comes next."—Daily Beast
"Time has passed, but Earley's still got the magic and a lot of wisdom to go with it."—The Rumpus
"Mr. Tall is a dazzling array of short fiction pieces, each one mythic in its own way, each one peopled with characters whose unlived lives are often more vivid than their lived lives."—Charlotte Observer
John Freeman - Minneapolis Star Tribune
"A very fine book, full of moments of humor and tenderness . . . The Blue Star is, in more ways than one, a wonderful reminder of how we used to live."
Boston Globe
"At the heart of The Blue Star is a good, old-fashioned love story . . . Earley writes with the same lyrical simplicity that he employed in Jim the Boy, calling to mind his literary idol Willa Cather."
Malcolm Jones - Newsweek
"Tony Earley bewitches his readers with an idyll of boyhood so completely realized that we never want to leave it."
Scott Turow - New York Times Book Review
Praise for THE BLUE STAR"I galloped through the novel and relished every page . . . The Blue Star, like its hero, is irresistible."
Kirkus Reviews
2014-06-29
Over several decades, in small towns scattered throughout North Carolina and Tennessee, young and old couples attempt to connect in Earley's (The Blue Star, 2008, etc.) quirky and penetrating story collection.In "Haunted Castles of the Barrier Isles," a long-married couple is bereft when their only child, a college freshman, is less than happy to see them during a surprise birthday visit. With nothing better to do, the couple embarks on a trip to the nearby barrier islands, where they wander into a lackluster beach resort soon to be swallowed up by the encroaching ocean. This desultory vacation is colored by the shock and disappointment of the college visit, and their resulting marital crisis is described with mastery and subtlety. In "Mr. Tall," 16-year-old newlywed Plutina Scroggs sets off in 1932 with her new husband on a seemingly endless rail and mule journey from her hometown to his remote mountain cottage. Earley conveys with genuine humor and insight Plutina's bewilderment about sex and her initial regrets about the hasty marriage. Plutina later becomes obsessed with her never-glimpsed nearest neighbor, a hermit known as Mr. Tall, during the long weeks she spends alone. These first two stories are the strongest and most memorable of the collection. Additional tales are linked through the use of repeating characters; Plutina reappears as an aging neighbor in "The Cryptozoologist," in which a new widow becomes infatuated with the yetilike "skunk apes" she glimpses in the woods behind her home. In "Just Married," a collection of shorter anecdotes, characters appear and cleverly reappear in different phases of their lives with different partners. The only misstep in the book is the novella "Jack and the Mad Dog," a well-crafted but tedious postmodern fable about "THAT Jack, the giant-killer of the stories," that is out of keeping with the rest of the collection.The rest of the book is punctuated by sharp insights and wry observations on the human condition, featuring strong, idiosyncratic characters having small epiphanies in their small towns.
