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| Sarah Vaughan | Primary Artist |
| Lalo Schifrin | Conductor |
| Freddie Green | Guitar |
| Al Grey | Trombone |
| Quincy Jones | Conductor |
| Thad Jones | Trumpet |
| Barney Kessel | Guitar |
| Billy Mitchell | Tenor Saxophone |
| Jimmy Rowles | Piano |
| Marshall Royal | Clarinet, Alto Saxophone |
| Joe Williams | Vocals |
| Benny Carter | Conductor |
| Red Callender | Bass |
| Sonny Cohn | Trumpet |
| Henry Coker | Trombone |
| Joe Comfort | Bass |
| Don Costa | Conductor |
| Frank Foster | Tenor Saxophone |
| Charlie Fowlkes | Flute, Baritone Saxophone |
| Bobby Gibbons | Guitar |
| Eddie Kusby | Trombone |
| Marty Manning | Conductor |
| Dick Nash | Trombone |
| Earl Palmer | Drums |
| Sonny Payne | Drums |
| Benny Powell | Trombone |
| Tommy Shepard | Trombone |
| Kirk Stuart | Piano |
| Frank Wess | Flute, Alto Saxophone, Tenor Saxophone |
| Snooky Young | Trumpet |
| Eddie Jones | Bass |
| Joe Newman Quartet | Trumpet |
| Bob Knight | Trombone |
| Lalo Schifrin | Arranger |
| Freddie Green | Composer |
| Quincy Jones | Arranger |
| Thad Jones | Arranger |
| Ray Noble | Composer |
| Frank Loesser | Composer |
| Benny Carter | Arranger |
| Sammy Cahn | Composer |
| Don Costa | Arranger |
| Gene DePaul | Composer |
| Ira Gershwin | Composer |
| Marty Manning | Arranger |
| Don Raye | Composer |
| B. Russell | Composer |
| Ned Washington | Composer |
| S. Williams | Composer |
| Victor Young | Composer |
| James Gavin | Liner Notes |
| Kurt Lundvall | Mastering |
| Lee Gaines | Composer |
| Burton Yount | Art Direction |
| Stina Persson | Illustrations |
| Bart Howard | Composer |
Editorial Reviews
All Music Guide - John Bush
The Music for Lovers series from EMI and Blue Note spotlights the balladic nature and romantic side of artists who have recorded for its associated labels. Sarah Vaughan, of course, was a superb ballad singer, capable of floating virtually every emotion associated with love, whether it was warmth and joy or excitement and enthusiasm. Her volume includes material recorded between 1960 and 1962 when she was on Roulette, and although it wasn't a banner point for her career, she rarely recorded poor songs. Two come as duets with Joe Williams, and she also works with Barney Kessel, Quincy Jones, and the arranger Lalo Schifrin.