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More About This Textbook
Overview
In the first comprehensive study of the relationship between music and language from the standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief that music and language are processed independently. Since Plato's time, the relationship between music and language has attracted interest and debate from a wide range of thinkers. Recently, scientific research on this topic has been growing rapidly, as scholars from diverse disciplines, including linguistics, cognitive science, music cognition, and neuroscience are drawn to the music-language interface as one way to explore the extent to which different mental abilities are processed by separate brain mechanisms. Accordingly, the relevant data and theories have been spread across a range of disciplines. This volume provides the first synthesis, arguing that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities.
Winner of the 2008 ASCAP Deems Taylor Award
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Meet the Author
After attending the University of Virginia as a Jefferson Scholar, Aniruddh D. Patel obtained his Ph.D. in biology from Harvard University, where he studied with Edward O. Wilson. His research focuses on how the brain processes music and language, especially what the similarities and differences between the two reveal about each other and about the brain itself. Patel has served as president of the Society for Music Perception and Cognition and is currently an Associate Professor in the Department of Psychology at Tufts University.
Table of Contents
Chapter 1: Introduction
Chapter 2: Sound elements: pitch and timbre
2.1 Introduction
2.2 Musical Sound Systems
2.3 Linguistic Sound Systems
2.4 Sound Category Learning as a Key Link
2.5 Conclusion Appendices
Chapter 3: Rhythm
3.1 Introduction
3.2 Rhythm in Music
3.3 Rhythm in Speech
3.4 Interlude: Rhythm in Poetry and Song
3.5 Non-Periodic Aspects of Rhythm as A Key Link
3.6 Conclusion Appendices
Chapter 4: Melody
4.1 Introduction
4.2 Melody in Music: Comparisons to Speech
4.3 Speech Melody: Links to Music
4.4 Interlude: Musical and Linguistic Melody in Song
4.5 Melodic Statistics and Melodic Contour as Key Links
4.6 Conclusion Appendix
Chapter 5: Syntax
5.1 Introduction
5.2 The Structural Richness of Musical Syntax
5.3 Formal Differences and Similarities between Musical and Linguistic Syntax
5.4 Neural Resources for Syntactic Integration as a Key Link
5.5 Conclusion
Chapter 6: Meaning
6.1 Introduction
6.2 A Brief Taxonomy of Musical Meaning
6.3 Linguistic Meaning In Relation To Music
6.4 Interlude: Linguistic and Musical Meaning in Song
6.5 The Expression and Appraisal of Emotion As A Key Link
6.6 Conclusion
Chapter 7: Evolution
7.1 Introduction
7.2 Language and Natural Selection
7.3 Music and Natural Selection
7.4 Music and Evolution: Neither Adaptation nor Frill
7.5 Beat-Based Rhythm Processing As a Key Research Area
7.6 Conclusion Appendix
Afterword
References