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Zoo-boy. The legs of the table were his cage. With arms up protectively over his head, he rocked. Back and forth, back and forth. An aide tried to prod him into moving out from under the table but she had no luck. Back and forth, back and forth the boy rocked.
I watched from behind the one-way mirror. "How old is he?" I asked the woman on my right."Fifteen."
Hardly a boy anymore. I leaned clue to the glass to see him. "How long has he been here?" I asked.
"Without ever speaking?"
"Without ever speaking." She looked over at me in the eerie gloom of the room behind the mirror. "Without ever making a noise at all."
I continued to watch a little longer. Then I picked up my box of materials and went out into the room on the other side of the mirror. The aide backed off and, when I entered, she willingly left. I could hear the click of a door in the outer corridor and I knew she had gone behind the mirror to watch too. Only Zoo-boy and I were left in the room.
Carefully, I set down my box of materials. I waited a moment to see if he would react to a new person in the room, but he didn't. So I came closer. I sat down on the floor an arm's length away from where he had barricaded himself under the table. Still he rocked, his arms and legs curled up around him. I could get no idea of his stature.
Not sure what to do, I looked around. I was acutely aware of the audience beyond the mirror. They were talking in there, their voices indistinct, no more than an undulating murmur, like wind through cattails on a summer's afternoon. But I knew the sound for what itwas.
The boy didn't look fifteen. Even wrapped up in a ball like that where I couldn't get much of a look at him, he didn't appear that old. Nine, maybe. Or eleven. Not nearly sixteen.
"Kevin," I said again, "my name is Torey. Do you remember Miss Wendolowski telling you someone was coming out to work with you? That's tee. I'm Torey and I work with people who have a hard time talking."
Still he rocked. I wasn't given even the slightest acknowledgment. All around us hung a heavy, cloying silence embroidered with the rhythmic sound of his body hitting against the linoleum.
I started to talk to him, keeping my voice soft and welcoming, the way one talks to timid puppies. I talked of why I had come, of what I was going to be doing with him, of other children whom I had-worked with and had success. I told him about myself. What I said wasn't important, only the tone was.
No response. He only rocked.
The minutes slipped away. I was running dry of things to say. Such a one-sided conversation was not easy to maintain, but what made it more difficult was not Zoo-boy so much as the ghostly presence of those beyond the mirror. It was too easy to feel stupid talking to oneself when half a dozen people one couldn't see were watching. Finally, I pulled over my box of materials and sorted out a paperback book, a mystery story about a teenager and his girl friend. I'll read to you, I told Zooboy, until we feel a little more relaxed with one another.
"Chapter One: The Long Road."
The minutes kept moving around the face of the clock. Occasionally there was the muffled noise of a door opening and closing beyond our little room. They were leaving, one by one. Nothing in here was worth wasting an afternoon to see. I was not a spectacular reader. The story wasn't riveting. And Zoo-boy only rocked.
I kept on reading. And counting the openings and closings. How many people had been in the room behind the mirror? I couldn't recall exactly. Six? Or was it seven? And how many had gone out already? Five?
I read on.
Click-click. Another gone.
Click-click. That was seven.
I continued to read. My voice became the only sound in the room. I looked over. Zoo-boy had stopped rocking. Slowly he brought his arms down to see me better. He smiled. He was nobody's fool He had been counting too.
He gestured at me; a small movement within the confines of the table and chairs.
"What?" I asked, because I couldn't understand what he was trying to communicate.
He gestured again, more widely this time. Only it wasn't just a simple motion. Rather, it was a sentence, a paragraph almost, of gestures.
I still couldn't understand. I moved a chair aside to see him better but I had to ask him to repeat it.
There was something he wanted me to know. The motions were poetic in their gyrating, wreathing urgency. A hand ballet. But they were no sign language I understood, not Ameslan, not the hand alphabet. I couldn't comprehend at all.
From under the table came a deep sigh. He grimaced at me. Then patiently he repeated his gestures again, more slowly this time, more emphatically, like someone speaking to a rather stupid child. He became frustrated when he could not make me understand.
Finally, he gave up. We sat in silence, staring at one another. The book was still in my hands, so in desperation to fill the time, I asked him if he'd like me to read a little more. Zoo-boy nodded.
I settled back against the wall. "Chapter Five: Out of the Cave."
Zoo-boy pushed the other chair slightly out from the table and reached to touch the cloth of my jeans. I looked up.
He had his mouth open, one hand pulling the lower jaw down. He pointed down his throat. Then dismally, he shook his head.
Murphy's Boy. Copyright � by Torey Hayden. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.