Much Bigger Than Grownups: Chronicles Of A Native South African

( 3 )

Overview

"This account shines with creativity and insight. Readers are taken on an international adventure into the rich cultures, religious diversity, lush geography and political turmoil of South Africa during the latter half of the twentieth century; and then on to the USA. It is a fascinating sojourn that enlightens and educates as it entertains. Exotic places and endearing people come vividly to life through the eyes and heart of this Renaissance woman." Dr. Melanie Rosa. *** "Shelley Wood Gauld combines her personal history with that of a turbulent
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More About This Book

Overview

"This account shines with creativity and insight. Readers are taken on an international adventure into the rich cultures, religious diversity, lush geography and political turmoil of South Africa during the latter half of the twentieth century; and then on to the USA. It is a fascinating sojourn that enlightens and educates as it entertains. Exotic places and endearing people come vividly to life through the eyes and heart of this Renaissance woman." Dr. Melanie Rosa. *** "Shelley Wood Gauld combines her personal history with that of a turbulent country, facts about the environment she so loves, and profound insights into different spiritual paths she and others around her have trod. The book bears witness to someone who has striven to put more meaning into her life and more 'color on her wings'; and, thereby, more color into ours. Maps, artworks and vibrant authentic prose guide us through this memorable record of a life in progress." Prof. Dr. Lindy Stiebel.
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Product Details

  • ISBN-13: 9781411682177
  • Publisher: Lulu.com
  • Publication date: 11/29/2006
  • Pages: 240
  • Product dimensions: 8.25 (w) x 11.00 (h) x 0.51 (d)

Customer Reviews

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted November 20, 2007

    Much Bigger Than Grownups: Chronicles Of A Native South African

    Writer's Digest 15th Annual International Self-Published Book Awards. Judge's Commentary: I greatly enjoyed the artwork and the juxtaposition of the art with the stories and locations described within the text. The writing is excellent and all is purposeful. The author has truly lived a remarkable life. Unlike many life-story/memoir writers, this author seems to see beyond herself and is able to reflect on the community at large, namely, South Africa and the U.S. She is one of the most learned, brilliant people I have ever read/learned from. From cover to cover: most ingenious. ******* Jeanette Gilks: Artist/Educator. Here is a story that sweeps broad and deep. Shelley manages to engage with both the micro and macro visions of things: minute, intensely personal details are seamlessly woven into the larger web of world events. Everything and everyone that has touched Shelley has been remembered - no, resurrected - in meticulous and often humorous detail. You peep into her world as you peep through a jeweller's loupe, where even the smallest worlds are vast landscapes of great clarity, colour and depth. Her world, our world, is made precious. The wisdom in this anecdotal tale is dished out with spice and flavour. Entirely to my taste! ******* Andre van Niekerk: Sculptor. An exquisite read for another expat. I relived my life in South Africa through the prose on these pages. Shelley brought back the vibrancy, the smells and sounds, the joy and pain that is Africa. The unbiased historical background will give readers a deeper understanding of the 'White Tribe of Africa'. To quote the author 'True art is a sacrificial offering, a precious gift tremulously given to fellow human beings. The gift can be accepted, appreciated, thirstily imbibed - like sweet water from the last oasis on a parched planet'. This reader drank gratefully from this gift and in his humble opinion, considers the author to be a true artist.

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  • Anonymous

    Posted November 20, 2007

    Much Bigger Than Grownups: Chronicles Of A Native South African

    Writer's Digest 15th Annual International Self-Published Book Awards. Judge's Commentary: I greatly enjoyed the artwork and the juxtaposition of the art with the stories and locations described within the text. The writing is excellent and all is purposeful. The author has truly lived a remarkable life. Unlike many life-story/memoir writers, this author seems to see beyond herself and is able to reflect on the community at large, namely, South Africa and the U.S. She is one of the most learned, brilliant people I have ever read/learned from. From cover to cover: most ingenious.******* Jeanette Gilks: Artist/Educator. Here is a story that sweeps broad and deep. Shelley manages to engage with both the micro and macro visions of things: minute, intensely personal details are seamlessly woven into the larger web of world events. Everything and everyone that has touched Shelley has been remembered - no, resurrected - in meticulous and often humorous detail. You peep into her world as you peep through a jeweller's loupe, where even the smallest worlds are vast landscapes of great clarity, colour and depth. Her world, our world, is made precious. The wisdom in this anecdotal tale is dished out with spice and flavour. Entirely to my taste!******* Andre van Niekerk: Sculptor. An exquisite read for another expat. I relived my life in South Africa through the prose on these pages. Shelley brought back the vibrancy, the smells and sounds, the joy and pain that is Africa. The unbiased historical background will give readers a deeper understanding of the 'White Tribe of Africa'. To quote the author 'True art is a sacrificial offering, a precious gift tremulously given to fellow human beings. The gift can be accepted, appreciated, thirstily imbibed - like sweet water from the last oasis on a parched planet'. This reader drank gratefully from this gift and in his humble opinion, considers the author to be a true artist. Thank you Shelley.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 10, 2007

    Accurate, beautiful and inspiring

    I was entranced by this book. I began reading it to relive my own experiences of growing up on the Natal South Coast in the 1960s. The author¿s descriptions took me right back: the beaches, the climate, the vegetation, the culture, and even the coastal train are all described with affectionate precision. Her reference to amathungulu berries as `martin-gulus¿ gave me a `shock of recognition¿ at a distance of forty years. Her accuracy and honesty make this a valuable first-hand witness to what it was like to grow up there, then. This attention to language is reflected in the presentation of the text. Non-English words are italicized and expressions peculiar to South Africa are placed in bold. Both are explained in the glossary, with aids to pronunciation when necessary. The author is an accomplished artist, and her clear maps and diagrams, and original artwork and photographs 'some by other family members' enhance the book throughout. As a direct contemporary of the author, I recognised the authenticity of her accounts of other life experiences that are similar to mine, such as the process of coming to Christian faith as a young adult or the controlled pain of emigrating with a young family. Again, I found that her recollections rang true, capturing with simplicity some of the complexity of these experiences. The author¿s personal narrative is helpfully located within a wider historical perspective. The shaded `bhansela¿ 'bonus' boxes offer a shift of focus that places her story in 3-D. Chapter 7, `Suid Afrika,¿ differs from the others in offering an overview of South African history, from the arrival of the Dutch in 1652 to 2006. The use of the Afrikaans name for the country reveals that this is a re-telling of the former `official¿ Afrikaner view from the perspective of an English-speaker. It is an example of oral history, artfully incorporating within it the recognition that others will have their own `meta-narrative¿, and that these are all likely to differ from whatever the official version is at the time. A beautiful book, then, that deserves a wide readership. Readers familiar with South Africa will find much to enjoy, celebrate and regret. Others, curious about what life was like for South Africans of British descent in the apartheid era, will find here an honest, enlightening and appreciative family story with implications for us all.

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