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Murder in the Bastille (Aimee Leduc Series #4)

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"Cara Black books are good companions, and Murder in the Bastille especially so. Fine characters, good suspense, but, best of all, they are transcendentally, seductively, irresistibly French. If you can?t go, these will do fine. Or, better, go and bring them with you."?Alan Furst

"Charming. . . . Aim?e is one of those blithe spirits who can walk you through the city?s historical streets and byways with their eyes closed."?Marilyn Stasio, The New York Times Book Review

"Paris is ...

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Murder in the Bastille (Aimee Leduc Series #4)

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Overview

"Cara Black books are good companions, and Murder in the Bastille especially so. Fine characters, good suspense, but, best of all, they are transcendentally, seductively, irresistibly French. If you can’t go, these will do fine. Or, better, go and bring them with you."—Alan Furst

"Charming. . . . Aimée is one of those blithe spirits who can walk you through the city’s historical streets and byways with their eyes closed."—Marilyn Stasio, The New York Times Book Review

"Paris is one of my favorite cities in all the world; Black’s books are a fine way to revisit it."—New Orleans Times-Picayune

"Black’s fourth is her best yet, with complex, appealing characters, a crisp, well-paced mystery, and a setting like no other."—Kirkus Reviews (starred review)

Aimée Leduc is all dressed up in her new Chinese silk jacket, supposedly an "exclusive," for dinner with a difficult client at an elegant restaurant in the Bastille district. She is chagrined to see that the woman seated at the very next table is wearing an identical jacket. When the woman leaves her cell phone on the table, Aimée follows her to return it and is attacked in the shadowy Passage Boule Blanche. When she regains consciousness, Aimée finds that she is blind. Nevertheless, she is told she is lucky; the woman she was following was found in the next passage, murdered.

Aimée is determined to identify her attacker. Was he actually a serial killer targeting showy blondes as the police insist? Was he really after the other woman? Or was Aimée his intended victim?

Cara Black lives in San Francisco with her husband, a bookseller, and her son. She is the author of Murder in Belleville and Murder in the Marais, published by Soho Press. Murder in the Sentier was a San Francisco Chronicle bestseller and has been nominated for an Anthony Award for Best Novel. For more information, visit www.carablack.com

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Editorial Reviews

From the Publisher
"Cara Black books are good companions, and Murder in the Bastille especially so. Fine characters, good suspense, but, best of all, they are transcendentally, seductively, irresistibly French. If you can’t go, these will do fine. Or, better, go and bring them with you."—Alan Furst

"Charming. . . . Aimée is one of those blithe spirits who can walk you through the city’s historical streets and byways with their eyes closed."—Marilyn Stasio, The New York Times Book Review

"Paris is one of my favorite cities in all the world; Black’s books are a fine way to revisit it."—New Orleans Times-Picayune

"Black’s fourth is her best yet, with complex, appealing characters, a crisp, well-paced mystery, and a setting like no other."—Kirkus Reviews (starred review)

The New York Times
It takes a true act of faith to accept the blinded heroine's facility at tracking a serial killer known as the Beast of Bastille while running a computer investigation on a dodgy client. But it's autumn in Paris, and Aimee is one of those blithe spirits who can walk you through the city's historic streets and secret byways with their eyes closed. — Marilyn Stasio
Publishers Weekly
PI Aimee Leduc is in the dark not only figuratively but literally after a mysterious attack leaves her blinded at the start of her fourth absorbing Paris mystery (after 2002's Murder in the Sentier). Aimee and her partner, computer expert Ren Friant, face dual dilemmas as a client's recalcitrance to comply with a court request coincides with Aimee's misfortune. The diminutive Ren must become the eyes of the team while Aimee makes do as best she can with her other senses. Meanwhile, with her attacker still on the loose and the police off on a wrong scent chasing a serial killer, Aimee remains a vulnerable target. Black loads her plot with Eastern European thugs, aggressive developers and other familiar villains, but she compensates the reader with the rich ambiance of Paris as well as a realistic and moving account of Aimee's coming to terms with her new condition. Some readers may be annoyed by the use of French words and phrases not obvious from context, but for the rest of us these authentic touches will be as welcome as the fresh butter on our morning croissant. (Apr.) Forecast: Blurbs from Val McDermid, Stuart M. Kaminsky and Linda Fairstein will help corral mystery buffs, but the one from Alan Furst, stressing the Frenchness of this series, will draw Francophiles. Copyright 2003 Cahners Business Information.
Library Journal
PI Aimee Leduc is back in Black's excellent, gritty series, set in contemporary Paris. Here, Aimee reveals her stuff after having been blinded by a mysterious attack in the Passage Boule Blanche near the Bastille. The attack seems to have been a case of mistaken identity-Aimee assumes that the intended victim was a woman she spotted in a restaurant wearing an identical silk jacket. But before the book reaches its neat conclusion, shady developers, Eastern European thugs, a panicky antiques dealer, and dangerous drugs all become involved. Computer partner Ren Friant again helps Aimee out, and she is given an additional boost by the hint of a relationship with her doctor. Perhaps not as gripping as others in the series-it can be frustrating to have Aimee in the dark-this is nevertheless affecting in its psychological portrayal and a darn good read. Recommended for all mystery collection.-Barbara Hoffert, "Library Journal" Copyright 2003 Reed Business Information.
Kirkus Reviews
The Bastille is a neighborhood in the throes of change. Longtime residents like woodworker Mathieu Cavour still ply their trade in studios tucked into dark tunnels like the Passage de Boule Blanc. But the bright new Opera Bastille has brought troops of aristos like publicist Vincent Csarda to dine at the upscale restos that have sprung up nearby. Csarda's dinner companion, private detective Aimée Leduc (Murder in the Sentier, 2002, etc.), gets a little something extra for dessert: She's attacked outside Mathieu's shop as she waits there to return a cell phone left by the chic blond at the next table. Stubborn detective Loïc Bellan, reluctant to investigate, is distracted among other things by the health problems of his newborn son, who has Down syndrome. Even Aimée's old friend Morbier seems to be dragging his heels. He blames the attack on serial killer Patric Vaduz, the Beast of the Bastille, who's evidently claimed two new victims between his release on a technicality and his death in a car crash. But Aimée's not convinced-especially since the other victim turns out to be the owner of the lost cell phone. For all her determination, however, Aimée's own investigation is difficult because the attack damaged her optic nerve, leaving her dependent on virtual strangers like Chantal and Lucas from Quinze Vingts hospital to help her make her way in a world of darkness, which may or may not be permanent. Black's fourth is her best yet, with complex, appealing characters, a crisp, well-paced mystery, and a setting like no other.
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Product Details

  • ISBN-13: 9781569473641
  • Publisher: Soho Press, Incorporated
  • Publication date: 4/1/2004
  • Series: Aimee Leduc Series , #4
  • Pages: 304
  • Sales rank: 245,950
  • Product dimensions: 5.00 (w) x 7.50 (h) x 0.82 (d)

Meet the Author

Cara Black

Cara Black lives in San Francisco with her husband, a bookseller, and her son. She is the author of the New York Times bestselling Aimée Leduc series, published by Soho Press. Murder in the Sentier was a San Francisco Chronicle bestseller and has been nominated for an Anthony Award for Best Novel.

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Read an Excerpt

Murder in the Bastille


By Cara Black

Soho Press, Inc.

Cara Black
All right reserved.

ISBN: 1569473242


Chapter One

Monday Evening

Aimée Leduc felt the air shift, the floating candles waver, as a woman murmuring into a cell phone, wearing a black silk Chinese jacket identical to Aimée's, sat down on the restaurant banquette next to her.

Great. Just Aimée's luck someone showed up in her jacket tonight. For a moment Aimée made eye contact with the woman. Blunt blonde shocks of hair framed her face. She favored Aimée with an intense stare. The vein in her temple stood out in her otherwise perfectly made-up face.

"Wouldn't you know it!" Aimée said to her.

"Things could get worse." The woman shrugged, as if wearing the same outfit as her neighbor were the least of her worries. Aimée noticed the frightened look in her eyes before she averted her face.

Around them, illuminated by red glass Etruscan-style sconces, Parisiens drank, dined, and smoked. This upscale resto, formerly a meat market, with its exposed beams and rusted meathooks, was booked weeks ahead. But her client, Vincent Csarda, head of Populax, an agence de publicité, never had trouble getting a table.

Tinkling glasses and the waiters' shouts made it difficult for Aimée to hear Vincent's words. Vincent, the brains behind his advertising agency, who was sitting across from her, stabbed his slithering ziti con vongole as he spoke.

"But I'mjust the mec stuck in the middle. My agency subcontracted this Incandescent campaign only two weeks ago," he said. His short coifed hair and red bow tie were out of place in this fashionably dressed late evening dinner crowd. He was not quite Aimée's height. Vincent, who was in his mid-thirties, was a nervous type. She figured he was gaunt from overwork and espresso. She wished it worked that way for her.

Aimée knew she should be home preparing her apartment for the construction crew and packing her bags. She was torn between bolting for a taxi or listening to more of Vincent's excuses as he sat across from her.

"Tiens," Vincent said, "was it my fault Incandescent was a front and laundered money for gun runners?"

"Vincent, the courts see it differently," Aimée said, wishing he would accept the facts. But Vincent demanded control. Total control. Didn't they all? "E-mail and downloaded documents constitute judicial evidence. We have to turn over your Opera marketing campaign file for the domestic and Russian tour."

"But my Opera marketing campaign doesn't relate to them. I refuse to let this investigation tarnish my firm's reputation."

She mustered a small smile. After all, he was a paying client. "My connection at the Judiciare says a subpoena's imminent," she said. "Count on it. It would be better to give them your hard drive voluntarily."

It wasn't the first time she'd regretted her best friend Martine's referral. Martine and Vincent were partners in Diva, a new magazine. Martine, former Madame Figaro editor, savvy and connected, did the work and Vincent was the financial backer. Martine had been crazed, getting ready for the launch this week.

The woman next to them ground out her cigarette. She drummed her long purple fingernails on the table, then lit another and set it in the ashtray.

Aimée recognized the nail color-Violet Vamp, advertised as urban armor for girls on the go-as one she'd been meaning to buy herself. She tried to ignore the curling smoke. She'd quit smoking four days ago.

Again.

Aimée's chipped nails, Gigabyte Green, needed a manicure. At least her sun-streaked hair and tan, from a week in Sardinia, helped her fit in with the sophisticated crowd.

Had everyone found the same boutique on rue Charonne? And coughed up the equivalent of the boutique's rent for the supposed "one-of-a-kind" clinging side-buttoned dress with matching jacket? Aimée had only been able to afford the jacket with mahjong buttons, unlike her neighbor who wore the knockout matching sheath as well.

Scents of fresh basil and roasted garlic drifted from the next table. When Aimée looked over again, the woman had propped her menu against an ashtray and disappeared.

Laughter erupted from the bar. Nearby, chairs scraped over the floor tiles. Time to work out this agreement, smooth Vincent's feathers, and get him to cooperate, Aimée concluded. Then she could leave.

"Dragging in my firm will give rise to rumors," said Vincent. "Damaging rumors."

Mentally, she agreed. Why be an appetizer served up before the main course in a foreign arms investigation? But once la Procuratrice got something on her court docket, it stayed there.

"Vincent, be calm. We hand over the hard drive...."

"I'm paid to deal with my client's information," he interrupted. "Not you. Not the Judiciare. They have no right to see my records or client database."

She wanted to deflect his anger, focus on the ongoing computer security issues. "Here's good news. We set up new firewalls so Hacktivistes pose no threat to Populax," she said, pouring sparkling Badoit mineral water into his glass. He worried about hackers constantly.

"That's what we pay you for at Leduc Detective." He stood up. Short as he was, even in his rumpled seersucker blazer, he commanded attention. "My lawyer will stop this. Why can't you encrypt the Incandescent file? It would save everyone needless trouble?"

"Too late. Look, René and I installed your system," Aimée said, "but we're following the law. Encryption is illegal. I know la Proc, she's reasonable."

He glared. "We paid you for security!" Vincent took the agency's contract with Leduc Detective out of his attaché case, tore it up, and sprinkled the pieces, like parmesan cheese, over her pasta.

He edged past the waiter holding the second course, artichauts aux citron. She got to her feet to stop him. But he'd darted out the door, disappearing into the warren of passages threading the Bastille quartier.

Aimée's appetite vanished. Why had things gone so wrong? A multimillion franc corporation looked better volunteering its hard drive data to the Judiciare, not concealing it. No one would welcome being drawn into a money laundering case, but did Vincent, a self-made chef d'operations, have something to hide?

Beside her, the woman's cigarette with the Violet Vamp lip imprint-matching her nail polish-smoldered in the ashtray. Instead of lighting a cigarette of her own from it, Aimée popped a piece of Nicorette gum.

She dreaded calling René, her partner, and telling him of Vincent's outburst. René was better with difficult clients. As he often pointed out, her level of tact left something to be desired. But the bottom line was, if they didn't furnish the subpoenaed e-mail and data, they'd be disobeying the law. Even if Vincent had torn up their contract.

And then she noticed the cell phone on the banquette table. The one the woman had been using. She must have forgotten it.

Losing a phone was a pain; she'd misplaced hers and had to replace it, only last month. On her way out, she'd leave the phone with the maitre d'.

The waiter slipped her the check. A perfect ending to a perfect meal! She'd deduct it from Populax's retainer when she sent their bill.

Then the maitre d' returned to the table and handed back her card with a shrug. "No credit cards, désolé." So she had to dredge up her last bit of cash. No taxi tonight. She was left with just enough change for the Métro.

While she was working out how to break the news of the failed meeting to René, waiting by the register for a few francs change, the cell phone rang.

She answered it automatically, cupping the phone between her chin and shoulder as she took her change, balancing her heavy bag.

"For the love of God ... forget your pride," said a male voice, barely audible over the hum of conversation and strains of accordion music in the background. "Meet me in Passage de la Boule Blanche, give me one more chance, listen to reason...."

"But...."

A familiar tune wafted over the line in the background. Like a song her grandmother had played on her accordion. But Aimée couldn't quite place it.

"Don't argue, I won't listen to a refusal."

The phone clicked off.

Aimée stared at it. The cover bore the initials J. D. She looked out the window and saw the woman disappearing into the square outside.

"This belongs to that woman, the one wearing the same jacket as mine. Do you know her name?"

The maitre d' shrugged again. "I'm sorry, mademoiselle," he said. "This is a busy night."

"My receipt?" But the flustered maitre d' had turned to seat a bevy of waiting customers.

Aimée grabbed her receipt which was by the register. She hit the phone's callback button. A flat buzz. Odd. What should she do?

The corner resto faced the dark Place Trousseau. Turn-of-the-century baroque apartment buildings with filigree ironwork balconies bordered the quiet square. Leafy plane trees canopied the black iron fence that surrounded it. The woman had vanished.

She was familiar with the nearby Passage de la Boule Blanche; she often used it as a shortcut. The Cahiers du Cinéma, a film journal whose office was located mid-passage off a leafy courtyard, had been a client last year. She'd also joined their film club. Since the passage was en route to the Métro, she decided to return the phone to the man who had called.... Let them work it out.

She dreaded the packing that still awaited her in her apartment on Île St-Louis. And she still had to dig out the laptop cable adaptors. They were somewhere in the only closet, which was 20 feet high and full of rolled up, threadbare Savonnerie carpets.

Martine's brother, in Shanghai on assignment, had sublet his apartment to her, until the remodeling-long overdue-of her own apartment's bathroom and kitchen was finished.

At the passage entrance, streetlights from rue du Faubourg Saint Antoine illuminated peeling notices and a Meubles décoratifs sign affixed to the stone wall. A waist-high metal barricade, a Piétons barrés notice, and construction materials blocked the way. Inhabitants must have ignored the sign, since it was pushed to the side and a path had been beaten through the rubble.

Further along, the flat roof of the covered passage opened to the sky. The threadlike passage lined with narrow, looming buildings seemed to end in distant mottled shadows.

"Allô?"

The echo of her voice and faint meow of a cat reached her ears. Water dripped from somewhere. In the late evening, unseasonably warm for October, dampness from lichen encrusted water pipes chilled her.

"Monsieur?"

Why didn't the man who'd telephoned answer? He'd said he was waiting.

She stepped past the barricade, scanning the dark passage, waiting in the shadowed stillness for a reply. Had he given up?

Cellophane wrappers crackled under her black Prada mules, a Porte de Vanves flea market find. Worn once. Or so the vendor said before she'd bargained him down to 300 francs.

The scent of night-flowering jasmine floated from a hidden garden behind the damp wall. Was the man playing games? She didn't have time for this.

One of the phones in her handbag rang.

She picked it up.

"Look, monsieur, a woman forgot her phone and I picked it up. I'd like to return it, I'm in the passage."

"What are you talking about?" her partner asked. "I thought you were dining with Vincent?"

"I'm in the Passage de la Boule Blanche. A woman left her cell phone in the resto and I was trying to return it to her."

"What happened with Vincent?"

Now she'd have to admit the awful truth. She'd wanted to tell René in person.

"We were in the resto until Vincent tore up our contract," she said, "Then he stomped out, leaving me with the bill."

"Tiens! Aimée, you should have let me handle him," he said. She heard the sigh in René's voice.

"I won't lie or cheat for clients."

"There's always a first time!" René snorted.

"At least not for conglomerates like Populax."

"Quel méli-melo! What a mess!" Rend said. "The Judiciare's getting nasty about this. I've been warned there may be a charge of obstructing justice in our future."

The phone clicked.

"Hold on, I'm at the office," René said. "I have another call."

Aimée picked her way over the uneven path toward a widening of the passage. No windows here. Just wet cobblestones underfoot with shimmers of fluorescent graffiti catching licks of light. Further on, she knew it intersected with the dimly lit rue de Charenton.

She'd already left her dog, Miles Davis, with René's neighbor, a female impersonator who performed in a club in Les Halles. Bon, she'd catch the Metro home and throw stuff in her suitcase and ask René to pick her up and drive her to the flat where she would stay during her apartment's renovation. They could discuss strategies en route.

She smelled something tangy and tart. Cloth rustled. Aimée hitched up her leather backpack and grabbed her sharp keys in her fist as a defense. Before she could turn, viselike hands clamped around her neck, squeezing and choking her. She screamed but no sound came out.

Slammed into the wall, her face scraped the moss-speckled stone. Pain exploded in her skull. Then she was pulled back and slammed again. She grabbed at her throat, struggling to pull off those hands, to summon help.

Air. She had to get air.

Panic flooded her. She couldn't breathe. Twisting, turning, trying to bite and scratch those hands.

In the distance she heard a dropped bottle shatter, then a disgusted "Merde," then laughter. Were other people coming down the passage? She saw a light, heard an intake of breath behind her. The hands let go.

Something wet seeped over her dress. She heard a ringing sound echoing off the dark walls. The last things she saw before she lost consciousness were stars peeking between the jagged roof tiles in the Paris sky.

Monday Night

René Friant stretched his short legs, adjusting the tight headset while scanning the computer screen at his desk. Shadows filled the corners of the office. He wished he were home, not on the phone with a furious Vincent Csarda, who had spoken without taking a breath for at least two minutes.

"This Incandescent fiasco could lose me the Opera Bastille marketing campaign," said Vincent. "We're trying to revitalize the quartier," he said, "I cannot have it."

"Of course, Vincent. You know that, I know that," René said, his tone soothing. Revitalizing took on different meanings depending on the person, René thought. Areas of the quartier had become á la page, trendy.

Continues...


Excerpted from Murder in the Bastille by Cara Black
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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Customer Reviews

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Sort by: Showing all of 5 Customer Reviews
  • Posted December 9, 2008

    more from this reviewer

    delightful Leduc mystery

    In 1994 Paris, private investigator Aimee Leduc meets with client Vincent Csarda to try to convince him to hand over his hard drive to the Judiciare who are investigating a gunrunning firm that had dealings with his company. Vincent refuses and walks out of the restaurant. Aimee notices a cell phone left by another patron. She picks it up to return it when a call comes through. She answers the phone, but before she can say anything, a man pleads with the owner to meet him at a nearby alley. Being a Good Samaritan, Aimee goes there to give the man the phone only to be assaulted. She ends up in a hospital blind. The police believe that the serial killing Beast of Bastille tried to murder Aimee, but she knows better especially with a victim in the next alley who happened to own the cell phone. Unable to see, Aimee relies on her computer genius partner, four-foot Rene Friant as her eyes. The pair work together on the two cases. Desperately trying to persuade Vincent to cooperate hits one stone wall after another. Seeking her assailant is dangerous whether she waits for the man to finish the job or goes after him. The key to the delightful Leduc mysteries is Paris as the added slight touches of French culture makes the tour feel more authentic leading the non-French audience to believe they need a passport. On top of the city lights (and dark spots) readers obtain a strong who-done-it while Aimee adapts to the loss of sight. Though much of the villainy seems old chapeau, Aimee and her partner make for a wonderful investigative tale. Harriet Klausner

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 22, 2013

    A top writer in the field of mysteries.

    Setting is Paris. You feel as if you were there. Aimee Leduc, the main character, is unforgettable. Great plot, characterization and writing. After reading one of her books I decided to read all in the series. Each book covers a different part of Paris which I loved.

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  • Anonymous

    Posted July 30, 2008

    Enjoyable Read

    This was my first time reading a book by Cara Black and I was very happy with my choice. The book is an easy read. It moves at a quick pace, and while it contained a few small tangents, the majority of the book remained focused on the mystery at hand. Black's descriptions of Paris were enjoyable and helped me get a feel for the location of the story. She introduced a variety of characters who were unique and added depth to the mystery. Overall, this is a well written book, and I would recommend it to anyone looking for an enjoyable, easy read murder mystery.

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  • Anonymous

    Posted February 16, 2012

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    Posted October 16, 2008

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