A Murder of Crows

A Murder of Crows

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by P. F. Chisholm

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September 1592 – and the redoubtable Sergeant Dodd is still in London with that dashing courtier Sir Robert Carey, dealing with the fall-out from their earlier adventures. Carey urgently needs to get back to Carlisle where he is the Deputy Warden and the raiding season is about to begin. However, there are complications in the way. His powerful father, Henry,


September 1592 – and the redoubtable Sergeant Dodd is still in London with that dashing courtier Sir Robert Carey, dealing with the fall-out from their earlier adventures. Carey urgently needs to get back to Carlisle where he is the Deputy Warden and the raiding season is about to begin. However, there are complications in the way. His powerful father, Henry, Lord Hunsdon, son of the other Boleyn girl, Mary and her paramour young Henry VIII, wants him to solve the mystery of a badly decomposed corpse from the Thames that has washed up on Her Majesty’s Privy Steps.
Meanwhile, although he hates London, Sergeant Dodd has decided that he will not go north until he has taken a suitable revenge for his mistreatment by the Queen’s Vice Chamberlain, Thomas Heneage. Carey’s father wants him to sue – but none of the lawyers in London will take the brief against such a dangerous courtier. Then a mysterious young lawyer with a pock-marked face offers to help Dodd, with suspicious eagerness. Nobody knows who that balding young would-be poet and lover William Shakespeare might be working for, if he knows himself. And then, just as Carey is resigning himself to the delay, the one person he really does not want to see again arrives in London to stir everything up.  
With the River Thames for a freeway and the dark streets of London full of people up to no good, Sergeant Dodd has to help Carey find the identity of the corpse and who murdered him, while bringing a little taste of the Borders to his dealings with Heneage.

Editorial Reviews

Publishers Weekly
Set in 1592, Chisholm's fifth Sir Robert Carey mystery (after 2000's A Plague of Angels) includes a couple of potentially interesting supporting characters, Christopher Marlowe and William Shakespeare, but the playwrights come across as mere caricatures. Not much more developed are the two leads—Carey, the son of Anne Boleyn's sister, Mary, and thus cousin to Queen Elizabeth, and his sidekick, Sergeant Dodd, whose heavy dialect (“whit can ye dae to show us ye're no' one o' his kinship come tae trap us in ambush?”) can be tough to follow. Carey and Dodd seek legal representation to bring a case of unlawful imprisonment against the queen's vice chamberlain, look into the identity of an unclaimed corpse found in the Thames, and probe some shady land deals in Cornwall. Unfortunately, the multiple story lines fail to gel, and the plot drags for long stretches. Fans of Elizabethan historicals would do better with Rory Clements's Martyr (2009). (June)
From the Publisher
"This fast-moving tale becomes a winner….A fun read for fans of Elizabethan mysteries."    – Library Journal

"Sir Robert Carey is back at last in this fifth novel in PF Chisholm's Sir Robert Carey series, with the redoubtable Sergeant Henry Dodd matching wits with Sir Robert's mother, the darling and deadly Lady Hunsdon.  Well worth the wait."   – Dana Stabenow, Edgar-winning author of the Kate Shugak novels

 "The renegade English professor in me let out a howl of delight." – Joanne Dobson,author of the Karen Pelletier mysteries
 “Feuding clans, political unrest, rowdy humor and exploits, unwise love affairs, and the plight of the poor all play a part in this skillful re-creation of a period rich in action and opportunity. A fine addition to the series.”  —Library Journal of A Surfeit of Guns
“Chisholm's brilliant depiction of 16th-century English life, high and low, domestic and public, is neatly held together by his believable and engaging protagonist.”  –Publishers Weekly of A Season of Knives


Library Journal
In September 1592, Sergeant Dodd—still smarting from the rough handling he received from Thomas Heneage in his last adventure (A Plague of Angels) with his employer, Sir Robert Carey—hires a lawyer to sue the Queen's Vice Chamberlain. Heneage fights back brutally, causing Carey's mother to come to London. At the same time, the duo try to identify a corpse found in the Thames. Throw in William Shakespeare and Christopher Marlowe as spies for various factions and political machinations from the lords of the realm, and this fast-moving tale becomes a winner. VERDICT A fun read for fans of Elizabethan mysteries.

Product Details

Poisoned Pen Press
Publication date:
Sir Robert Carey Series
Product dimensions:
5.40(w) x 8.40(h) x 0.80(d)

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A Murder of Crows


Poisoned Pen Press

Copyright © 2010 Patricia Finney (P. F. Chisholm)
All right reserved.

ISBN: 978-1-59058-737-9


A hunchback and a poet met in the glorious gardens belonging to the hunchback's father. The poet was dusty and tired, having ridden up from London to report to his new employer on the sensational events in and around the Fleet Prison the previous Sunday.

The hunchback preferred to sit in the shade, dressed in his customary black damask and white falling band, his lean handsome face tilted slightly sideways to listen more carefully. Beside him, since he liked to make notes, was pen, ink and the very best, most expensive paper, smoothed with pumice so that his pen nib never caught nor spattered. The poet stared at the sheets hungrily, knowing they cost as much as tuppence each and wishing he could afford such a pile. The bench was carved to look as if it had grown from the ground and faced across a labyrinth made of low clipped box-trees, filled in with scented flowers, some of which were making a valiant last flowering in the autumn light. The Queen had often walked in these very gardens and still occasionally did. When the hunchback's father chose to inspect his plantings, he would normally travel around the carefully raked and weeded paths on the back of a small donkey since he was now crippled by gout.

The hunchback generally walked the paths when he was thinking, at a fast pace and with hardly a limp despite the bandy legs of a childhood trampled by rickets.

The poet prided himself on his memory and never wasted precious paper on mere notes. He had been a player and hoped to be one again, used to being presented with a part the night before its first afternoon performance with only one rehearsal in the morning. He could read pages twice and know them by heart. His memory was just as good for what he heard: once he had written out in full a sermon that had lasted three hours for the benefit of his then employer who suspected the preacher of subversive puritanism.

Naturally the hunchback had chosen a bench where the trees behind it would give him shade but the sun would shine direct on the poet's face. He was glad he had done that. The poet's tale was very nearly incredible. Yet there had been reports from Carlisle which were almost as insane but which came from different and unimpeachible sources.

"Are you telling me that Mr. Vice Chamberlain Heneage organised a plot to implicate one of Lord Chamberlain Baron Hunsdon's sons ..."

"Edmund Carey," put in the poet quietly.

"Yes, whichever one, in the forging of gold angels by alchemical means?" The poet nodded. "That when he saw the trap closing, Edmund Carey then took cover, as it were, under the nose of the cat and that his brother Sir Robert, whilst disguised as a north country man, later caused a riot there, and ended by breaking Mr. Heneage's nose because Mr. Heneage had taken and beaten a man of his from Carlisle?"

"Yes, your honour," said the poet promptly. "He also ..."

The hunchback put up a long pale hand, leaning back as far as he could. "Mr. Heneage was trying to oust my lord Baron Hunsdon from his place as Lord Chamberlain?"

"Yes, your honour."

The hunchback smiled, making his face immediately charming and attractive, never mind the weakness of his body. "Good Lord!" he said. "Who would have thought it?"

The poet considered answering this question, but decided it was rhetorical.

The hunchback sprang to his feet and began pacing. "Sir Robert's antics are not so surprising," he said, more to himself than to the poet, who stood patiently with his hands tucked behind his back. "God knows, he was dangerously bored the last time I saw him at Court and was as badly in debt as he was a couple of years ago when he walked to Newcastle in ten days."

The poet blinked a little at this. The hunchback smiled ruefully. "I lost several hundred pounds on that bet, blast him, and so did a lot of his friends. He made about £3000. It didn't do him any good at all, of course. Once a spendthrift, always a spendthrift."

The poet looked down discreetly.

"That's why I recommended to Her Majesty that she appoint him Deputy Warden of the West March instead of that corrupt fool, Lowther, and also for ... good and sufficient reasons."

The poet narrowed his eyes but was far too sensible to ask what they were.

"It's Heneage's behaviour that I find extraordinary," said the hunchback, sitting restlessly back down on the bench and leaning forward now in a confiding way. "What do you think of his proceedings?"

"Ah ..." The poet thought very carefully, since he had been working for Heneage at the time. "I felt ... unhappy." Unhappy didn't really cover the poet's incandescent rage when he understood just how dangerously he had been set up by the Vice Chamberlain, a man he had trusted. Having played the part of the alchemist, he realised he would have been perfect meat for the hangman if the scheme had worked the way it was supposed to. It still made his innards quake to think about it.

"How about that rival of yours, Marlowe?"

"I wouldn't describe him as a rival," murmured the poet. "I would describe him as a friend and...and teacher."


"For all his faults, Kit Marlowe is a wonderful poet."

The hunchback shrugged. "Nevertheless he's still working for Heneage, as far as anyone can make out."

The poet struggled with his conscience for a moment, and then lost. "I had heard ... I believe that he may be trying to use Sir Robert as a means of entering the Earl of Essex's service."

There was a considering silence while the hunchback thought about this. The poet wondered if he had done right telling him.

"Interesting," was all the hunchback said. "So he's unhappy with Heneage too?"

"I imagine so."

"As unhappy as you were when you realised that the delightful Mistress Emilia Bassano was not only Baron Hunsdon's official mistress but was also having an affair with his son?" The hunchback was watching intently for the reaction to this prod.

The poet's ears went pink which was unfortunate because he didn't have much hair to hide it.

"I understand the lady is now in bed with the Earl of Southampton," he said smoothly. "Clearly love blinded me to her unchastity."

"Quite over it?"

The poet bowed. "Of course."

"Good. And what's your opinion of this Carlisle henchman of Carey's?"

The poet paused. "Sergeant Dodd?"

"That's his name. He seems to be ... ah ... the wild card in the game."

"He appears to be no more than a typical Borderer, very proud of being headman of his little patch of country and holding a tower there ..."

"Gilsland in fact controls one of the routes from Scotland into northern England," said the hunchback, who had been reading ancient reports and squinting at maps prepared by his father's agents in 1583.

The poet bowed a little. "... as well as serving in the Carlisle Castle guard under Carey. He looks and behaves like a mere stupid soldier, useful on horseback, and with any weapons but especially with a sword and his fists ..."


"I think there's more to him than that," said the poet. "Sir Robert certainly thinks so. And I like him."

The hunchback's smile was sunny. "Excellent," he said. "His lawsuit against Mr. Heneage?"

The poet shrugged. "He wants compensation, of course."

"And if he doesn't get it?"

"I think he'll look for another kind of compensation."

With one of his typically sudden movements, the hunchback threw a small full leather purse and the poet just caught it. The hunchback's face was impossible to read for sure but it seemed that somewhere in what he had said, the poet had told him something of value. He bowed again.

The hunchback rose and held out his hand to shake friendliwise. The poet took it and found his fingers were gripped with surprising strength.

"Thank you very much, Mr. Shakespeare," said the hunchback. "It seems we will do well together."

"I hope so, sir," said the poet.

"Keep me informed." The hunchback stood. "I will be back in London by tomorrow." He turned his bent shoulders and walked quickly towards the rows of hazel trees that shielded a raised lawn full of sculptures of minotaurs and fauns and mermaids and other fantastical creatures. The bees browsed on frantically in the late flowers and Shakespeare headed back to the stables and London town.


"Nothing like an execution, eh Sergeant?" Sir Robert Carey was lounging elegantly against the fence that kept the groundlings in their places, one kid-gloved hand tipped on the pommel of his sword, the other playing with the beginnings of a new Court goatee.

Dodd looked at him gravely for a moment and then turned his attention back to the bloody mess on the Tyburn scaffold. On the other side of the scaffold he noticed a man with a badly pockmarked face who was staring transfixed at the priest. Suddenly, the man turned aside and vomited on the ground. The goings-on didn't upset Dodd's stomach as much—for all the smell of roast meat—since there had been no screaming. They had actually burnt the priest's balls in front of him, a detail Dodd had not expected, though at least they'd done it after cutting them off and before they slit the priest's belly to pull out his guts.

The priest hadn't been screaming because the hangman had given him a good drop off the ladder and had let him hang until his face was purple, eyes set and popping and his tongue cramming his gag in the ludicrous mask of a judicial death. Evidently a kind or well-paid hangman. In fact, the man had been unconscious on the hurdle as he was dragged along the Oxford Road, grey-faced and hollow-eyed. He had seemed only half aware of what was happening when the hangman had put the noose over his neck, though there had been something like a smile around the corners of his exhausted eyes. Impossible to tell with the gag forcing his lips into a grimace, but he had looked confidently up at the sky before stepping off the ladder. The hangman hadn't needed to push him.

Now they were quartering him efficiently with cleavers, working like the butchers at the Shambles. Quartering a man was not so very different from butchering a pig and Dodd had killed and colloped his own pig every November since he'd been a married man and knew something about it.

No sausage-making here, though. Nobody had caught the blood in buckets to make black pudding nor pulled out and washed the bladder to be a bouncy toy for children.

That thought did make his stomach turn so he was glad that Carey was speaking again.

"Eh?" said Dodd.

"I said, he'd been one of Heneage's guests at Chelsea," Carey nodded at the man's wrist which was flopping from the nearly severed arm not far from them. It had a thick swollen bracelet of flesh around it and the fingers were tight-skinned and swollen as well.

Dodd saw that Carey was rubbing his gloved left hand where two of his fingers were still slightly bent.The rings for those fingers were still at the jeweller's to be resized since they no longer fit, and Carey was wearing kid gloves all the time not only because it was fashionable and they were extremely fine embroidered ones, but also to hide his very ugly bare nailbeds while he waited for the fingernails to regrow. All in all he had recovered well from the mysterious damage that had been done to him at the Scottish court. As to body, at least. As to mind and spirit ... Only time would tell. He was being irritatingly breezy now.

"Priest was he not?" Dodd squinted slightly as one of the men working on the scaffold held up the peaceful head.

"So perish all traitors to Her Majesty!" shouted the hangman.

"Allegedly," murmured Carey. "Hoorah!" he added at a bellow, and clapped. The crowd cheered and clapped as well, with some wit about the priest's equipment.

"Ay," Dodd had tired of fencing games. "So why did ye bring me here, sir? Ah've seen men hang afore now. Hanged a couple mesen under Lowther's orders while he was Deputy Warden ..."

Carey's eyebrows went up and he made a little courtier-like shrug with his shoulders. "Thought you might be interested to see a real hanging, drawing, and quartering, they don't happen so often."

"Ay. Nae ither reason?"

Dodd knew his face was dark with suspicion and ill-humour and didn't care. Why shouldn't he be miserable? He was still stuck in this hellhole of London, still wearing uncomfortable hot tight clothes loaned him by Carey so he could look the part of his natural station in life. He knew what and who he was and he didn't care whether the bloody southerners knew or not so long as they left him alone, so he didn't see the point of the play.

Today, for the first time in his life, he had been to a London barber and had had his hair trimmed, washed, oiled, combed, and his beard trimmed back to a neat pawky thing on the end of his chin. One of the things that was making him bad-tempered was the fact that he had caught himself enjoying it. If he wasn't careful he'd go back to Janet and his tower in Gilsland as soft and wet as any southerner and Janet's geese would eat him alive, never mind Janet herself.

Dodd glanced again at the scaffold where they were sweeping sawdust into clumps and bringing up mops and buckets. The bits of human meat were slung into a cart to be taken to the gates of London for display and the head to London Bridge to join the priest's colleagues.

Carey was already heading off through the crowd and Dodd followed him until he found a little house with red lattices and reasonably clean tables on the Oxford Road near to Tyburn. By some magic known only to him, Carey immediately snared a potboy to take his order and quickly settled down to a quart of double beer and a small cup of brandy. Dodd took mild ale, mindful of what the Portuguese physician had advised about his bruised kidneys.

"Obviously I want you to know what manner of man you're dealing with," Carey said in a random way, blinking into his cup of brandy before swallowing all of it.

"Thank ye, sir," said Dodd in a careful tone of voice. "But Ah ken verra fine what manner o'man he is, seeing he laid about mah tripes wi' a cosh and me wi' ma hands chained and ye had at him yersen, sir, an hour later and he never drew blade nor struck ye back nor sent his man to arrange a time and a place."

Dodd would never forget what had happened on that Sunday, particularly Carey finding him still curled up and half-conscious on the floor of Heneage's thrice-bedamned foreign coach after a thorough beating from Heneage and his henchmen. Those lumps had been intended only as a preliminary to further interrogation and one of the henchmen had just come back with thumbscrews to help. Dodd had not personally seen but had heard from several witnesses that Carey had then gone straight for Heneage with his bare fists, being without his sword at the time, until unfortunately restrained by his father. It hadn't been very gentlemanly of Sir Robert, but it had given Dodd some pleasure to see Heneage with a swollen nose, two black eyes, and a doublet and gown ruined by blood a little later.

And Heneage hadn't even called Carey out over it, which just showed what a strilpit wee nyaff he was. Well, lawsuits to be sure would be multiplying like rats, but that was a different matter. Dodd had never heard of a gentleman hitting another gentlemen right in the nose with his fist and not having to at least talk about a duel afterwards. For form's sake. Dodd himself didn't plan to take Heneage's demeaning beating of him as if he was some poor peasant with no surname to back him. He planned revenge.

As well as lawsuits.

Carey coughed. "I want you to remember how powerful and ruthless he is. If you take him on, there's no going back nor crying quarter."

Dodd squinted in puzzlement at Carey. "Ah dinnae understand ye, sir," he said. "Are ye suggesting Ah should beg his honour's pardon for damaging his cosh wi' ma kidneys?"

Carey grinned. "No, Sergeant, it's just he's not some Border reiver like Wee Colin Elliot or Richie Graham of Brackenhill. He's the Queen's Vice Chamberlain, he came this close ..." Carey held up his gloved forefinger and thumb an inch apart, "... to outplotting and removing my father, he's wealthy, he's clever and he likes hurting people. He has many of Walsingham's old pursuivants working for him, though none of them like him, and he has taken over Walsingham's old network of spies and informers, although unfortunately not his shrewdness. He's highly dangerous and ... well ... my father says he'll back you but ..."


Excerpted from A Murder of Crows by P. F. CHISHOLM Copyright © 2010 by Patricia Finney (P. F. Chisholm). Excerpted by permission of Poisoned Pen Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Patricia Finney has been writing since she was seven, writing novels and screenplays since the age of fifteen and a published author since she was 18. She has a degree in Modern History from Oxford University – where she also met her late husband, American lawyer Christopher Perry. Since then, she has had a chequered career in which she has written a weekly column for a Fleet Street paper, edited a medical journal, won the top BBC Radio Drama Prize for her play A ROOM FULL OF MIRRORS, sold advertising, been a dreadful secretary, and most recently opened, run and sold a coffee shop called Words. She also lived in Spain for two and a half years.  
She has published fifteen novels, including three Elizabethan thrillers, two childrens’ books told by a dog (I, Jack series), the first books of the Lady Grace series for children and, of course, the Robert Carey series of crime novels set in Elizabethan England.
At the moment she is researching the sixth Carey story, writing another Elizabethan crime novel, rewriting scripts and having a whale of a time broadcasting Word Warriors, a literary show on her local community radio station (www.thesourcefm.co.uk).

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Murder of Crows 5 out of 5 based on 0 ratings. 1 reviews.
harstan More than 1 year ago
In 1592 Deputy Warden of the English West Marsh Sir Robert Carey is in London with his top assistant Sergeant Dodd. Still irate by the treatment he received from Vice Chamberlain Thomas Heneage, Dodd hires attorney Mr. Enys to sue. However, his superiors impede the proceedings in spite of the fact that he has a strong case. When a rotted corpse is found by Her Highness Steps at the Thames, Carey's father Lord Hunsdon, whose mother is the Boleyn girl who failed to marry Henry though he sired him, asks his son to remain in London to investigate. Although he needs to be back in Plymouth for raiding season, Carey and Dodd make inquiries in a dangerous London; where those who do not want to kill you with a blade try to skewer you with words. They soon begin to connect dots between the badly decomposed corpse, a punished priest and Cornish land sale scam at the same time Sir Robert's mom is in Cornwall, reason unknown. The latest Robert Carey Elizabethan mystery is a great entry in a strong historical series (see A Famine of Horses and A Plague of Angels) that uses a real person as the prime character. Fast-paced throughout, readers obtain a taste (or distaste if you ask Dodd) of London while meeting Shakespeare and Marlowe as Carey (a fascinating person in real life too) and Dodd investigate the corpse. P.F. Chisholm has written another entertaining whodunit as her Carey tales are some of the best on the market. Harriet Klausner