Music Hall & Modernity: Late Victorian Discovery Of Popular Culture

Music Hall & Modernity: Late Victorian Discovery Of Popular Culture

by Barry J. Faulk
     
 

ISBN-10: 0821415859

ISBN-13: 9780821415856

Pub. Date: 10/19/2004

Publisher: Ohio University Press

The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national

Overview

The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of "the people."

In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, and late-Victorian controversies over philanthropy and moral reform, scholar Barry Faulk argues that discourse on music-hall entertainment helped consolidate the identity and tastes of an emergent professional class. Critics and writers legitimized and cleaned up the music hall, at the same time allowing issues of class, respect, and empowerment to be negotiated.

Music Hall and Modernity offers a complex view of the new middle-class, middlebrow mass culture of late-Victorian London and contributes to a body of scholarship on nineteenth-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.

Product Details

ISBN-13:
9780821415856
Publisher:
Ohio University Press
Publication date:
10/19/2004
Edition description:
1
Pages:
256
Product dimensions:
6.20(w) x 9.20(h) x 0.80(d)

Table of Contents

List of Illustrations ix

Acknowledgments xi

Introduction: The Popular Not the Public 1

1 Music Hall: The Middle Class Makes a Subculture 23

2 Camp Expertise: Arthur Symons, Music Hall, and the Defense of Theory 50

3 Spies and Experts: Laura Ormiston Chant among Late-Victorian Professionals 75

4 Tales of the Culture Industry: Professional Women, Mimic Men, and Victorian Music Hall 111

5 "Spectacular" Bodies: Tableaux Vivants at the Palace Theatre 142

Conclusion: Cyrene at the Alhambra 188

Notes 197

Bibliography 229

Index 237

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