Mwaliko

Editorial Reviews

All Music Guide - Thom Jurek
Mwaliko is West African guitarist Lionel Loueke's second album for Blue Note. Originally planned as a series of duets, it ultimately became one of duets and trios, in order to to showcase the collective talents of Gilfema, his touring band with bassist Massimo Biolcati and drummer Ferenc Nemeth. The trio cuts are at the heart of Loueke's modern culture-blurring sound. The interplay of Gilfema offers simultaneous harmonic and rhythmic improvisation; Loueke's guitar is as much a part of the rhythm section as it is a melodic lead. The lockstep changes are immediate, instinctive, and seamless, as in "Griot." Loueke uses his singing voice -- without its other trademark effects of...
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Editorial Reviews

All Music Guide - Thom Jurek
Mwaliko is West African guitarist Lionel Loueke's second album for Blue Note. Originally planned as a series of duets, it ultimately became one of duets and trios, in order to to showcase the collective talents of Gilfema, his touring band with bassist Massimo Biolcati and drummer Ferenc Nemeth. The trio cuts are at the heart of Loueke's modern culture-blurring sound. The interplay of Gilfema offers simultaneous harmonic and rhythmic improvisation; Loueke's guitar is as much a part of the rhythm section as it is a melodic lead. The lockstep changes are immediate, instinctive, and seamless, as in "Griot." Loueke uses his singing voice -- without its other trademark effects of clicking, popping, wet snaps, rapid-fire speech, and solo doubling, etc. The melody is a chant, and establishes a groove that opens a door to improvisation. All three cuts by Gilfema offer straight-ahead jazz fans something to grab onto. The duets, however, add immeasurably to his depth. Loueke and Angélique Kidjo -- whose mothers were friends in Benin -- offer a popping, funky version of "Amio," a West African anthem written by Ebanda Manfred. Loueke's guitar and vocal effects are a virtual rhythm section with melodic flourishes as Kidjo scats, chants, flits, and soars over them. They also team on the traditional "Vi Ma Yon." Loueke pairs with Cameroonian bassist and vocalist Richard Bona on "Wishes" and the album closer "Hide Life" (a word and musical game on the West African style highlife). The former is a beautiful, atmospheric ballad, the latter sprightly and playful. Esperanza Spalding's bass makes an excellent counterpart on "Twins," where she uses her voice in as many ways as he does, and on the jazzier "Flying," where she trills, slips, and doubles her bassline vocally, just he does on guitar. Drummer Marcus Gilmore is enlisted in an electrifying modern, knotty reading of Wayne Shorter's "Nefertiti." Mwaliko is an excellent step forward for Loueke, who is quickly proving to be an innovative force in 21st century jazz.
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Product Details

  • Release Date: 2/9/2010
  • Label: Blue Note Records
  • EAN: 5099968850821
  • Catalog Number: 88508

Tracks

Disc 1
  1. 1 Ami O (4:23)
  2. 2 Griot (6:05)
  3. 3 Twins (5:32)
  4. 4 Wishes (4:45)
  5. 5 Flying (4:05)
  6. 6 Intro To LL (1:19)
  7. 7 LL (6:12)
  8. 8 Nefertiti (4:46)
  9. 9 Vi Ma Yon (2:31)
  10. 10 Shazoo (4:24)
  11. 11 Dangbe (0:41)
  12. 12 Hide Life (4:34)
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Album Credits

Performance Credits
Lionel Loueke Primary Artist, Guitar, Vocals
Angélique Kidjo Vocals
Richard Bona Bass, Vocals
Esperanza Spalding Bass, Vocals
Massimo Biolcati Bass
Marcus Gilmore Drums
Ferenc Nemeth Drums
Technical Credits
Wayne Shorter Composer
Jean Hébrail Engineer
Burton Yount Art Direction
Richard Bona Engineer
Traditional Composer
Massimo Biolcati Composer
Lionel Loueke Composer, Producer
Ferenc Nemeth Composer
Mike Marciano Engineer, Mastering
Ebanda Manfred Composer
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