The Murder Book (Alex Delaware Series #16)

The Murder Book (Alex Delaware Series #16)

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by Jonathan Kellerman

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In seventeen consecutive bestselling novels, Jonathan Kellerman has distinguished himself as the master of the psychological thriller. Now in Kellerman's most compelling and powerful novel yet, L.A. psychologist-detective Alex Delaware confronts a long-unsolved murder of unspeakable brutality -- an ice-cold case whose resolution threatens his survival, and that

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In seventeen consecutive bestselling novels, Jonathan Kellerman has distinguished himself as the master of the psychological thriller. Now in Kellerman's most compelling and powerful novel yet, L.A. psychologist-detective Alex Delaware confronts a long-unsolved murder of unspeakable brutality -- an ice-cold case whose resolution threatens his survival, and that of longtime friend, homicide detective, Milo Sturgis.

The nightmare begins when Alex receives a strange package in the mail with no return address. Inside is an ornate album filled with gruesome crime scene photos -- a homicide scrapbook entitled The Murder Book. Alex can find no reason for anyone to send him this compendium of death, but when Milo views the book, he is immediately shaken by one of the images: a young woman, tortured, strangled, and dumped near a freeway ramp.

This was one of Milo's first cases as a rookie homicide cop: a vicious killing that he failed to solve, because just as he and his training partner began to make headway, the department closed them down. Being forced to abandon the young victim tormented Milo. But his fears prevented him from pursuing the truth, and over the years he managed to forget. Or so he thought.

Now, two decades later, someone has chosen to stir up the past. As Alex and Milo set out to uncover what really happened twenty years ago, their every move is followed and their lives are placed in jeopardy. The relentless investigation reaches deep into L.A.'s nerve-centers of power and wealth-past and present. While peeling back layer after layer of ugly secrets, they discover that the murder of one forgotten girl has chilling ramifications that extend far beyond the tragic loss of a single life.

A classic story of good and evil, sacrifice and sin, The Murder Book is a gripping page-turner that illuminates the darkest corridors of the human mind. It is a stunning tour de force.

About the Author
Jonathan Kellerman is one of the world's most popular authors. He has brought his expertise as a clinical psychologist to numerous bestselling tales of suspense (which have been translated into two dozen languages), including fifteen previous Alex Delaware novels; The Butcher's Theater, a story of serial killing in Jerusalem; and Billy Straight, featuring Hollywood homicide detective Petra Connor. His most recent novel is Flesh and Blood. He is also the author of numerous essays, short stories, and scientific articles, two children's books, and three volumes of psychology, including Savage Spawn: Reflections on Violent Children. Jonathan Kellerman has won the Goldwyn, Edgar, and Anthony awards, and has been nominated for a Shamus Award. He and his wife, the novelist Faye Kellerman, have four children.

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Editorial Reviews

Nearly perfect Murder
Publishers Weekly
Bestseller Kellerman's 16th Alex Delaware novel is a hoot of a whodunit, a classic puzzler to keep the most staid traditionalist gleefully scratching his or her head until the wee hours. It's also a noir of gothic proportions, a descent into a California hell, in which Delaware shares the spotlight with his longtime friend and colleague, Det. Milo Sturgis. When somebody sends Alex a three-ring binder full of grisly police photographs of crime scenes with "The Murder Book" in gold letters on the front cover, Milo is stunned to discover a picture of the mutilated body of Janie Ingalls, a Hollywood High sophomore, whose vicious murder he investigated 20 years before. Milo was just a rookie detective then, partnered with a hard-nosed veteran, Pierce Schwinn. The pair made some progress with the case, but were pulled off it and split up because Schwinn stepped on some big toes. Milo suspects the book has come from Schwinn, an invitation to take up the old case that has haunted them both for years. He and Alex begin to follow a trail that will lead them high up the social ladder and down among the dregs of society. It is a step-by-step, clue-by-clue process beloved of mystery fans, and Kellerman handles it masterfully. By the end there are an awful lot of characters to keep track of, and the biff-boom-bang finale seems too much, but no one's perfect. This may be the best Kellerman in years. Copyright 2002 Cahners Business Information.
Library Journal
Like Kinsey Millhone, Alex Delaware is up against a long-unresolved case, which just happens to involve politics. Copyright 2002 Cahners Business Information.

Product Details

Random House Publishing Group
Publication date:
Alex Delaware Series, #16
Product dimensions:
4.20(w) x 6.85(h) x 1.15(d)

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The day I got the murder book, I was still thinking about Paris. Red wine, bare trees, gray river, city of love. Everything that happened there. Now, this.

Robin and I flew in to Charles de Gaulle airport on a murky Monday in January. The trip had been my idea of a surprise. I’d pulled it together in one manic night, booking tickets on Air France and a room at a small hotel on the outskirts of the Eighth arrondissement, packing a suitcase for two, speeding the 125 freeway miles to San Diego. Showing up at Robin’s room at the Del Coronado just before midnight with a dozen coral roses and a voilà! grin.

She came to the door wearing a white T-shirt and a hip-riding red sarong, auburn curls loose, chocolate eyes tired, no makeup. We embraced, then she pulled away and looked down at the suitcase. When I showed her the tickets, she turned her back and shielded me from her tears. Outside her window the night black ocean rolled, but this was no holiday on the beach. She’d left L.A. because I’d lied to her and put myself in danger. Listening to her cry now, I wondered if the damage was irreparable.

I asked what was wrong. As if I had nothing to do with it.

She said, “I’m just . . . surprised.”

We ordered room-service sandwiches, she closed the drapes, we made love.

“Paris,” she said, slipping into a hotel bathrobe. “I can’t believe you did all this.” She sat down, brushed her hair, then stood. Approached the bed, stood over me, touched me. She let the robe slither from her body, straddled me, shut her eyes, lowered a breast to my mouth. When she came the second time, she rolledaway, went silent.

I played with her hair and, as she fell asleep, the corners of her mouth lifted. Mona Lisa smile. In a couple of days, we’d be queuing up as robotically as any other tourists, straining for a glimpse of the real thing.

She’d fled to San Diego because a high school chum lived there—a thrice-married oral surgeon named Debra Dyer, whose current love interest was a banker from Mexico City. (“So many white teeth, Alex!”) Francisco had suggested a day of shlock-shopping in Tijuana followed by an indeterminate stay at a leased beach house in Cabo San Lucas. Robin, feeling like a fifth wheel, had begged off, and called me, asking if I’d join her.

She’d been nervous about it. Apologizing for abandoning me. I didn’t see it that way, at all. Figured her for the injured party.

I’d gotten myself in a bad situation because of poor planning. Blood had spilled and someone had died. Rationalizing the whole thing wasn’t that tough: Innocent lives had been at stake, the good guys had won, I’d ended up on my feet. But as Robin roared away in her truck, I faced the truth:

My misadventures had little to do with noble intentions, lots to do with a personality flaw.

A long time ago, I’d chosen clinical psychology, the most sedentary of professions, telling myself that healing emotional wounds was how I wanted to spend the rest of my life. But it had been years since I’d conducted any long-term therapy. Not because, as I’d once let myself believe, I’d burned out on human misery. I had no problem with misery. My other life force-fed me gobs of misery.

The truth was cold: Once upon a time I had been drawn to the humanity and the challenge of the talking cure, but sitting in the office, dividing hour after hour by three quarters, ingesting other people’s problems, had come to bore me.

In a sense, becoming a therapist had been a strange choice. I’d been a wild boy—poor sleeper, restless, overactive, high pain threshold, inclined to risk-taking and injuries. I quieted down a bit when I discovered books but found the classroom a jail and raced through school in order to escape. After graduating high school at sixteen, I bought an old car with summer-job cash, ignored my mother’s tears and my father’s scowling vote of no-confidence, and left the plains of Missouri. Ostensibly for college, but really for the threat and promise of California.

Molting like a snake. Needing something new.

Novelty had always been my drug. I craved insomnia and menace punctuated by long stretches of solitude, puzzles that hurt my head, infusions of bad company and the delicious repellence of meeting up with the slimy things that coiled under psychic rocks. A racing heart jolted me happy. The kick start of adrenaline punching my chest made me feel alive.

When life slowed down for too long, I grew hollow.

But for circumstance, I might’ve dealt with it by jumping out of airplanes or scaling bare rocks. Or worse.

Years ago, I’d met a homicide detective and that changed everything.

Robin had put up with it for a long time. Now she’d had enough and, sooner rather than later, I’d have to make some kind of decision.

She loved me. I know she did.

Maybe that’s why she made it easy for me.



In Paris, clichés are just fine.    You leave your hotel, step out into the winter drizzle, walk aimlessly until you find yourself at café near the Jardin des Tuileries where you order overpriced baguettes and grainy, French-press coffee, then move on to the Louvre, where even during the off-season the lines prove daunting. So you cross the Seine on the Pont Royal, ignoring the motor din that washes the bridge, study the murk of the water below, try the Musée d’Orsay and murder your feet for a couple of hours, sucking in the fruits of genius. Then, deeper into the grubby side streets of the Left Bank, where you press yourself into the all-in-black throng, and laugh inwardly at an imagined wheezy accordion sound track overpowering the burping motor scooters and the whining Renaults.

It was early afternoon, near a shop in St. Germain, when it happened.

Robin and I had stopped into a dark, narrow men’s haberdashery with a window full of aggressive neckties and slouching mannequins with pickpocket eyes. The rain had been coming in fitful bursts all day. The umbrella we’d cadged from the hotel concierge wasn’t generous enough to shelter both of us and we each ended up more than half-wet. Robin didn’t seem to mind. Her curls were beaded with droplets and her cheeks were flushed. She’d been quiet since we’d boarded the plane in L.A., sleeping for most of the flight, refusing dinner. This morning, we’d woken up late and barely talked. During the walk across the river, she seemed distracted—staring off at nothing in particular, holding my hand, then dropping it, then grabbing again and squeezing hard, as if scrambling to cover for some infraction. I put it down to jet lag.

The St. Germain stroll led us past a private school where beautiful, chittering adolescents spilled out onto the sidewalk, then a bookstore where I’d intended to browse until Robin pulled me into the cloth- ing store, saying, “These are good silks, Alex. You could use something new.”

The store peddled menswear, but smelled like a nail salon. The shopgirl was a skinny thing with hacked-up hair the color of eggplant rind and the anxiety of a new hire. Robin took a while thumbing through the goods, finally found me a very blue shirt and an extravagant red-and-gold tie of heavy weave, got my nod, asked the girl to wrap it up. Aubergine Tresses scurried to a back room and returned with a stout, cardiganed woman in her sixties who sized me up, took the shirt, and returned moments later brandishing a steaming iron in one hand and the garment in the other—newly pressed, on a hanger, shielded by a clear plastic bag.

“Talk about service,” I said, as we returned to the street. “Hungry?”

“No, not yet.”

“You didn’t touch breakfast.”


The stout woman had followed us out and was standing in the doorway of the shop. She looked up at the sky dubiously. Checked her watch. Seconds later, thunder clapped. Flashing us a satisfied smile, she went back inside.

The rain was harder, colder. I tried to draw Robin under the umbrella but she resisted, remained out in the open, raised her face and caught the spray full force. A man scrambling for cover turned to stare.

I reached for her again. She continued to balk, licked moisture from her lips. Smiled faintly, as if enjoying a private joke. For a moment I thought she’d share it. Instead, she pointed to a brasserie two doors up the street and ran in ahead of me.

“Bonnie Raitt,” I repeated.

We were at a tiny table tucked in a corner of the clammy brasserie. The restaurant floor was a grubby mesh of white tile and the walls were cloudy mirrors and oft-painted brown woodwork. A clinically depressed waiter brought us our salads and wine as if service was harsh penance. Rain washed the front window and turned the city to gelatin.

“Bonnie,” she said. “Jackson Brown, Bruce Hornsby, Shawn Colvin, maybe others.”

“Three-month tour.”

“At least three months,” she said, still avoiding my eyes. “If it goes international, it could stretch longer.”

“World hunger,” I said. “Good cause.”

“Famine and child welfare,” she said.

“Nothing nobler.”

She turned to me. Her eyes were dry and defiant.

“So,” I said. “You’re an equipment manager, now. No more guitar-making?”

“There’ll be luthiery involved. I’ll be overseeing and repairing all the gear.”

I’ll, not I’d. One-vote-election, nothing tentative.

“When exactly did you get the offer?” I said.

“Two weeks ago.”

“I see.”

“I know I should’ve said something. It wasn’t—it dropped in my lap. Remember when I was at Gold-Tone Studios and they needed those vintage archtops for that retro Elvis video? The tour manager happened to be in the next booth, watching some mixing, and ended up talking.”

“Sociable fellow.”

“Sociable woman,” she said. “She had her dog with her—an English bulldog, a female. Spike started playing with her and we started talking.”

“Animal magnetism,” I said. “Is the tour dog-friendly, or do I keep Spike?”

“I’d like to take him along.”

“I’m sure that’ll thrill him to no end. When do you leave?”

“In a week.”

“A week.” My eyes hurt. “Lots of packing ahead.”

She lifted her fork and pronged dead lettuce leaves. “I can call it off—”

“No,” I said.

“I wouldn’t have even considered it, Alex, not for the money—”

“Good money?”

She named the figure.

“Very good money,” I said.

“Listen to what I’m saying, Alex: That doesn’t matter. If you’re going to hate me, it can be undone.”

“I don’t hate you, and you don’t want it undone. Maybe you accepted the offer because I made you unhappy, but now that you’ve committed yourself, you’re seeing all kinds of positives.”

I craved argument but she didn’t answer. The restaurant was filling, drenched Parisians seeking shelter from the downpour.

“Two weeks ago,” I said, “I was running around with Milo on Lauren Teague’s murder. Hiding what I was doing from you. I was stupid to think this trip would make a difference.”

She pushed salad around. The room had grown hotter, smaller; scowling people crowded tiny tables, others stood huddled at the doorway. The waiter began to approach. Robin repelled him with a glare.

She said, “I’ve felt so alone. For a while. You were gone all the time. Putting yourself in situations. I didn’t bring up the tour, because I knew you couldn’t—shouldn’t be distracted.”

She rolled the side of a small fist along the table rim. “I guess I’ve always felt that what you do is important and that what I do is . . . just craft.” I started to speak but she shook her head. “But this last time, Alex. Meeting with that woman, seducing her. Planning a damned date in order to—your intentions were good, but it still came down to seduction. Using yourself as a . . .”

“Whore?” I said. Thinking suddenly about Lauren Teague. A girl I’d known a long time ago, from my quiet job. She’d sold her body, ended up head-shot and dumped in an alley . . .

“I was going to say ‘lure.’ Despite all we’ve had together—this supposed enlightened relationship we’ve got, you go about your own business. . . . Alex, basically you’ve built this whole other life from which I’m excluded. From which I want to be excluded.”

She reached for her wineglass, sipped, made a face.

“Bad vintage?”

“Fine vintage. I’m sorry, baby, I guess it just comes down to timing. Getting the offer exactly when I was so down.” She grabbed my hand, squeezed hard. “You love me, but you left me, Alex. It made me realize how alone I’d been for so long. We both were. The difference is, you enjoy going it alone—you get high on solitude and danger. So when Trish and I started talking and she told me she’d heard about my work—my reputation—and all of a sudden I realized I had a reputation, and here was someone offering me great money and the chance for something of my own, I said yes. Just blurted it out. And then driving home, I panicked, and said, What did you just do? And told myself I’d have to renege and wondered how I’d do it without looking like an idiot. But then I got home and the house was empty and all of a sudden I didn’t want to renege. I went out to my studio and cried. I still might’ve changed my mind. I probably would’ve. But then you arranged that date with that tramp and . . . it felt completely right. It still does.”

She looked out the rain-clouded window. “Such a beautiful city. I never want to see it again.”

The weather remained gray and wet and we kept to our room. Being together was agonizing: suppressed tears, edgy silences, too-polite chitchat, listening to the rain tormenting the dormer windows. When Robin suggested we return early to L.A., I told her I’d try to change her ticket but I’d be staying for a while. That hurt her but it also relieved her and the next day when the cab showed up to take her to the airport, I car- ried her bags, held her elbow as she got into the taxi, paid the driver in advance.

“How long will you be staying?” she said.

“Don’t know.” My teeth ached.

“Will you be back before I leave?”


“Please be, Alex.”

“I will.”

Then: the kiss, the smile, trembling hands concealed.

As the taxi drove away I strained for a look at the back of her head—a tremor, a slump, any sign of conflict, regret, grief.

Impossible to tell.

Everything moved too fast.

From the Hardcover edition.

Copyright 2002 by Jonathan Kellerman

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The Murder Book (Alex Delaware Series #16) 4 out of 5 based on 0 ratings. 39 reviews.
Guest More than 1 year ago
Award-winning Broadway and television actor John Rubinstein gives a deftly calibrated reading to this chilling tale by ace writer Jonathan Kellerman. It's Kellerman's 17th and bound to be one more bestseller for the Goldwyn, Edgar, and Anthony winner. Popular protagonist Alex Delaware, a Los Angles based psychologist/detective is in the middle of the scariest scenario to date as he tackles a long unsolved murder of unspeakable brutality. Should he be successful he may not live long enough to savor any triumph. An odd unmarked package arrives in Delaware's mailbox. It is a picture album no one would wish to see - a collection of crime scene photos called The Murder Book. Although Delaware has seen many grisly sights he is taken aback by the photo of a young woman ruthlessly slain and left by a freeway ramp. This had been one of the first cases ever investigated by Delaware's buddy, homicide detective Milo Sturgis. The case went unsolved because the department closed the investigation. It had been years ago, and Sturgis thought he had forgotten the heinous crime, but had he? It is up to Delaware and Sturgis to try to rediscover the past and solve a stone cold crime, even though it means placing their own lives in jeopardy. A topnotch author and a first-rate reader make for a compelling combination.
BookLoverCT More than 1 year ago
I have read almost all of the Alex Delaware books. I thought that I had finished all 29 of this series, but when I checked my list, there were still two that I had inadvertently missed. This was one of them. I was happy that his books always have a way to keep you involved with the characters. Next I will finish the series with Private Eyes. I enjoy his books and love his descriptions of people and places. Enjoyable, even out of order.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I liked the backstory on Schwinn and Milo's first few cases.
bravewarrior More than 1 year ago
CD/Abridged/Fiction: Book 16 of the Alex Delaware series. John Rubinstein's narration saves this confusing book. There is way too much coincidence and convenience. Alex receives a "murder book" and Milo recognizes one of the pictures as a unsolved case he had 20 years ago. You quickly learn that there was a cover-up, but the mystery is why. I think this book would be better unabridged. I think part of the problem was the abridgement. To me, a lot of the politics made no sense. So why four stars? Well, I have listened to this series out of order so I know was has happened before this book and I know what will happen later as far as Alex's personal life and Milo's career. This book brings it together. This book contains the events that change their lives that Kellerman refers to later on. That and John Rubinstein (the best narrator ever!) does such a good job. The book not only is in Alex's first person narration, but flashes back to Milo. Milo is in third person, and Rubinstein reads the narration with a hint Milo without being Milo.
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jaime More than 1 year ago
I enjoyed reading The Murder Book. The best part of the novel was the start where the murder case is described in past tense. It was interesting learning more about Milo. The end of the book where all the loose threads come together was good although maybe a little too pat, but it still didn't mar the enjoyment of the reading. Buy the book second hand as it is not a keeper for your permanent library. Read it once; it doesn't merit a reread years from now.
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