Music and History: Bridging the Disciplines

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Overview

This book begins with a simple question: Why haven't historians and musicologists been talking to one another? This collection of original essays, the first of its kind, argues that the conversation between scholars in the two fields can become richer and more mutually informing.
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Product Details

  • ISBN-13: 9781578067626
  • Publisher: University Press of Mississippi
  • Publication date: 6/10/2005
  • Edition description: New Edition
  • Pages: 268
  • Product dimensions: 6.10 (w) x 9.10 (h) x 1.20 (d)

Table of Contents

Introduction
The musical odyssey of an American historian 3
"But a musician" - the importance of the underdog in musico-historical research : music professionalism in a small sixteenth-century Oxford college 23
Angels and furies : women and popular song during the French revolution 44
Music, memory, and the people in selected British periodicals of the late eighteenth the early nineteenth centuries 61
Music by the "celebrated Mozart" : a Philadelphia publishing tradition, 1794-1861 84
Republican jazz? : symbolism, arts policy, and the new right 99
Progressive ideals for the opera stage? : George W. Chadwick's The Padrone and Frederick S. Converse's The immigrants 115
Fictions of alien identities : cultural cross-dressing in nineteenth- and early twentieth-century opera 143
Judge Harsh Blues : lynching, law, and order in the New South 163
Henry Purcell and The universal journal : the building of musical canon in the 1720s 181
Hearing history : "Dixie," "Battle hymn of the republic," and Civil War music in the history classroom 200
The multitrack model : cultural history and the interdisciplinary study of popular music 220
Response 256
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