Murder at the Washington Tribune (Capital Crimes Series #21) [NOOK Book]

Overview

From senators to summer interns, from all the president?s men to all-powerful women, Margaret Truman captures the fascinating, high-wire drama of Washington, D.C., like no other writer. Now this master of mystery fiction takes us into the capital?s chaotic fourth estate. At the big, aggressive newspaper The Washington Tribune, a young woman has been murdered. And the hunt for her killer is making sensational and lethal headlines.

The victim, ...
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Murder at the Washington Tribune (Capital Crimes Series #21)

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Overview

From senators to summer interns, from all the president’s men to all-powerful women, Margaret Truman captures the fascinating, high-wire drama of Washington, D.C., like no other writer. Now this master of mystery fiction takes us into the capital’s chaotic fourth estate. At the big, aggressive newspaper The Washington Tribune, a young woman has been murdered. And the hunt for her killer is making sensational and lethal headlines.

The victim, fresh out of journalism school, hoped to make a splash at the Trib–and then a maintenance man found her in a supply closet, brutally strangled to death. The Trib’s journalists are at once horrified and anxious to solve the crime before the cops do, and put this scandal to rest. But the Metropolitan Police Department isn’t going to let byline-hungry reporters get in the way of its investigation, and soon enough the journalists ad the cops have established warring task forces. Then a second woman is killed, in Franklin Square. Like the first, she was young, attractive, and worked in the media.

For veteran Trib reporter Joe Wilcox, whose career is mired in frustration and disappointment, the case strikes close to home. His daughter is a beautiful rising TV-news star. As his relationship with a female MPD detective grows more intimate, Joe sees a chance to renew himself as a reporter and as a man. Spearheading the Trib’s investigation, he baits a trap with a secret from his own past.

Suddenly Joe is risking his career, his marriage, and even his daughter’s life by playing a dangerous game with a possible serial killer, while a police detective is bending rules for the reporter she likes and trusts but may not know as well as she thinks she does. As Joe’s daughter finds herself trapped at the heart of a frantic manhunt, the walls come down between family, friendship, ethics, and ambition–and a killer hides in plain sight.

Chilling, riveting, and richly rewarding, Murder at The Washington Tribune is a brilliant tale of real people in a world where law, power, and honesty collide–and where the punishment only sometimes fits the crime.

From the Hardcover edition.

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Editorial Reviews

From Barnes & Noble
When two attractive young career women are murdered on his beat, slightly jaded crime reporter Joe Wilcox decides to play the stories as the work of a Capital City serial killer. What he whimsically concocts as a victimless career move boomerangs on him when a surprising suspect turns up: his own long-lost brother!
Publishers Weekly
Instead of using an actual D.C. locale, Truman sets her solid 21st mystery (after 2004's Murder at Union Station) at the fictional Washington Tribune, not to be confused with any actual newspaper. When two young, attractive female media professionals, one a Tribune employee, are murdered, veteran crime reporter Joe Wilcox, who's been feeling the heat from his boss, senses a chance to improve his position by theorizing that a serial killer is at work. To complicate matters, Joe's brother, Michael, who was long ago institutionalized for killing a young girl, arrives in town and begins to insinuate himself back into Joe's life. Joe's daughter, Roberta, an up-and-coming local TV newscaster, competes for scoops as more mayhem follows. Truman works hard to put all the pieces together, and though it's not her most plausible puzzle, she delivers a satisfying resolution to what becomes a cautionary tale about ambition and a vote for journalistic integrity. Agent, Ted Chichak. (Oct.) Copyright 2005 Reed Business Information.
Kirkus Reviews
For the first time in her long-running Capital Crimes franchise (Murder at Ford's Theater, 2002, etc.), Truman spins her murderous web around a truly fictional center. Was Jean Kaporis, a rookie reporter for the Tribune's Panache section, strangled by one of her coworkers, as preliminary evidence suggests? Or was her demise the first act of a serial killer who went on to choke young TV producer Colleen McNamara, who had no ties with the paper? Veteran Trib reporter Joe Wilcox, under constant pressure from Metro managing editor Paul Morehouse to produce new stories whether or not there are new developments, is praying that 1 + 1 equals more than two. Joe clings to his serial-killer theory even though Det. Edith Vargas-Swayze insists that two murders are too few to sustain it. Truman focuses effectively on the ways Joe's need to milk the story by planting quotes and working his threadbare contacts, from his ex-lover Edith to his TV reporter daughter Roberta, shreds his life at the same time it creates a journalistic echo chamber in which the Trib reports only what its higher-ups want to believe. The absence of Truman's usual gossipy historical asides is a definite plus. The mystery itself is slight, with sparse clues, little doubt of the killer's identity and a gaping loose end that would get a less experienced author tossed back to the slush pile.
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Product Details

  • ISBN-13: 9780345486035
  • Publisher: Random House Publishing Group
  • Publication date: 10/25/2005
  • Series: Capital Crimes Series , #21
  • Sold by: Random House
  • Format: eBook
  • Sales rank: 74,349
  • File size: 483 KB

Meet the Author

Margaret Truman has won faithful readers with her works of biography and fiction, particularly her ongoing series of Capital Crimes mysteries. Her novels let us into the corridors of power and privilege, and poverty and pageantry, in the nation’s capital. She is the author of many nonfiction books, most recently The President’s House, in which she shares some of the secrets and history of the White House where she once resided. She lives in Manhattan.

From the Hardcover edition.

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Read an Excerpt

Another speaker came to the podium. Joe Wilcox leaned close to his wife and muttered just loud enough for her pretty ears only, “Another speaker.” He shifted position in his chair and twisted his neck against a growing stiffness and full-blown boredom. With them at a front table were three couples, others from The Washington Tribune and their spouses who’d agreed to attend the awards evening with the Wilcoxes out of friendship, or obligation, or maybe a little of both.

The dinner was an annual event for the Washington Media Association, whose members came from the ranks of Washington, D.C.’s, print and broadcast journalists. Like most such groups, its leadership was fond of bestowing awards on deserving members and on their chosen profession, giving that same leadership a reason for taking to the podium to express their views on many things, mostly political. An occasional, usually accidental, bit of humor provided blessed audience relief from those who spoke endlessly, others longer.

At least they’re getting to the awards, Wilcox thought as the speaker said “In conclusion” for the third time. Wilcox looked to a table at which his daughter, Roberta, sat. She was the reason Joe and Georgia were there.

The speaker at the podium finally did conclude, and the bestowing of awards commenced, twenty-two in all. Three weeks later—or so it seemed—Roberta was the sixteenth recipient called to the podium to accept the award for Best Local Investigative Reporting—Broadcast, accompanied by the producer and the director of a TV series they’d done on corruption within the Washington MPD.

“Doesn’t she look beautiful?” Georgia said.

“Of course she does,” Wilcox replied. “Because she is.”

Roberta Wilcox did look stunning that evening in a stylish pantsuit the color of ripe peaches. But it was radiance from within that created a virtual aura around her, enhanced by a bright smile that had lit up the nightly news since she’d joined the station three years earlier. “The best-looking newscaster in D.C.” was the consensus. She usually wore her auburn hair pulled back when on the air, but this evening she’d let it down, framing an oval face with inquisitive raisin-brown eyes, her skin fair but not pale, her makeup tastefully underapplied. She thanked the station for having given her the freedom and support to pursue the exposé, read helpful names from a slip of paper including the producer and director, and ended by crediting her parents for having instilled in her the natural curiosity necessary to get the job done. “Of course,” she added, “I come from good reportorial stock. My father is as good a reporter as there is in this city.” She watched him wince, tossed him a kiss off her fingertips, and led her fellow award winners back to their table.

It was announced from the podium that the evening had come to an end, and most of the three hundred men and women left their tables to mingle, gravitating to familiar faces and offering congratulations to the winners, and to their families.

“How’d an ugly guy like you end up with such a knockout of a daughter?” a Trib reporter asked Wilcox, accompanied by a laugh and a slap on the back.

“Her mother’s genes,” Wilcox replied, nodding in the direction of his wife, who’d gone to Roberta’s table to talk with her and her celebrating tablemates.

“Must be,” Wilcox’s friend said. He lowered his voice. “What do you think of Hawthorne getting an award?” Gene Hawthorne, a Trib Metro reporter, had been cited for a three-part series he’d done on a local bank’s illegal payoffs to a district official.

Wilcox shrugged, which accurately reflected what he was thinking. Hawthorne, in his late twenties, did not rank high on his list of favorite people. Wilcox wasn’t alone in his negative view of the abrasive, aggressive young reporter who had a penchant for rubbing colleagues the wrong way, his knife always in search of an unprotected back, it seemed, and there were few toes fast enough to avoid being stepped on. Equally galling was the backing he received from the Trib’s ranking editors and management, who obviously viewed the young, smug, sandy-haired, self-possessed reporter as a rising star, which, of course, he was, a bit of news that wasn’t lost on anyone at the Trib, Joe included.

He saw in the young reporter something of himself years ago when he’d come to The Washington Tribune, brimming with ambition and possessing the energy to fuel it. But it had been different at the paper twenty-three years ago. Then, there were still plenty of grizzled veteran reporters from whom to learn, men (almost exclusively) who lived the life of a reporter as portrayed in movies and plays, characters straight out of The Front Page, their heads surrounded by blue cigarette and cigar smoke, pints of whiskey in their desk drawers, the rattle and clank of their typewriters testifying to their daily output, spoken words tough and profane, written words sharp and to the point. There weren’t many of them left. The younger Trib reporters, including Wilcox, had been hired to supplement that veteran staff. But eventually Gene Hawthorne and dozens of men and women like him had been brought in to replace the over-fifty crowd. There had been a flurry of buyouts offered over the past few years, and many newsroom veterans had jumped at the severance package with its generous cash settlement, pension options, and health and life insurance. In came the new blood, working at half the pay of the reporters who’d gone on to their retirement, or in many cases new jobs. One of the Trib’s top economics reporters had left on a Friday; his byline appeared over an article in the Trib the following Monday, written for a wire service that had eagerly hired him.

It just wasn’t the same anymore for Joe Wilcox. He was now a member of the dinosaur club himself and was viewed with a certain barely disguised scorn by Hawthorne and his cadre of young hotshots. Joe was two years from fifty-five, the buyout age, with the lapel pin certifying that he’d given The Washington Tribune the best twenty-five years of his life.

Roberta and Georgia approached and Roberta gave him a hug. She was taller than her father.

“Thanks for the plug,” he said.

“I meant it,” she said.

“You look great, honey. Congratulations. That was a hell of a piece you did.”

“I wonder if anyone at MPD will ever congratulate me,” she said.

Wilcox laughed. “I’m sure the police are preparing a proclamation as we speak naming you honorary cop of the year.”

“I know it was awkward for you,” Roberta said, her expression as serious as her words.

“They’ll get over it,” he said. “I still have friends over there who agreed with you. They all suffer when a few foul balls taint the entire force.”

“But if they knew you’d fed me some of the information I used—”

“Which they won’t. Don’t give it another thought, sweetie.”

“Anything new on Kaporis?” she asked.

His response was a shake of his head, and a tiny smile for a thought that came and went. This daughter-journalist had not asked the question out of natural curiosity.



-

Like her father, Roberta Wilcox had been reporting on the killing of Jean Kaporis, a young woman who’d joined The Trib less than a year ago, fresh out of the University of Missouri’s school of journalism. Kaporis had been assigned to the paper’s “Panache” section, helping cover the city’s vibrant social scene: the weddings of those whose names were well known enough to justify coverage, fundraisers—a day didn’t pass in Washington when someone wasn’t raising funds for something deemed worthy of their time and effort, important or whimsical—and ideally a scandal among the rich and famous and thin, a political faux pas, a fatuous misstep that would leave readers tittering. It wasn’t the sort of assignment she preferred, but she knew it represented a starting point for many newly hired female reporters, and she threw herself into it, hoping her work would capture the attention of someone in a position to move her into hard news.

That kind of break hadn’t happened during her time at The Trib. But she had one advantage. She was lovely. Male heads turned and pulse rates sped up whenever she sauntered through the newsroom wearing skirts, sweaters, and blouses that accented her ripe body, donning a linen blazer in summer now and then as a nod to corporate correctness. No doubt about it, Jean Kaporis was a splendid example of young womanhood, every curve and bump properly placed, good genes in ample evidence, and especially a pleasant, willing personality to go with it, all of which attracted many people to her—including whoever had strangled her to death.

A maintenance man found her early one morning a month ago in a secluded second-floor supply closet at the far end of the main newsroom, bruises on her neck, pretty mouth going in the wrong direction as though someone had removed it and carelessly pasted it back on. The autopsy reported that she’d died from manual strangulation, her throat and larynx damaged from pressure exerted by her assailant’s hands and fingers. The presence of petechial hemorrhages in the mucous membrane lining the inner surface of her eyelids provided presumptive evidence of strangulation. She’d bitten her tongue, a not-uncommon occurrence with victims of strangulation. The struggle with her attacker had been brief. Although laboratory analysis indicated she’d engaged in sexual intercourse within twenty-four hours of death, there was no outward sign of having been sexually assaulted.



-

“No, nothing new,” he told his daughter. “They’ve been questioning everyone at the paper. Makes sense.”

“And?”

“No ‘ands,’ Roberta. That’s all I know. Maybe you know something you’d like to share.”

She shook her head.

“Let you know if anything breaks,” he said.

She smiled and squeezed his arm. “And I’ll do the same.”

“Back to the house for a drink?” Georgia asked their daughter.

“Thanks, no, Mom. I promised the guys from the station I’d go out with them.”

“Ah, youth,” Wilcox said. Wasted on the young. To his wife: “What say we call it a night?”

Georgia nodded and kissed her daughter on the cheek. “Not too late,” she said. “You need your beauty sleep.”

“Mom!”

“I know, I know, but—”

“Not too late,” Joe Wilcox echoed, a wide grin crossing his craggy face. “And eat breakfast. You should always start the day with a good breakfast. Diane Sawyer does.”

As the Wilcoxes and hundreds of others poured out of the Washington Hilton and Towers on to Connecticut Avenue NW, they were confronted with a chaotic crime scene. A half-dozen marked police cars, lights flashing and radios crackling, had blocked off the wide thoroughfare. Yellow crime scene tape marked an area of the sidewalk almost directly in front of the hotel’s main entrance. A body covered by a white cloth lay on the sidewalk inside the taped-off section.

“Hey, Joe!”

A colleague from a competing paper, with whom Joe had covered myriad crime scenes, came up to the couple.

“What happened?” Wilcox asked.

“A drive-by. Middle-aged white guy.”

“He’s dead?” Georgia asked.

“Very.” To Joe: “You covering?”

“No. Night off. This is the same spot where Hinckley shot Reagan back in eighty-one.”

“That’s right,” said the reporter, making a note in his pad. “Forgot about that.”

“Let’s go,” Georgia said.

Wilcox took a final look at the body, shook his head, took his wife’s arm, and maneuvered through the crowd in the direction of the parking garage. As they pulled onto the street, Georgia said, “If you want to go back, Joe, I’ll drive home. You can take a car service.”

“Thanks but no thanks. I’m not missing anything. There’ll be another murder to cover tomorrow. There always is. No, this is Roberta’s night, and I don’t want anything to spoil the memory of her up there getting her award. Damn, she looked good.”

It was, he knew, what his wife wanted to hear. She squeezed his thigh and said, “Let’s stop for ice cream. I’m in the mood.”

“Then ice cream it’ll be.”
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Customer Reviews

Average Rating 3.5
( 8 )
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Sort by: Showing 1 – 9 of 8 Customer Reviews
  • Anonymous

    Posted November 30, 2005

    Not her best

    I have read all of Ms Trumans Capitol Crimes books and this is not her best. The plot is all over the place and the hero has feet of clay while justifying his actions. Where are the Smiths, they are always a great addtion to all her books!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 3, 2014

    Curious editorial review suggests series is now written by someone else

    Franchise is the word used for the series

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  • Anonymous

    Posted September 22, 2012

    Good Airplane Read

    I have read most of Margaret Truman's mysteries, and many are quite good. While this isn't her best, it held my interest on a trip. Recommend you give it a try if you like mysteries written by females.

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  • Posted February 2, 2009

    more from this reviewer

    A DARK TALE OF DECEPTION, GREED, AND MURDER

    Margaret Truman has won legions of fans with her Capital Crimes series, and voice performer Dick Hill (dubbed a golden voice by AudioFile) has captured hosts of listeners with his virtuoso readings. Thus, it comes as no surprise that this pairing has resulted in a first-rate audiobook. 'Murder At The Washington Tribune' is a story just as much about a past his prime man trying to jumpstart his stalled career as it is about murder. Hill delivers the story narrated by crime reporter Joe Wilcox with equal parts poignancy, determination, and fear as Joe finds himself jeopardizing his daughter for the byline he so desperately needs. Wilcox has been at the Washington Tribune for some time now, and he's feeling threatened by the younger reporters who seem to be delivering the hot news. His boss isn't too pleased with him and he's not at all happy with himself. To make matters worse, newspapers are suffering from tabloids and TV investigative reporters. When a young woman is found strangled in a closet at the Tribune, and then another is found dead in Franklin Square, Joe senses this is just the story he needs to regain favor. Problem is his daughter, Roberta, is a talented young TV newscaster who also wants the scoop. Joe determines to get the story at any cost and baits a trap for the killer which not only may backfire but also places Roberta in danger. Complicating matters even further is the return of Joe's brother who has been incarcerated for killing a young girl. Listen as Truman and Hill deliver a dark tale of deception, greed, and murder. - Gail Cooke

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  • Posted December 9, 2008

    more from this reviewer

    terrific crime thriller

    One month ago, someone murdered Washington Tribune ¿Panache¿ section reporter Jean Kaporis, who was out of school less than a year. A second female victim is found in Franklin Park with a similar M.O. as that of Jean. Under extreme pressure to break the story from his editor since their paper was last on the first homicide crime reporter Joe Wilcox concocts a serial killer theory. --- The case is already complicated from Joe¿s perspective because his daughter is reporting on it on TV and he has slept with the MPD lead detective Vargas-Swayze, who is about to drop the hyphen once her divorce is finalized. However, his case and his ¿serial killer fantasy¿ merge turning his involvement even more complex when Joe's brother, Michael is released from the institution he resided in for years after killing a young girl. Could his own sibling be a serial killer as evidence points in that direction or is Joe allowing his imagination to run wild by blaming Michael? --- Though the police procedural aspects of the case pale next to the journalism, fans of Margaret Truman¿s long running Capital Crimes mysteries will enjoy this strong tale that screams for reporter integrity as a key element of democracy. The timing of MURDER AT THE WASHINGTON TRIBUNE is perfect with the Glass scenario, embedded reporters, more reporters dead in Iraq than Nam, and Judith Miller in jail for about two months as the only person locked away so far with the Plume Affair. Joe is a fabulous protagonist proud of his daughter, but desperate not to lose his standing so he crosses the ethical line. This is a terrific crime thriller with a moral message. --- Harriet Klausner

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 13, 2012

    No text was provided for this review.

  • Anonymous

    Posted January 26, 2010

    No text was provided for this review.

  • Anonymous

    Posted July 5, 2012

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  • Anonymous

    Posted January 19, 2009

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