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Murder Suicide

Murder Suicide

4.1 17
by Keith Russell Ablow

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The only forensic psychiatrist writing suspense, Keith Ablow is being hailed as the heir to Thomas Harris.

Keith Ablow's novels delve deep into that dark and deadly place that Ablow, one of the nation's leading forensic psychiatrists, knows best: the psyche of a killer. Ablow has explored the catacombs of the criminal mind to find out what makes them


The only forensic psychiatrist writing suspense, Keith Ablow is being hailed as the heir to Thomas Harris.

Keith Ablow's novels delve deep into that dark and deadly place that Ablow, one of the nation's leading forensic psychiatrists, knows best: the psyche of a killer. Ablow has explored the catacombs of the criminal mind to find out what makes them tick, and he brings that expertise to his new novel, a chilling and emotionally compelling story of the lengths to which one man will go to leave his own life behind.

In Murder Suicide, Ablow and his alter-ego, Dr. Frank Clevenger, return to take on a murder case like no other. John Snow is a brilliant inventor who has made millions from his genius in aeronautics. He has everything a man could desire: wealth, family, even a beautiful mistress. But he also has a brain disease, a rare form of epilepsy, that threatens his most valuable possession -- his mind. Only one doctor may be able to cure it surgically, but at a terrible cost, one that Snow reveals to no one: Snow will have no memory whatsoever of his past - of its emotional entanglements or its secrets. He will be abandoning everyone he has ever known. But the night before he is scheduled to undergo the operation, he is found near the Massachusetts General Hospital, dead of a gunshot wound. Did he commit suicide, as the police suspect - or was he murdered?

Forensic psychiatrist Dr. Frank Clevenger delves into Snow's complex past and tortured relationships to unlock the identity of Snow's killer: Was it the wife who can never forgive what he's done to their child and their marriage, the son who loathes him, the beautiful mistress who loves him so deeply but can never have him, or the business partner intent on taking control of his inventions?

Only Frank Clevenger can unlock the door to Snow's startling past. And only Keith Ablow can take readers even further into the mind of a killer.

Editorial Reviews

From the Publisher

“Murder Suicide poses intriguing questions...When Clevenger calls everyone into the room at the end, his solution and its surprising twist reminds us of the best of Rex Stout's master-manipulator, Nero Wolfe. And that's only one of the good reasons to pick up this tightly plotted book.” —San Antonio Express News

“A superior read.” —Entertainment Weekly on PSYCHOPATH

“Dr. Frank Clevenger, forensic psychiatrist and (somewhat reluctant) crime-solver, is quickly becoming one of the genre's most intriguing protagonists...A strange and hypnotic thriller...fascinating.” —Booklist on PSYCHOPATH

“A tour de force. Ablow is not satisfied with the superficial. He digs deep to create complex characters.” —Orlando Sentinel on PSYCHOPATH

“Keith Ablow is king of the psychological thriller. Frank Clevenger is a wonderfully flawed hero, as haunted by his own demons as the sociopaths he faces. Ablow writes like a man possessed - with a pace so blistering the pages will all but singe your hands.” —Dennis Lehane, author of MYSTIC RIVER, on COMPULSION

“COMPULSION is another really good book by Keith Ablow: compelling, graceful, and nearly impossible to put down.” —Robert Parker, author of WIDOW'S WALK, on COMPULSION

“Utterly compelling...a roller coaster of a mystery with hairpin twists and turns that shock and astonish. No one burrows into the darkest recesses of the human mind as deeply as Keith Ablow.” —Tess Gerritsen, author of THE SURGEON, on COMPULSION

“Keith Ablow's setting is the darkest of all-the twists and turns of the human mind. COMPULSION is-pardon the obvious pun-compulsive reading. Great Psychological suspense.” —Harlan Coben, author of GONE FOR GOOD, on COMPULSION

“Keith Ablow is a master of psychological suspense. This is a dark, taut, terrifying novel, driven by a talented psychiatrist's insights into the human condition. Stoke up the fire, curl up with COMPULSION, and be prepared for a sleepless night.” —Michael Palmer, author of FATAL, on COMPULSION

“Psychiatrist Frank Clevenger is a hero with heart, soul -- and brains. Fast-paced and frightening, Compulsion is a novel that explores the very nature of evil itself.” —Janet Evanovich, author of TEN BIG ONES on COMPULSION

“From the first sentence to the last, Compulsion is mesmerizing. A tense and sexy thriller...featuring an utterly shocking, yet thoroughly convincing family of fiends. A tense and sexy thriller stocked to the brim with juicy characters...With deft intelligence, Ablow maps the torturous terrain of the darkest regions of the human heart.” —James Hall, author of BLACKWATER SOUND, on COMPULSION

“This series just keeps getting better. Frank Clevenger is a real original: a jeans-clad, black-turtleneck-wearing head shaven loner whose compassion for victims of violent crimes - and the perpetrators of those crimes - threatens to destroy him. Whether Clevenger is entirely fictional, or a reflection of his creator's dark side (Ablow is a practicing forensic psychiatrist; the upshot is the same: he's a brilliant creation and this is a brilliant novel.” —Booklist (starred) on COMPULSION

“The present is wounded by the past in an expertly judged psychological thriller ...a solid satisfying case.” —Kirkus Reviews on COMPULSION

“Action nimbly shifts from gritty urban Boston to window-dressed Nantucket, and the people and politics are realistically portrayed, including the ballsy but deeply flawed protagonist...this one scores as a great psychological mind-bender.” —Publishers Weekly on COMPULSION

Publishers Weekly
Number five in Ablow's Dr. Frank Clevenger series (after 2003's Psychopath) continues the forensic psychiatrist's insightful investigations into intricate and deadly puzzles. Called in by a stumped Boston police department, Clevenger applies his skills to the mystery surrounding genius inventor John Snow, who is found shot outside Massachusetts General Hospital just an hour before he is to undergo experimental brain surgery. The police want Clevenger to determine if the death is murder or suicide. When Snow's lover, Grace Baxter, is found several days later with a slashed throat and wrists, the question surfaces again. Clevenger is a meticulous procedural investigator; he and partner North Anderson follow each and every lead to its logical, if sometimes tedious, conclusion. Clevenger's m tier is interviewing suspects, and there's a surplus of them as family, friends and enemies, any one of whom could have killed the eccentric Snow, parade through the pages. Clevenger's problematic personal life is again examined in detail: adopted 18-year-old Billy is still challenging Clevenger's shaky parenting skills, and Clevenger's love affair with FBI chief forensic psychiatrist Whitney McCormick is always on-again, off-again. Drugs and alcohol, two other demons from his past, wait in the wings. Clevenger agonizes over all of this while methodically solving the riddle of Snow's murder, playing each of the suspects against the other until he tricks a confession out of the guilty party. While the excitement is not exactly pulse pounding, Clevenger puts in some solid sleuthing, and the low body count is refreshing amid a sea of frenetic thrillers in which victims number in double digits. Agent, Beth Vesel. (July) Copyright 2004 Reed Business Information.
Library Journal
Who would bother to murder a man about to have surgery that will save his life but destroy his memory? Only forensic psychiatrist and best-selling Ablow knows for sure, and his longstanding protagonist, Dr. Frank Clevenger, is about to find out. Copyright 2004 Reed Business Information.
Kirkus Reviews
A beautiful mind gets snuffed, and a forensic psychiatrist Frank Clevenger (Psychopath, 2003, etc.) sniffs something rotten in Denmark. Suicide's the initial call, but Dr. Clevenger's inner olfactometer is registering off the charts. John Snow, M.I.T. professor, aeronautical engineer, and universally acknowledged genius, has died of a gunshot wound to the chest. Boston cops say self-inflicted, but Clevenger says no way. Maybe it's just that the dead man wasn't in a suicidal kind of place; there was too much of a positive nature happening in his life. Or look at it this way: the usual suspect list contains an unusual number of sleuth-arousing possibilities. Collin Coroway, for instance, Snow's partner in Coroway Engineering (radar systems, sonar, missile technology), who becomes sole owner of a multimillion-dollar patent with Snow's demise. Consider Mrs. Snow, for years a patient Griselda of a wife, now thoroughly aware that she's become a woman blatantly scorned. Kyle and Lindsay Snow, son and daughter, can't be ruled out either, since each was tormented in different ways by the paternal neglect of icy Snow. And yet, the ironic fact is that Snow, in the four or five months preceding his death, had never been happier. In gloriously beautiful Grace Baxter-auburn hair, green eyes, "the body of a mermaid"-he had found his lovemap. "Lovemaps," Clevenger explains on several occasions to more or less interested parties, "are people meant for one another." But is there something a little ersatz about gorgeous Grace? Of course there is, and when Clevenger gathers his suspects together in one room (obeisance here to Dame Agatha), the reader discovers that ersatz has been running wild. The plotfails to cohere mostly because the characters fail to convince, as if the author couldn't quite tap into the artistry needed to breathe life into them. Ablow has done better work in this series. Agent: Beth Vesel/Beth Vesel Agency

Product Details

St. Martin's Press
Publication date:
Frank Clevenger Series , #5
Edition description:
Product dimensions:
4.23(w) x 6.70(h) x 1.06(d)

Read an Excerpt

Murder Suicide

By Keith Ablow

St. Martin's Press

Copyright © 2004 Keith Ablow
All rights reserved.
ISBN: 978-0-312-99489-1


Paramedics rushed John Snow into the Mass General emergency room at 4:45 A.M., unconscious, with shallow respirations. They had radioed ahead, reporting Snow as the victim of a self-inflicted gunshot wound to the chest. Snow's neurosurgeon, J. T. "Jet" Heller, thirty-nine, was one of the six doctors and five nurses who responded to the code red.

A medical intern named Peter Stratton had heard the gunshot on his way home from a night on call and dialed 911 from his cell phone. Police responded and found Snow collapsed in the alleyway in a pool of blood. His arms and legs were tucked close to his chest, fetal position. A black leather travel bag and a Glock 9mm handgun lay on the pavement beside him.

Snow was stabilized in the field, but his EKG flat-lined as he crossed the threshold into the E.R. The team shocked his heart back into rhythm three times, but his pulse never lingered longer than several seconds.

It was Heller who took the heroic steps, starting with a pericardiocentesis. Heart muscle is surrounded by a tough, membranous sac called the pericardium, stretched around it like a latex glove. But a bleed (a pericardial effusion) can occur between the muscle and the membrane, causing the pericardium to swell like a water balloon, putting pressure on the heart and preventing it from pumping. So when Snow's heart would respond to nothing else, Heller inserted a six-inch hypodermic needle under Snow's sternum and drove it down toward the heart at a thirty-degree angle, aiming to pierce the pericardium, siphon off any pooled blood and free the left ventricle to do its job. He tried seven times, but each time he pulled back on the syringe, he got nothing but air.

Snow's EKG had been flat line for over a minute.

"Should we call it?" a nurse asked.

Heller swept his long, blond hair back off his face. He stared down at Snow. "Get me a syringe filled with epi," he said.

Epinephrine was a cardiac stimulant sometimes administered intravenously to patients in cardiac arrest. No one moved to get it. They knew J. T. Heller had something much more invasive than an I.V. in mind, and they knew it was futile. Whether the bullet had ripped a hole in Snow's heart or transected his aorta, the wound had been fatal.

"He's gone, Jet," Aaron Kaplan, another of the doctors, said. "I know he's your patient, but ..."

"Get me the epi," Heller said, his sapphire blue eyes still fixed on Snow.

The team exchanged glances.

Heller pushed his way past the others to the code cart, rifled through the supplies, came up with a syringe full of epinephrine. He walked back beside Snow, squirted a bit of the epi into the air, then thrust the needle under Snow's sternum and emptied the 10cc directly into his left ventricle. He glared up at the monitor. "Beat, goddamn you!" He kept staring five, ten, twenty seconds. But there was only that flat line, that terrible hum.

Then Heller took the ultimate step. He reached to the bedside tray, picked up a scalpel and, with no hesitation, cut a six-inch transverse incision below Snow's sternum, reached into Snow's chest, grabbed hold of his heart and began open cardiac massage, rhythmically squeezing and letting go of the thick, muscular cardiac walls, trying to manually throw the heart back into gear.

"For Christ's sake, Jet," another doctor whispered, "it's over."

Heller pumped even more vigorously. "Don't quit on me," he kept muttering. "Don't you quit on me." But it was no use. Every time Heller stopped squeezing, Snow's EKG drifted back to a flat line.

Heller finally took his bloody, gloved hand out of Snow's chest. And as he did, Snow began to seize, his whole body trembling like a fish out of water, his teeth chattering, his eyes rolling back in his head. The seizure lasted just half-a-minute. Then Snow lay completely still, his eyes staring blankly at the ceiling.

Heller backed away from the gurney. He was soaked with sweat and blood. He stared at Snow, shook his head, as if in a daze. "You coward," he said. "You ..." He looked up at the others. "I'll call it." He glanced at the clock on the wall. "Time of death, 5:17 A.M."


8:35 A.M.

Grace Baxter, owner of a toney Newbury Street art gallery, wife of George Reese, founder and president of the Beacon Street Bank & Trust, hugged herself to stop from shaking. Her internist had kept her on Zoloft and Ambien and a little Klonopin for about a year, but it was her very first hour of psychotherapy, and quite possibly the very first time someone had listened to her — really listened to her — for anything close to an hour. "I'm sorry to fall apart like this," she whispered. "But the medicines aren't working. I don't want to get up in the morning. I don't want to go to work. I don't want to get into bed with my husband at night. I don't want this life."

Dr. Frank Clevenger, forty-eight, glanced out the window of his Chelsea waterfront office at the line of cars creeping over the steel skeleton of the Tobin Bridge as it arched into Boston. He wondered how many of the people inside those cars really wanted to be going where they were headed. How many of them had the luxury of ending up somewhere where they would be expressing something genuine about themselves, or at least something that didn't make them feel like frauds, playing dress-up? How many of them would be returning to homes they wanted to live in? "Are you thinking of hurting yourself, Grace?" he asked gently, looking over at her.

"I just want the pain to stop." She rocked back and forth in her seat. "And I don't want to hurt anyone ever again."

Irrational feelings of guilt were one of the hallmarks of major depression. Some patients actually came to believe they were responsible for the Holocaust or for all the suffering in the world. "Hurt them in what way?" Clevenger asked her.

She looked down. "I'm a bad person. A horrible, horrible person."

Clevenger watched tears start down her cheeks. She was thirty-eight and still exquisite, but her wavy, auburn hair, emerald green eyes and the perfect slope of her nose and cheekbones all said she had been otherworldly at twenty-six, when she had married George Reese, fourteen years her senior and already fabulously wealthy. Only now, with her physical presence just beginning to wane, was she confronting the fact that she wasn't in love with her husband or her work or her lifestyle — not the expensive cars or the private jet or the Beacon Hill townhouse or the vacation homes on Nantucket and in Aspen. She was beginning to suspect that beauty and wealth had carried her far away from her self and she didn't know the way back or whether there would be anything left of her if she ever made it back. "Sometimes hurting other people can't be avoided, Grace," Clevenger said. "Not if you intend to be a complete person yourself."

Baxter folded her hands on her lap. "When I married him, he let me keep my name. It was supposed to be a symbol that neither of us owned the other." Her fingers tugged at the three diamond tennis bracelets she wore on one wrist. Her thumb rubbed the face of the gold and diamond Rolex she wore on the other. "I hate these things," she said. "George gave them to me. Anniversary gifts. They might as well be handcuffs."

That comment made Clevenger wonder just how dark Grace's thoughts really were. Maybe she was floating an elegant metaphor for life in a gilded cage, but the fact that she had mentioned hurting someone and wearing handcuffs in the same minute worried him. Maybe she had something truly destructive in mind.

In the year since Clevenger had solved the Highway Killer case, catching serial killer Jonah Wrens before he could dump another decapitated body along some lonely stretch of asphalt, the gap between his forensic work and his psychotherapy practice had been closing. Not too many garden variety depressives and neurotics showed up at his door. Most of the people looking for him to heal them were struggling against the impulse to harm others.

Grace wouldn't be the first woman to feel imprisoned enough by her marriage to trade it for a jail cell. "Is there anyone you fantasize about hurting?" he asked her.

She squinted at the floor, clearly imagining something. Whatever it was made her blush. "No," she said. She looked up and smoothed imaginary wrinkles out of her skirt. "I just meant I want to be a better person. I want to learn to appreciate what I have."

That sounded like a dodge. People blush when one of their core truths is revealed. Something with roots in the soul. The name of a lover. A sexual preference. Even a deeply held personal goal. And it was looking more and more like the impulse to harm someone was part of Grace's core. That fact — more than her pat explanation that she had seen Clevenger talking about the Highway Killer on television and liked the looks of his jeans and black turtleneck and shaved head — might really explain why she had chosen to seek therapy from a forensic psychiatrist with a knack for getting inside the heads of killers.

"You can tell me," Clevenger prodded her.

"I have to go," Grace said, wiping her eyes. "I swear to you: I'm not a danger to anyone, including myself. I never have those thoughts."

That was what psychiatrists call a contract for safety, the words a potentially dangerous patient has to speak to avoid being involuntarily hospitalized — committed to a locked psychiatric unit. It made Clevenger wonder whether Grace knew her way around the psychiatric profession a little better than she let on. "I need to ask you quite directly: Do you have any intention of hurting your husband?"

"'Do I have ...' That's ridiculous." She stared at him, unblinking.

He returned her stare. "Fair enough."

She stood up, ran her fingertips down the row of gold buttons on her black Chanel jacket. "I'll call and schedule something in the next few days, if you have an opening."

Clevenger kept his seat. He wanted to make it clear that the decision to avoid going deeper was Grace's, and hers alone. She would have to turn her back on him. On the truth. "We still have ten minutes," he said.

She stood there several seconds, looking uncomfortable, as though Clevenger's silence might coax her back into her seat. But then she turned abruptly and walked out.

Clevenger watched through his window as she walked briskly to her car, a big, blue BMW sedan, with smoked windows. She fumbled in her handbag, shook it violently, reached in again. She started to cry. She finally pulled out her keys, threw open the car door and disappeared inside, slamming the door behind her.

"Does she get a refund?" North Anderson asked, from the doorway to Clevenger's office.

Clevenger turned to him.

"She looked worse on her way out than on her way in."

Anderson had been Clevenger's partner at Boston Forensics for the past two years. He was a former Baltimore cop turned private investigator, a black man who looked a decade younger than his forty-four years, probably because he was addicted to weightlifting — three hours every day. There wasn't an ounce of fat left on his body. The only hints that he'd lived the tough life he had were the jagged scar over his right eye and the slight limp to his left leg, the former from a suspect wielding a knife, the latter from one with a .45. Both of them had ended up facedown on the pavement. The one with the knife went to jail. The one with the gun went to the morgue.

"She's living a lie," Clevenger said, glancing at Baxter's car pulling past the chain-link fence and gate that separated the Fitzgerald Shipyard — where Boston Forensics made its home — from the rest of Chelsea. "That hurts. More and more every day."

"The truth will set you free," Anderson said. "Unless you're guilty." He smiled the winning smile that made people like him and open up to him, as easily in Boston as they had in Baltimore. Because he liked people, with all their foibles. "We got a call from a Detective Mike Coady, out of Boston P.D."

"What's up?" Clevenger asked.

"You know that guy about to have brain surgery at Mass General?"

"Sure, scheduled for it this morning. John Snow. He was front-page in The Globe again."

"His surgery's been canceled."


"He's dead."

"Dead? From what?"

"They found him in an alleyway between a couple of buildings at the hospital. Took a 9mm slug to his chest."

"Jesus. They have the shooter?"

"Coady thinks so — Snow himself."

"He committed suicide?"

"No witnesses. The bullet came from Snow's own gun."

"So what does Coady need us for?" Clevenger asked.

"The Medical Examiner won't officially rule out murder," Anderson said. He crossed his massive arms. "Coady has a backlog of eleven open murder cases."

"So the good detective wants me to come up with a convenient psychological profile, posthumously, to fit the suicide theory," Clevenger said. He shook his head. "I'll call and tell him to live or die on the ballistics report."

Anderson shrugged. "I could poke around, see if there's any talk on the streets, just to get a flavor of the thing."

"Why waste the energy, if all Coady wants is a rubber stamp to close the case?"

"Nobody really believes we rubber-stamp anything."

"Maybe that's why he's hoping we do this time. Instant credibility." He picked up the receiver. "Got his number?"

"Sure," Anderson said. But he just stood there.

Clevenger looked at him askance. "What?"

"You know how you sometimes get a gut feeling? I mean, maybe I'm buying all the hype on this Snow guy, but he was about to travel some medical ground that's never been traveled before. He was gonna make history. Every reporter in the country was angling for an interview with the guy post-op. I'm no shrink, but I figure that kind of momentum can carry you through some pretty bad days. And he shoots himself in an alleyway, a stone's throw from the O.R.? That doesn't make a whole lot of sense."

"You don't think he killed himself."

"I think that's the answer Coady is looking for. It might be the right one. But a man took a bullet to the chest this morning, and my gut tells me to get the whole story."

"From a dead man."

"If the truth was easy to come by," Anderson said, "Coady wouldn't have called you in the first place."


1:30 P.M.

Clevenger climbed into his black Ford F-150 pickup and started the drive over the Tobin Bridge to Boston. He had arranged to meet Detective Mike Coady at the morgue on Albany Street at noon. If he was going to get inside John Snow's head, he figured he might as well start with his corpse — the last page of his life story — and work backwards.

What he knew already about Snow he had learned from newspapers and television. Snow was an aeronautical engineer who had received his Ph.D. at Harvard, rising through the ranks of academia to become — at thirty-two — the youngest person to ever win a full professorship at the Massachusetts Institute of Technology's famed Lincoln Lab. A few years later he left M.I.T. to start Snow-Coroway Engineering, headquartered in Cambridge. And over the next two decades he had seen his inventions in the fields of radar technology and rocket propulsion net more than one hundred million dollars from firms like Boeing and Lockheed Martin.

But Snow's genius seemed to have come at a price. He suffered seizures, as though the combined force of knowledge and inspiration swirling through his mind sometimes surged too intensely. And these were not the subtle, absence seizures that made a person stare off into space. They were tonic-clonic, grand mal seizures that made Snow collapse, unconscious, breathing like a bellows, his limbs jerking wildly, his teeth clamping shut, sometimes tearing through his tongue.

According to a 20/20 segment on Snow, he had had his first seizure at age ten while struggling to solve an equation his calculus tutor had laid before him, an equation that would have frustrated most mathematicians. When Snow snapped his pencil in two, the tutor apologized for asking too much of him. But then he noticed that Snow had scrawled the correct answer at the bottom of the page — and that his rigid limbs were beginning to shake.


Excerpted from Murder Suicide by Keith Ablow. Copyright © 2004 Keith Ablow. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

KEITH ABLOW, like his protagonist, is a forensic psychiatrist who has testified in some of the nation's most highly publicized trials. He has written four other Dr. Frank Clevenger novels: Denial, Projection, Compulsion, and Psychopath. Ablow lives in Massachusetts.

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Murder Suicide 4.2 out of 5 based on 0 ratings. 17 reviews.
Guest More than 1 year ago
The pieces of this mystery puzzle are assembled much like an Agatha Christie novel--forensic psychiatrist Frank Clevenger interviews suspects in a gruesome murder-suicide case--then gathers everyone for the 'big reveal.'
Anonymous More than 1 year ago
As usual, Harriet Klausner's review revealed too much of the story - can't her reviews be curtailed? Her ongoing "analysis" of the books i have wanted to purchase in the past, as well as this one, has ruined any desire to read many books available on The Nook. Her blabbing must be curtailed. She only has to voice a like or dislike. Harriet, Shut Up!!!!!
Anonymous More than 1 year ago
Good read. why all of the spelling errors tho ?
Anonymous More than 1 year ago
it was a good read, but it is predictable somehow. someone who could have suffer so bad can probably kill. killing someone out of rage, jealousy and selfishness. sad that ablows' novel always ended up very sad. try denial too, you will love it. it's more entertaining and hard to put down.
Anonymous More than 1 year ago
This would have been an interesting read, if I were not so distracted by all the typos and spelling mistakes.
Mary Bauer More than 1 year ago
This was the frist time I read his book, and i couldnt put it down. It constantly had me wondering, who did it. The errors in the book were kinda annyoing, but wasnt to bad. This is definetly and author i like!
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Alibra More than 1 year ago
This is the second book of Keith Ablow's I have read. I enjoyed the first one just a LITLE bit more (Compulsion) but this book neverthelss held my attention immensely. The plot had twists and turns and you were never really sure who did what! I highly recommend it.
Guest More than 1 year ago
I first came across Keith Ablows work when I found one of his paper backs at a thrift store! I started the book and could not put it down. I have read all of them now and can't wait for the next one!!! A series of books that really draws you in!!
Guest More than 1 year ago
I just finished this amazing book and i cannot wait to read the rest of Ablows series. IF you like thrillers and forensic psychiatry and how a killers mind works you will love this book.
Guest More than 1 year ago
I really did! I'm personally interesting in the whole forensics thing, and I picked this book up in my local Walgreens and I couldn't put it down...the bad thing was that this was the 5th book...in the series...but I'm definately going to buy the first 4!!
Guest More than 1 year ago
Ablow has done it again. Another thrilling emotional rollercoaster ride into the mind and actions of a killer. His main character Frank Clevenger takes us on yet another journey in search of a killer that will leave you breathless and on the edge of your seat. No one does it better. Put this one one the TOP of your must read list-you won't regret it.If you like Lehane, Patterson, Gerritson and Cornwell, you will LOVE Keith Ablow.
Guest More than 1 year ago
John Snow was a genius who made millions from his inventions but the money came at a price. Every time he was near a breakthrough, he suffered a severe grand mal epileptic seizure. Unable to live with the affliction anymore, he decided to have cutting edge brain surgery that could cause blindness or leave him unable to remember any of the people closest to him. An hour before he was due for surgery someone killed him in the alley near the hospital................................ Forensic psychiatrist Frank Clevenger is asked by Detective Mike Coady of the Boston police department to determine whether John committed suicide or was murdered, as the autopsy results were inconclusive. By accepting the case, Frank has to look at all the people who were closest to the man, his wife, business partner, children and mistress to see who had a motive. He discovers they all did........................... Keith Ablow is one of the best thriller writers on the market today. His protagonist, a psychologically flawed person, overcomes the abuse he suffered from his sadistic father to help people and to make sure the killers are caught so they won¿t hurt anyone ever again. There is a lot of action scenes in MURDER SUICIDE but the best parts of this exciting thriller is watching the hero put the pieces of the puzzle together.......................... Harriet Klausner