Music and the Celtic Otherworld: From Ireland to Iona

Overview

Covering themes close to Scottish and Irish folklore, this book explores the universal concept of the spiritual dimension of music from the viewpoint of the Celtic sources. From the descriptions of the supernatural power of the "fairy" harp in Elfland in the Scottish ballads to the sacred music of God's Heaven in the Christian Saints' Lives, the Celtic sources provide a rich and varied selection of references to music and its perceived supernatural power and influence.

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Overview

Covering themes close to Scottish and Irish folklore, this book explores the universal concept of the spiritual dimension of music from the viewpoint of the Celtic sources. From the descriptions of the supernatural power of the "fairy" harp in Elfland in the Scottish ballads to the sacred music of God's Heaven in the Christian Saints' Lives, the Celtic sources provide a rich and varied selection of references to music and its perceived supernatural power and influence.

Author Biography: Karen Ralls-MacLeod is Lecturer in Celtic Studies at the University of Edinburgh.

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Editorial Reviews

Library Journal
The connection between music and the medieval Celtic concepts of the Otherworld is a fascinating topic that Ralls-MacLeod (Celtic and religious studies, Univ. of Edinburgh) succeeds in introducing through various source texts. However, the book's organization, including numerous headings and subheadings that often impede the flow of the text, diminishes the impact of her assertions. Based on literary descriptions containing references to music, the author's arguments concerning the Celtic Otherworld, music, and their relation to medieval Irish culture would have been more convincing if the book had begun with an in-depth description of the importance of music in various aspects of everyday life. The general reader would also benefit from a more detailed account of the sources and their provenance and by placing the main figures in historical context. Despite these limitations, this study provides a solid introduction to an interdisciplinary topic that will be of interest to scholars of Celtic culture and folklore as well as medieval Irish music. Recommended for academic libraries.--Teresa M. Neff, Boston Univ. Copyright 2000 Cahners Business Information.\
Booknews
Drawing on her classical music training, Ralls-MacLeod (Celtic and religious studies, U. of Edinburgh) reviews the literature, mostly medieval Irish, to explore the portrayal of spiritual music, whether Christian or from older traditions. Performers, instruments, effects, places, and times attract her notice. Her study is based on a Ph.D. dissertation for the University of Edinburgh. Annotation c. Book News, Inc., Portland, OR (booknews.com)
University of St Andrews
A fascinating study of an important and neglected theme in Celtic literature and religion. Meticulously researched and sensitively written, it highlights the importance attached to music in both pre-Christian and early Christian Ireland and Scotland and its particular association with the otherworld.

— Ian Bradley

The Cauldron

A fascinating study which is highly recommended.

University of St Andrews - Ian Bradley

A fascinating study of an important and neglected theme in Celtic literature and religion. Meticulously researched and sensitively written, it highlights the importance attached to music in both pre-Christian and early Christian Ireland and Scotland and its particular association with the otherworld.

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Product Details

  • ISBN-13: 9780312232412
  • Publisher: Palgrave Macmillan
  • Publication date: 6/28/2000
  • Pages: 244
  • Product dimensions: 6.42 (w) x 9.49 (h) x 1.02 (d)

Meet the Author

Karen Ralls-MacLeod is postdoctoral fellow in the Celtic department at the University of Edinburgh.

Edinburgh University Press

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Table of Contents

Special Tribute to the Late Dr. Alan Bruford
Introduction
Performers
Instruments
Effects
Places
Times
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