- Adani
- Kondaine
- Rumbae
- Moto
- Yoshua Alikuti
- Bantu
- I Wanna Go Away
- Come Alive
- Mghetto
- Nkango
- Rudeboy
- We Ok
- Rudeboy [Remix]
5
1
5060164953791
Winston Marshall Primary Artist
Baaba Maal Primary Artist,Featured Artist
Mo Laudi Primary Artist,Featured Artist
Xuman Primary Artist,Featured Artist
MNEK Primary Artist,Featured Artist
Jose Hendrix Primary Artist,Featured Artist
Seye Adelekan Primary Artist,Guitar
Seye Primary Artist,Featured Artist
Sonye Primary Artist
Amadou & Mariam Primary Artist,Featured Artist
K'NAAN Primary Artist,Featured Artist
Jose Hendrix Ndelo Featured Artist
Amadou Bagayoko Featured Artist
Daniel Freedman Drums
Muhammed Bryce Composer
Baaba Maal Composer
Johan Hugo Mixing,Producer
Ntshepe Bopape Composer
Moroka Producer
Joakim Jarl Material
Copia Doble Systema Producer
Benedikt Wiessmeier Composer
Steven Jess Borth Composer
Didi Gutman Composer
Amadou Bagayoko Composer
Mariam Doumbia Composer
Steve Borth Composer
Keinan Warsame Composer
Taio Cruz Composer
Bruno Mars Composer
Philip Lawrence Composer
Seye Adelekan Composer
Schlachthofbronx Producer
Johan Karlberg Composer
Esau Mwamwaya Composer
J-Wow Producer
Asmund Boye Kverneland Composer
Oluwaseye Adelekan Composer
Niklas Bergloef Mixing
Makhtar Fall Composer
Jose Hendrix Composer
Jens Kristian Skovgard Schroder Composer
Asmund Boye Kvernland Composer
Alexander Holmes Composer
Muhammad Bryce Composer
Joao Barbosa Composer
Benedikt Weissmeier Composer


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Overview
Three years on from the exuberantly joyful Warm Heart of Africa (and one after the stop-gap grab-bag Super Mom mixtape) the Very Best return with a sophomore album that, without radically altering their distinctive blend of African singing, synthesizer-based pop, and various strains of global dance music, is nevertheless a notably different affair. Recorded in the Malawian capital of Lilongwe, MTMTMK finds the group -- down to a duo after the departure of Etienne Tron -- delving deeper into African music while simultaneously flirting more boldly with clubby, high-gloss electro-pop. It's a shift that's reflected in the album's sizable pool of contributors: instead of indie-friendly luminaries like Ezra Koenig and M.I.A., remaining Besties Johann and Esau have teamed up with bona fide African superstars Amadou & Mariam and Baaba Maal (all on one track, no less, though regrettably it's the atypically beatless, frankly somewhat interlude-like "Bantu"), and world-conquering Somalian rapper K'naan (on the vaguely insipid "inspirational" "We OK"), as well as up-and-comers from across the African pop and dance music diaspora -- Seye, MNEK, Xuman, Jose Hendrix Nkedo, DJ Mo Laudi -- but they also engaged in songwriting collaborations with the likes of Bruno Mars and Taio Cruz (the latter resulting in the weird, garish Auto-Tune crash-course "Rumbae.") The variety and superabundance of collaborators, intriguing though it is, may partially explain why MTMTMK has a tendency to feel slightly faceless: almost unthinkably, the mighty Esau Mwamwaya, whose brightly harmonized vocals are the defining, integral element of TVB's sound, sometimes seem to get lost on his own album. Sure, he's always here, singing sometimes in English but mostly in his native Chewa, but his formerly inescapable magnetism doesn't quite shine through like before. If it's telling that most of the best moments here are those without guest vocal features -- chaotically eruptive opener "Adani," politically charged first single "Yoshua Alikuti," the jumping "Rudeboy" -- it's at least as significant that these cuts feature probably the hardest-hitting beats on the album, and come the closest to recapturing the first album's endearingly scrappy streak. Elsewhere, excepting the Eastern-tinged hip-hop reggae experimentation of "Mghetto," MTMTMK veers surprisingly close to the kind of streamlined, airbrushed, electro-dance confections that dominate Top 40 pop and R&B circa 2012, albeit generally with enough polyrhythmic (and cross-linguistic) complexity to make genuine crossover success highly implausible at best. It's not that overt poppiness is necessarily a bad look for these guys: "Kondaine," for instance, is the most blatant attempt to re-create the irresistibly frothy cheerfulness of the debut's stand-out title track, and it pretty much succeeds. But there's a fine line between blissfully sunshiny and merely cloying, and it's one that the Very Best aren't quite as adept at navigating this time out. They haven't lost their uplifting positivity or their restlessly inventive production spirit -- they just seem to be missing a bit of that Warm Heart. ~ K. Ross Hoffman
Product Details
Release Date: | 07/17/2012 |
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Label: | Cooperative / Moshi Moshi Records |
UPC: | 5060164953791 |
Tracks
Album Credits
Performance Credits
The Very Best Primary ArtistWinston Marshall Primary Artist
Baaba Maal Primary Artist,Featured Artist
Mo Laudi Primary Artist,Featured Artist
Xuman Primary Artist,Featured Artist
MNEK Primary Artist,Featured Artist
Jose Hendrix Primary Artist,Featured Artist
Seye Adelekan Primary Artist,Guitar
Seye Primary Artist,Featured Artist
Sonye Primary Artist
Amadou & Mariam Primary Artist,Featured Artist
K'NAAN Primary Artist,Featured Artist
Jose Hendrix Ndelo Featured Artist
Amadou Bagayoko Featured Artist
Daniel Freedman Drums
Technical Credits
Didi Gutmao ComposerMuhammed Bryce Composer
Baaba Maal Composer
Johan Hugo Mixing,Producer
Ntshepe Bopape Composer
Moroka Producer
Joakim Jarl Material
Copia Doble Systema Producer
Benedikt Wiessmeier Composer
Steven Jess Borth Composer
Didi Gutman Composer
Amadou Bagayoko Composer
Mariam Doumbia Composer
Steve Borth Composer
Keinan Warsame Composer
Taio Cruz Composer
Bruno Mars Composer
Philip Lawrence Composer
Seye Adelekan Composer
Schlachthofbronx Producer
Johan Karlberg Composer
Esau Mwamwaya Composer
J-Wow Producer
Asmund Boye Kverneland Composer
Oluwaseye Adelekan Composer
Niklas Bergloef Mixing
Makhtar Fall Composer
Jose Hendrix Composer
Jens Kristian Skovgard Schroder Composer
Asmund Boye Kvernland Composer
Alexander Holmes Composer
Muhammad Bryce Composer
Joao Barbosa Composer
Benedikt Weissmeier Composer
From the B&N Reads Blog
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