Andrew Bowie uses music to question many ideas about language, meaning and philosophy.
Table of Contents
Introduction; 1. Form, feeling, metaphysics, and music; 2. Music, language, and the origins of modernity; 3. Rhythm and Romanticism; 4. Hegelianism and music; 5. Music and the subjects of Romantics; 6. Music, freedom, and the critique of metaphysics; 7. Pro and contra Wagner; 8. Music, language and being: Wittgenstein and Heidegger; 9. Adorno: musical philosophy or philosophical music?; Conclusion.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >