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| Tony Scott | Primary Artist, Clarinet |
| Shinichi Yuize | Koto |
| Hôzan Yamamoto | Shakuhachi |
| Tony Scott | Producer, Liner Notes |
| Alan Watts | Liner Notes |
| Richard Seidel | Executive Producer |
| Val Valentin | Engineer, Contributor |
| Patricia Lie | Art Direction |
| Fred Meyer | Mastering |
| Hat Nguyen | Art Direction |
| Hôzan Yamamoto | Composer |
Anonymous
Posted October 1, 2010
I have given this album as a gift for years. It is great for a massage therapist and anyone who loves quiet beautiful music.
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Editorial Reviews
All Music Guide - Stephen Cook
After stints at Juilliard and in the Army during the '40s, clarinetist Tony Scott rose to prominence in the '50s as a respected jazz soloist. His resumé at the time included work with Sarah Vaughan, Ben Webster, Dizzy Gillespie, Bill Evans, Billie Holiday, and Claude Thornhill, among many others. In addition to these sidemen dates, Scott also cut several solo albums. His subtle phrasing eventually found a perfect niche in the smattering of meditation and yoga dates he cut in the mid-'60s for Verve. Fueled by his burgeoning interest in Far Eastern culture, Scott hooked up with two Japanese master instrumentalists for this classic 1964 date. And while Scott, koto player ...