Musical Worlds: New Directions in the Philosophy of Music / Edition 1

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Overview

This volume, reproducing a special issue of The Journal of Aesthetics and Art Criticism on "The Philosophy of Music" (Winter 1994) with a revised introduction and two new articles, is distinguished by its breadth of content, diversity of approaches, and clarity of argument, which should make it useful for classroom teaching.

The topics covered include musical representation, the expression of feeling in music, the metaphysics of operatic speech and song, musical understanding, musical composition, feminist music theory, music and politics, music and racial identity, music in non-Western cultures, and the ontological implications of recording technology for rock music. The approaches used are philosophical, historical, social and political, feminist, and ethnomusicological.

The book includes discussions of a great many styles and historical periods of music, from ancient Greek music and music theory to instrumental and operatic music in the Western classical tradition, Persian music, music of the Blackfoot Indians, rock and the blues, and the avant-garde compositions and performances of John Cage.

The contributors, all eminent scholars in the field, are Philip Alperson, Noël Carroll, Stephen Davies, Claire Detels, John Andrew Fisher, Lydia Goehr, Peter Kivy, Jerrold Levinson, James Manns, Bruno Nettl, Jenefer Robinson, Joel Rudinow, Göran Sörbom, Francis Sparshott, and Kendall Walton.

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Editorial Reviews

Booknews
Consists principally of essays originally published in a special issue of the Journal of Aesthetics and Art Criticism v.52, no.1 (1994). Annotation c. by Book News, Inc., Portland, Or.
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Product Details

  • ISBN-13: 9780271017693
  • Publisher: Penn State University Press
  • Publication date: 7/28/1998
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 196
  • Product dimensions: 7.00 (w) x 10.00 (h) x 0.63 (d)

Meet the Author

Philip A. Alperson is Professor of Philosophy at the University of Louisville and editor of The Journal of Aesthetics and Art Criticism.

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Table of Contents

Preface
Introduction: Musical Worlds: New Directions in the Philosophy of Music
The Expression and Arousal of Emotion in Music
Music and Feeling
Aristotle on Music as Representation
Listening with Imagination: Is Music Representational?
Speech, Song, and the Transparency of Medium: A Note on Operatic Metaphysics
Musical Understanding and Musical Kinds
On Composing "By the Rules"
Evaluating Music
Rock 'n' Recording: The Ontological Complexity of Rock Music
Cage and Philosophy
Political Music and the Politics of Music
Autonomist/Formalist Aesthetics, Music Theory, and the Feminist Paradigm of Soft Boundaries
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