Murder the Mountains

Editorial Reviews

All Music Guide - Greg Prato
With popular music becoming increasingly homogenized-sounding in the early 21st century (a dangerous cocktail of Pro Tools and American Idol), it's becoming harder to find rock bands that haven't been affected as well by the changing tides. Thankfully, listeners still have bands like Red Fang. As heard throughout its 2011 release, Murder the Mountains, the band is a throwback of sorts to two separate eras that embraced raw and rocking musicianship -- the early '70s and the early '90s -- both of which focused on the sound of live bands letting it rip in the studio. And as a result, Red Fang recall such bands as Black Sabbath (from the former era) and the Melvins and Tad (from...
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Editorial Reviews

All Music Guide - Greg Prato
With popular music becoming increasingly homogenized-sounding in the early 21st century (a dangerous cocktail of Pro Tools and American Idol), it's becoming harder to find rock bands that haven't been affected as well by the changing tides. Thankfully, listeners still have bands like Red Fang. As heard throughout its 2011 release, Murder the Mountains, the band is a throwback of sorts to two separate eras that embraced raw and rocking musicianship -- the early '70s and the early '90s -- both of which focused on the sound of live bands letting it rip in the studio. And as a result, Red Fang recall such bands as Black Sabbath (from the former era) and the Melvins and Tad (from the latter era). But don't be misled into thinking that Red Fang are of the "stoner rock" variety, as they don't put meandering sludge riffing at the top of their priority list. No way. Memorable songs with catchy (yet heavy) parts rule the roost here, as evidenced by such standouts as "Wires," "Dirt Wizard," and "Throw Up" (all of which are separately reminiscent of the aforementioned bands, in respective order). If only there were more bands like Red Fang, who haven't forgotten what made their Sabbath records so special in the first place -- the sound of real human beings leaving their greasy fingerprints all over heavy riffs, with no desire to "clean things up" afterwards.
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Product Details

  • Release Date: 4/12/2011
  • Label: Relapse
  • UPC: 781676714421
  • Catalog Number: 7671442
  • Sales rank: 25,207

Tracks

Disc 1
  1. 1 Malverde (4:02)
  2. 2 Wires (5:43)
  3. 3 Hank is Dead (2:36)
  4. 4 Dirt Wizard (2:57)
  5. 5 Throw Up (6:33)
  6. 6 Painted Parade (2:27)
  7. 7 Number Thirteen (4:45)
  8. 8 Into the Eye (3:58)
  9. 9 The Undertow (5:02)
  10. 10 Human Herd (3:51)
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Album Credits

Performance Credits
Red Fang Primary Artist
Anita Robinson Guitar
Chris Funk Percussion, Slide Guitar
Jenny Conlee Organ
Maurice Bryan Giles Guitar, Vocals
David Sullivan Guitar
Aaron Beam Bass, Vocals
John Sherman Drums
Kevin Robinson Percussion
Technical Credits
Carl Saff Mastering
Adam Selzer Engineer
Chris Funk Producer
Orion Landau Artwork, Layout
Laurel Stearns Management
Josh Kline Booking
Red Fang Producer
Nanouk De Meijere Booking
Kevin Robinson Engineer
Phil Battiato Booking
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