Music for Sight Singing / Edition 5

Music for Sight Singing / Edition 5

by Robert W. Ottman
     
 

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ISBN-10: 0130262633

ISBN-13: 9780130262639

Pub. Date: 11/15/2000

Publisher: Pearson

This complete program in sight singing and ear training blends step-by-step guidance with frequent practice to help readers develop the skills to hear mentally a piece of printed music without using an instrument. It features a finely organized collection of melodies taken from music literature, ranging from the works of the best composers from the

Overview

This complete program in sight singing and ear training blends step-by-step guidance with frequent practice to help readers develop the skills to hear mentally a piece of printed music without using an instrument. It features a finely organized collection of melodies taken from music literature, ranging from the works of the best composers from the 16th-20th centuries to the folk song literature of the world. Considers both melody and rhythm, separately, then together in each chapter. Melody: Diatonic Intervals and Chromaticism. Rhythm: Division and Subdivision of the Beat. The Medieval Modes. Twentieth Century Music. For anyone interested in sight singing.

Product Details

ISBN-13:
9780130262639
Publisher:
Pearson
Publication date:
11/15/2000
Edition description:
Older Edition
Pages:
378
Product dimensions:
5.86(w) x 8.22(h) x 0.23(d)

Table of Contents

I. MELODY: DIATONIC INTERVALS. RHYTHM: DIVISION OF THE BEAT.
1. MELODY: Scale Line Movement, Major Keys. RHYTHM: Simple Time, the Beat and its Division Into Two Parts.
2. MELODY: Intervals from the Tonic Triad, Major Keys. RHYTHM: Simple Time.
3. MELODY: Intervals from the Tonic Triad, Major Keys. RHYTHM: Compound Time, the Beat and its Division Into Three Parts.
4. MELODY: Minor Keys, Intervals from the Tonic Triad. RHYTHM: Simple and Compound Time.
5. MELODY: Intervals from the Dominant (V) Triad, Major and Minor Keys. RHYTHM: Simple and Compound Time.
6. THE C CLEFS: Alto and Tenor Clefs.
7. MELODY: Further Use of Diatonic Intervals. RHYTHM: Simple and Compound Time.
8. MELODY: Intervals from the Dominant Seventh Chord; Other Diatonic Intervals of the Seventh. RHYTHM: Simple and Compound Time.
II. MELODY: DIATONIC INTERVALS. RHYTHM: SUBDIVISION OF THE BEAT.
9. RHYTHM: Subdivision of the Beat; the Simple Beat into Four Parts; the Compound Beat into Six Parts.
10. MELODY: Intervals from Tonic and Dominant Triads. RHYTHM: Subdivision in Simple and Compound Time.
11. MELODY: Further Use of Diatonic Intervals. RHYTHM: Subdivision in Simple and Compound Time.
III. MELODY: CHROMATICISM. RHYTHM: FURTHER RHYTHMIC PRACTICES.
12. MELODY: Chromaticism (I): Chromatic Tones, The Dominant of the Dominant (V/V) Harmony, Modulation to the Key of the Dominant.
13. MELODY: Chromaticism (II): Modulation to the Closely Related Keys; Additional Secondary Dominant Harmonies.
14. RHYTHM: Syncopation.
15. RHYTHM: Triplet Division ofUndotted Notes, Duplet Division of Dotted Notes.
16. RHYTHM: Changing Time Signatures, The Hemiola, Less Common Time Signatures.
17. RHYTHM: Further Subdivision of the Beat, Notation in Slow Tempi.
18. MELODY: Chromaticism (III): More Uses of Chromatic Tones; Remote Modulation.
IV. THE MEDIEVAL MODES. TWENTIETH CENTURY MUSIC.
19. The Medieval Modes.
20. Twentieth Century Music.
Appendix.

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