My Antonia / Edition 1

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Overview

Willa Cather's My Antonia is considered one of the most significant American novels of the twentieth century. Set during the great migration west to settle the plains of the North American continent, the narrative follows Antonia Shimerda, a pioneer who comes to Nebraska as a child and grows with the country, inspiring a childhood friend, Jim Burden, to write her life story. The novel is important both for its literary aesthetic and as a portrayal of important aspects of American social ideals and history, particularly the centrality of migration to American culture.

Willa Cather's masterful portrait of prairie culture, based on her own life. Against Nebraska's panoramic landscape, Cather recreates the life of an immigrant girl who becomes, in the memories of narrator Jim Burden, the epitome of strong and dignifed womanhood.

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Editorial Reviews

From the Publisher
"No romantic novel ever  written in America, by man or woman, is one half so  beautiful as My  Antonia."—H.L. Mencken
Merrill Skaggs Drew University
"Cather's great novel is accompanied here by Joseph Urgo's intellectually insightful and audacious introduction and by the best available collection of historical materials relevant to the work. This splendid edition will appeal both to those who are beginning and to those who are continuing their explorations of this masterpiece."
John Swift Occidental College
"This edition is distinguished by its broad editorial attention to history: to the pioneering era that Cather's novel describes and to the pre-World War I U.S. in which it was written. Most interestingly, the primary documents convincingly connect My Ántonia not only to Cather's developing aesthetic theory but also to broad American cultural concerns of immigration, conservation, and national self-definition. This edition allows readers to see the novel as a complexly articulated response to the great issues and energies of America as it entered the modern age."
Review of English Studies

"The arrival of a definitive text . . . does timely service. Handsomely printed, and replete with textual notes and James Woodress’s assiduous history of the novel’s composition and reception, it gives My Ántonia due scholarly format."—Review of English Studies
Western American Literature

"A distilled, high-level course in Cather."—Western American Literature
From Barnes & Noble
A masterful story of primitive themes told with elegance and affection, this novel depicts the violent yet inspiring existence of the foreign and native-born settlers to Nebraska in the early years of this century. Considered by the author to be her best work.
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Product Details

  • ISBN-13: 9780803264335
  • Publisher: University of Nebraska Press
  • Publication date: 4/1/2003
  • Series: Willa Cather Scholarly Edition
  • Edition description: Illustrated
  • Edition number: 1
  • Pages: 544
  • Sales rank: 411,222
  • Product dimensions: 6.06 (w) x 9.12 (h) x 1.27 (d)

Meet the Author

Pulitzer Prize-winning author Willa Cather (1873–1947) spent her formative years in Nebraska, which was at that time frontier territory. Her exposure to the region's dramatic environment and intrinsic hardships — along with its diverse population of European-Americans, Native Americans, and immigrants — shaped and informed much of her fiction.

Biography

Wilella Sibert Cather was born on December 7, 1873, in the small Virginia farming community of Winchester. When she was ten years old, her parents moved the family to the prairies of Nebraska, where her father opened a farm mortgage and insurance business. Home-schooled before enrolling in the local high school, Cather had a mind of her own, changing her given name to Willa and adopting a variation of her grandmother's maiden name, Seibert, as her middle name.

During Cather's studies at the University of Nebraska, she worked as a drama critic to support herself and published her first piece of short fiction, "Peter," in a Boston magazine. After graduation, her love of music and intellectual pursuits inspired her to move to Pittsburgh, where she edited the family magazine Home Monthly, wrote theater criticism for the Pittsburgh Daily Leader, and taught English and Latin in local high schools. Cather's big break came with the publication of her first short story collection, The Troll Garden (1905). The following year she moved to New York City to work for McClure's Magazine as a writer and eventually the magazine's managing editor.

Considered one of the great figures of early-twentieth-century American literature, Willa Cather derived much of her inspiration from the American Midwest, which she considered her home. Never married, she cherished her many friendships, some of which she had maintained since childhood. Her intimate coterie of women writers and artists motivated Cather to produce some of her best work. Sarah Orne Jewett, a successful author from Maine whom Cather had met during her McClure's years, inspired her to devote herself full-time to creating literature and to write about her childhood, which she did in several novels of the prairies. She was awarded the Pulitzer Prize in 1923 for her novel about World War I, called One of Ours.

She won many other awards, including a gold medal from the American Academy of Arts and Letters and the Prix Femina Americaine. On April 24, 1947, two years after publishing her last novel, Willa Cather died in New York City of a cerebral hemorrhage. Among Cather's other accomplishments were honorary doctorate degrees from Columbia, Princeton, and Yale Universities.

Author biography from the Barnes & Noble Classics edition of O, Pioneers!.

Good To Know

When Cather first arrived at the University of Nebraska, she dressed as William Cather, her opposite sex twin.

Cather was the first woman voted into the Nebraska Hall of Fame, in 1961.

She spent forty years of her life with her companion, Edith Lewis, in New York City.

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    1. Also Known As:
      Wilella Sibert Cather (full name)
    1. Date of Birth:
      December 7, 1873
    2. Place of Birth:
      Winchester, Virginia
    1. Date of Death:
      April 27, 1947
    2. Place of Death:
      New York, New York

Read an Excerpt

Chapter One

I first heard of Ántonia on what seemed to me an interminable journey across the great midland plain of North America. I was ten years old then; I had lost both my father and mother within a year, and my Virginia relatives were sending me out to my grandparents, who lived in Nebraska. I travelled in the care of a mountain boy, Jake Marpole, one of the 'hands' on my father's old farm under the Blue Ridge, who was now going West to work for my grandfather. Jake's experience of the world was not much wider than mine. He had never been in a railway train until the morning when we set out together to try our fortunes in a new world.

We went all the way in day-coaches, becoming more sticky and grimy with each stage of the journey. Jake bought everything the newsboys offered him: candy, oranges, brass collar buttons, a watch-charm, and for me a Life of Jesse James, which I remember as one of the most satisfactory books I have ever read. Beyond Chicago we were under the protection of a friendly passenger conductor, who knew all about the country to which we were going and gave us a great deal of advice in exchange for our confidence. He seemed to us an experienced and worldly man who had been almost everywhere; in his conversation he threw out lightly the names of distant states and cities. He wore the rings and pins and badges of different fraternal orders to which he belonged. Even his cuff-buttons were engraved with hieroglyphics, and he was more inscribed than an Egyptian obelisk.

Once when he sat down to chat, he told us that in the immigrant car ahead there was a family from ' across the water' whose destination was the sameas ours.

'They can't any of them speak English, except one little girl, and all she can say is "We go Black Hawk, Nebraska." She's not much older than you, twelve or thirteen, maybe, and she's as bright as a new dollar. Don't you want to go ahead and see her, Jimmy? She's got the pretty brown eyes, too!'

This last remark made me bashful, and I shook my head and settled down to 'Jesse James.' Jake nodded at me approvingly and said you were likely to get diseases from foreigners.

I do not remember crossing the Missouri River, or anything about the long day's journey through Nebraska. Probably by that time I had crossed so many rivers that I was dull to them. The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska.

I had been sleeping, curled up in a red plush seat, for a long while when we reached Black Hawk. Jake roused me and took me by the hand. We stumbled down from the train to a wooden siding, where men were running about with lanterns. I couldn't see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform) encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oilcloth bundles, and a little girl clung to her mother's skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue.

Another lantern came along. A bantering voice called out: 'Hello, are you Mr. Burden's folks? If you are, it's me you're looking for. I'm Otto Fuchs. I'm Mr. Burden's hired man, and I'm to drive you out. Hello, Jimmy, ain'tyou scared to come so far west?'

I looked up with interest at the new face in the lantern-light. He might have stepped out of the pages of Jesse James. He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his moustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian's. Surely this was the face of a desperado. As he walked about the platform in his highheeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm-wagons were tied, and 1 saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and we followed them.

I tried to go to sleep, but the jolting made me bite my tongue, and I soon began to ache all over. When the straw settled down, I had a hard bed. Cautiously I slipped from under the buffalo hide, got up on my knees and peered over the side of the wagon.

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Table of Contents

Acknowledgments
Introduction
Willa Cather: A Brief Chronology
A Note on the Text
My Ántonia
Appendix A: Cather's Revised Introduction to the 1926 Edition of My Ántonia
Appendix B: Cather's "Mesa Verde Wonderland is Easy to Reach"
Appendix C: Cather's "Nebraska: The End of the First Cycle"
Appendix D: Cather's "Peter"
Appendix E: Interviews and Commentary by Cather on My Ántonia
1. Latrobe Carroll, "Willa Sibert Cather," Bookman, 3 May 1921
2. "A Talk with Miss Cather," Webster County Argus, 29 September 1921
3. Eleanor Hinman, "Willa Cather," Lincoln Sunday Star, 6 November 1921
4. Rose C. Field, "Restlessness Such as Ours Does Not Make for Beauty," New York Times Book Review, 21 December 1924
Appendix F: Contemporary Reviews of the Novel
1. Randolph Bourne, The Dial, 14 December 1918
2. H.W. Boynton, Bookman, December 1918
3. C.L.H., New York Call, 13 November 1918
4. A.L.A. Booklist, 1918
5. Book Review Digest, 1918
6. Independent, 25 January 1919
7. New York Times, 6 October 1918
8. Nation, 2 November 1918
9. The Globe and Commercial Advertiser, 11 January 1919
10. H.L. Mencken, The Smart Set, 17 February 1919
Appendix G: Photographs of Nebraska
1. Primitive Dugout
2. Sod House
3. Threshing Scene
4. The Pavelka Farm
5. Anna Sadilek
6. Blind Boone
7. The University of Nebraska
Appendix H: Immigration to and Migration Across America
1. Nebraska Land Company, Czech Language Immigration Poster
2. Welcome to the Land of Freedom
3. Emigrants Coming to the "Land of Promise"
4. Crossing the Great American Desert in Nebraska
Appendix I: Music from My Ántonia
1. "Oh, Promise Me"
2. "Bury Me Not on the Lone Prairie"
Select Bibliography

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First Chapter

I

I first heard of Antonia on what seemed to me an interminable journey across the great midland plain of North America. I was ten years old then; I had lost both my father and mother within a year, and my Virginia relatives were sending me out to my grandparents, who lived in Nebraska. I travelled in the care of a mountain boy, Jake Marpole, one of the "hands" on my father's old farm under the Blue Ridge, who was now going West to work for my grandfather. Jake's experience of the world was not much wider than mine. He had never been in a railway train until the morning when we set out together to try our fortunes in a new world.

We went all the way in day-coaches, becoming more sticky and grimy with each stage of the journey. Jake bought everything the newsboys offered him: candy, oranges, brass collar buttons, a watchcharm, and for me a Life of Jesse James, which I remember as one of the most satisfactory books I have ever read. Beyond Chicago we were under the protection of a friendly passenger conductor, who knew all about the country to which we were going and gave us a great deal of advice in exchange for our confidence. He seemed to us an experienced and worldly man who had been almost everywhere; in his conversation he threw out lightly the names of distant states and cities. He wore the rings and pins and badges of different fraternal orders to which he belonged. Even his cuff-buttons were engraved with hieroglyphics, and he was more inscribed than an Egyptian obelisk.

Once when he sat down to chat, he told us that in the immigrant car ahead there was a family from "across the water" whose destination was the same as ours.

"They can't any of themspeak English, except one little girl, and all she can say is 'We go Black Hawk, Nebraska.' She's not much older than you, twelve or thirteen, maybe, and she's as bright as a new dollar. Don't you want to go ahead and see her, Jimmy? She's got the pretty brown eyes, too!"

This last remark made me bashful, and I shook my head and settled down to Jesse James. Jake nodded at me approvingly and said you were likely to get diseases from foreigners.

I do not remember crossing the Missouri River, or anything about the long day's journey through Nebraska. Probably by that time I had crossed so many rivers that I was dull to them. The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska.

I had been sleeping, curled up in a red plush seat, for a long while when we reached Black Hawk. Jake roused me and took me by the hand. We stumbled down from the train to a wooden siding, where men were running about with lanterns. I couldn't see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oilcloth bundles, and a little girl clung to her mother's skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue.

Another lantern came along. A bantering voice called out: "Hello, are you Mr. Burden's folks? If you are, it's me you're looking for. I'm Otto Fuchs. I'm Mr. Burden's hired man, and I'm to drive you out. Hello, Jimmy, ain't you scared to come so far west?"

I looked up with interest at the new face in the lanternlight. He might have stepped out of the pages of Jesse James. He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his moustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian's. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm-wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and we followed them.

I tried to go to sleep, but the jolting made me bite my tongue, and I soon began to ache all over. When the straw settled down, I had a hard bed. Cautiously I slipped from under the buffalo hide, got up on my knees and peered over the side of the wagon. There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made. No, there was nothing but land-slightly undulating, I knew, because often our wheels ground against the brake as we went down into a hollow and lurched up again on the other side. I had the feeling that the world was left behind, that we had got over the edge of it, and were outside man's jurisdiction. I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that my dead father and mother were watching me from up there; they would still be looking for me at the sheepfold down by the creek, or along the white road that led to the mountain pastures. I had left even their spirits behind me. The wagon jolted on, carrying me I knew not whither. I don't think I was homesick. If we never arrived anywhere, it did not matter. Between that earth and that sky I felt erased, blotted out. I did not say my prayers that night: here, I felt, what would be would be.

II

I do not remember our arrival at my grandfather's farm sometime before daybreak, after a drive of nearly twenty miles with heavy work-horses. When I awoke, it was afternoon. I was lying in a little room, scarcely larger than the bed that held me, and the window-shade at my head was flapping softly in a warm wind. A tall woman, with wrinkled brown skin and black hair, stood looking down at me; I knew that she must be my grandmother. She had been crying, I could see, but when I opened my eyes she smiled, peered at me anxiously, and sat down on the foot of my bed.

"Had a good sleep, Jimmy?" she asked briskly. Then in a very different tone she said, as if to herself, "My, how you do look like your father!" I remembered that my father had been her little boy; she must often have come to wake him like this when he overslept. "Here are your clean clothes," she went on, stroking my coverlid with her brown hand as she talked. "But first you come down to the kitchen with me, and have a nice warm bath behind the stove. Bring your things; there's nobody about."

"Down to the kitchen" struck me as curious; it was always "out in the kitchen" at home. I picked up my shoes and stockings and followed her through the living-room and down a flight of stairs into a basement. This basement was divided into a dining-room at the right of the stairs and a kitchen at the left. Both rooms were plastered and whitewashed-the plaster laid directly upon the earth walls, as it used to be in dugouts. The floor was of hard cement. Up under the wooden ceiling there were little halfwindows with white curtains, and pots of geraniums and wandering Jew in the deep sills. As I entered the kitchen, I sniffed a pleasant smell of gingerbread baking. The stove was very large, with bright nickel trimmings, and behind it there was a long wooden bench against the wall, and a tin washtub, into which grandmother poured hot and cold water. When she brought the soap and towels, I told her that I was used to taking my bath without help.

"Can you do your ears, Jimmy? Are you sure? Well, now, I call you a right smart little boy."

It was pleasant there in the kitchen. The sun shone into my bath-water through the west half-window, and a big Maltese cat came up and rubbed himself against the tub, watching me curiously. While I scrubbed, my grandmother busied herself in the dining-room until I called anxiously, "Grandmother, I'm afraid the cakes are burning!" Then she came laughing, waving her apron before her as if she were shooing chickens.

She was a spare, tall woman, a little stooped, and she was apt to carry her head thrust forward in an attitude of attention, as if she were looking at something, or listening to something, far away. As I grew older, I came to believe that it was only because she was so often thinking of things that were far away. She was quick-footed and energetic in all her movements. Her voice was high and rather shrill, and she often spoke with an anxious inflection, for she was exceedingly desirous that everything should go with due order and decorum. Her laugh, too, was high, and perhaps a little strident, but there was a lively intelligence in it. She was then fifty-five years old, a strong woman, of unusual endurance.

After I was dressed, I explored the long cellar next the kitchen. It was dug out under the wing of the house, was plastered and cemented, with a stairway and an outside door by which the men came and went. Under one of the windows there was a place for them to wash when they came in from work.

While my grandmother was busy about supper, I settled myself on the wooden bench behind the stove and got acquainted with the cat-he caught not only rats and mice, but gophers, I was told. The patch of yellow sunlight on the floor travelled back toward the stairway, and grandmother and I talked about my journey, and about the arrival of the new Bohemian family; she said they were to be our nearest neighbours. We did not talk about the farm in Virginia, which had been her home for so many years. But after the men came in from the fields, and we were all seated at the supper table, then she asked Jake about the old place and about our friends and neighbours there.

My grandfather said little. When he first came in he kissed me and spoke kindly to me, but he was not demonstrative. I felt at once his deliberateness and personal dignity, and was a little in awe of him. The thing one immediately noticed about him was his beautiful, crinkly, snow-white beard. I once heard a missionary say it was like the beard of an Arabian sheik. His bald crown only made it more impressive.

Grandfather's eyes were not at all like those of an old man; they were bright blue, and had a fresh, frosty sparkle. His teeth were white and regular-so sound that he had never been to a dentist in his life. He had a delicate skin, easily roughened by sun and wind. When he was a young man his hair and beard were red; his eyebrows were still coppery.

As we sat at the table, Otto Fuchs and I kept stealing covert glances at each other. Grandmother had told me while she was getting supper that he was an Austrian who came to this country a young boy and had led an adventurous life in the Far West among mining-camps and cow outfits. His iron constitution was somewhat broken by mountain pneumonia, and he had drifted back to live in a milder country for a while. He had relatives in Bismarck, a German settlement to the north of us, but for a year now he had been working for grandfather.

The minute supper was over, Otto took me into the kitchen to whisper to me about a pony down in the barn that had been bought for me at a sale; he had been riding him to find out whether he had any bad tricks, but he was a "perfect gentleman," and his name was Dude. Fuchs told me everything I wanted to know: how he had lost his ear in a Wyoming blizzard when he was a stage-driver, and how to throw a lasso. He promised to rope a steer for me before sundown next day. He got out his "chaps" and silver spurs to show them to Jake and me, and his best cowboy boots, with tops stitched in bold design-roses, and true-lover's knots, and undraped female figures. These, he solemnly explained, were angels.

Before we went to bed, Jake and Otto were called up to the living-room for prayers. Grandfather put on silver-rimmed spectacles and read several Psalms. His voice was so sympathetic and he read so interestingly that I wished he had chosen one of my favourite chapters in the Book of Kings. I was awed by his intonation of the word "Selah." "He shall choose our inheritance for us, the excellency of Jacob whom He loved. Selah." I had no idea what the word meant; perhaps he had not. But, as he uttered it, it became oracular, the most sacred of words.

Early the next morning I ran out-of-doors to look about me. I had been told that ours was the only wooden house west of Black Hawk-until you came to the Norwegian settlement, where there were several. Our neighbours lived in sod houses and dugouts-comfortable, but not very roomy. Our white frame house, with a storey and half-storey above the basement, stood at the east end of what I might call the farmyard, with the windmill close by the kitchen door. From the windmill the ground sloped westward, down to the barns and granaries and pig-yards. This slope was trampled hard and bare, and washed out in winding gullies by the rain. Beyond the corncribs, at the bottom of the shallow draw, was a muddy little pond, with rusty willow bushes growing about it. The road from the post-office came directly by our door, crossed the farmyard, and cruved round this little pond, beyond which it began to climb the gentle swell of unbroken prairie to the west. There, along the western sky-line, it skirted a great cornfield, much larger than any field I had ever seen. This cornfield, and the sorghum patch behind the barn, were the only broken land in sight. Everywhere, as far as the eye could reach, there was nothing but rough, shaggy, red grass, most of it as tall as I.
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Reading Group Guide

1. For discussion: My Antonia

The first narrator in My Antonia is an unnamed speaker who grew up with Jim Burden and meets him years later on a train. Jim tells his story in response to this mysterious figure, who disappears from the novel as soon as the Introduction is over. How does this first narrator's disappearance foreshadow other withdrawals within this novel, which at times resembles a series of departures? Why might Cather have chosen to frame her narrative in this fashion?

2. When Jim arrives in Nebraska, he sees "nothing but land: not a country at all, but the material out of which countries are made." [11-12] Yet at the novel's end that landscape is differentiated. It has direction and color--red grass, blue sky, dun-shaded bluffs. We are reminded of the beginning of the Book of Genesis, and of God's parting of the heavens from the earth. To what extent is My Antonia an American Genesis? What are its agents of creation and differentiation?

3. Just as My Antonia's setting is initially raw and featureless, its narrative at first seems haphazard: "'I didn't arrange or rearrange. I simply wrote down what of herself and myself and other people's Antonia's name recalls to me. I suppose it hasn't any form.'" [6] Is Burden's description really accurate? Although the narrative proceeds chronologically, its structure is unconventional, as Antonia is present in only three of the five sections and much of her story unfolds via exposition. What effect does Cather produce by telling her story in this fashion?

4. One of the greatest difficulties facing the Shimerdas and other immigrant families is that posed by their lack ofEnglish, which seals them off from all but the most forthcoming of their neighbors. Yet even American-born arrivals to Nebraska find themselves set apart. As the narrator notes in the Introduction, "no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said." [3] What is the nature of this freemasonry? What experiences do the inhabitants of this world share that are alien--and perhaps incommunicable--to people raised elsewhere? Does the shared experience of the novel's pioneers end up counting for more than their linguistic and ethnic differences?

5. What is it that makes Mr. Shimerda unable to adapt to his new home and ultimately drives him to suicide? Is he simply too refined--too rooted in Europe--to endure the harshness and solitude of the prairie? Before we jump to too easy a conclusion, we might consider the fact that the novel's other suicide, Wick Cutter, is a crass, upwardly mobile small-town entrepreneur. What do these two deaths suggest about the prerequisites for surviving in Cather's world?

6. From their first meeting, when Jim begins to teach Antonia English, he serves as her instructor and occasional guardian. Yet he also seems in awe of Antonia. What is it that makes her superior to him? What does she possess that Jim doesn't? What makes her difference so desirable?

7. At times Jim's feelings towards Antonia suggest romantic infatuation, yet their relationship remains chaste. Nor does Jim ever become sexually involved with the alluring--and more available--Lena Lingard. Curiously, Antonia appears to disapprove of their flirtation. And, whether he is conscious of it or not, Jim seems wedded to the idea of Tony as a sexual innocent. Following the failed assault by Wick Cutter, "I hated her almost as much as I hated Cutter. She had let me in for all this disgustingness." [186] How do you account for these characters' ambivalent and at times squeamish attitude toward sexuality? In what ways do they change when they marry and--in Antonia's case--bear children?

8. Just as it is possible to read Lena Lingard as Antonia's sensual twin, one can see the entire novel as consisting of doubles and repetitions. Antonia has two brothers, the industrious and amoral Ambrosch and the sweet-natured, mentally incompetent Marek. Wick Cutter's suicide echoes that of Mr. Shimerda. Even minor anecdotes have a way of mirroring each other. Just as the Russians Peter and Pavel are stigmatized because they threw a bride to a pursuing wolf pack, the hired hand Otto is burdened by an act of generosity on his voyage over to America, when the woman he is escorting ends up giving birth to triplets. Where else in the novel do events and characters mirror each other? What is the effect of this symmetry and its variations?

9. In one of her essays, Willa Cather observed, "I have not much faith in women in fiction." [cited in Hermione Lee, Willa Cather: Double Lives. New York, Vintage, 1991, p. 12] Yet in Antonia Cather has created a genuinely heroic woman. What perceived defects in earlier fictional heroines might Cather be trying to redeem in this novel? Do her female characters seem nobler, better, or more deeply felt than their male counterparts? In spite of this, why might Cather have chosen to make My Antonia' s narrator a man?

10. For her epigraph Cather uses a quote from Virgil: Optima dies... prima fugit: "The best days are the first to pass." How is this idea borne out within My Antonia? In what ways can the novel's early days, with their scenes of poverty, hunger and loss, be described as the best? What does Jim, the novel's presiding consciousness, lose in the process of growing up? Does Antonia lose it as well? How is this notion of lost happiness connected to Jim's observation: "That is happiness: to be dissolved into something complete and great"?

11. Although My Antonia is elegiac in its tone--and has been used in high school curricula to convey a conservative view of the American past--it is also notable for its striking realism about gender and culture. Not only does the novel have a female protagonist who prevails in spite of male betrayal and abuse (and two secondary female characters who prosper without ever marrying), it also portrays the early frontier as a multicultural quilt in which Bohemians, Swedes, Austrians, and a blind African-American retain their ethnic identities without dissolving in the American melting pot. Significantly, at the novel's end Antonia has reverted to speaking Bohemian with her husband and children. How important are these themes to the novel's overall vision? Do they accurately reflect the history of the western frontier?

Comparing My Antonia and The Professor's House:

1. How does the small university town in The Professor's House resemble or differ from My Antonia's Black Hawk? To what extent are those differences due to the different historical eras in which the two novels are set? Read together, what kind of relationship do these novels posit between towns and the prairie? Which region does Cather seem to identify with the "best times" of My Antonia's Virgilian epigraph?

2. How do the female characters in The Professor's House compare with those in My Antonia? How do both sets of women confirm or challenge stereotypes about their gender? What significance do you see in the fact that Antonia marries relatively late, and her friends Lena and Tina not at all, while the St. Peter women have married early? What role does class play in Cather's treatment of her female characters?

3. Why is suicide a theme in both novels? What do Cather's suicides appear to have in common? Does she seem to associate the act with moral failure or mental breakdown or portray it as a natural, and even honorable, response to intolerable circumstances? What role did suicide play in the age and society in which Cather wrote? (You may want to look at such novels as Sister Carrie to see how some of her contemporaries treated the same theme.)

4. Given the evidence of these novels, how does Cather seem to view relations between the sexes? What prospects of happiness and fulfillment do they hold for both men and women? Which of her characters ends up happily married and for what reasons? Why do so many others--from Jim Burden to Godfrey St. Peter--end up regretting their attachments?

5. The Professor's House has as its epigraph, "A turquoise set in silver, wasn't it?... Yes, a turquoise set in dull silver." Although these words of Louie's describe a ring that Tom once gave Rosamund and thus allude to the abandoned cliff-dwelling where Tom presumably unearthed it, they may also refer to the structure that Cather uses in this novel. Discuss the way in which the author embeds Tom Outland's narrative within the professor's story. What similarity do you see between this strategy and the embedded narratives in My Antonia?

6. In both My Antonia and The Professor's House Cather uses two sorts of language, one conventional and expository, the other heightened and rhapsodically sensual, a language attuned to colors, fragrances, and grand effects of light and shadow. Where does she employ these different kinds of prose, and to what effect?

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Customer Reviews

Average Rating 3.5
( 35 )
Rating Distribution

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(13)

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See All Sort by: Showing 1 – 20 of 35 Customer Reviews
  • Anonymous

    Posted January 28, 2014

    Great novel, even better as a 99-cent Nook book

    You can read lots of reviews of this book. It is a beautiful novel about American life on the prairie in the late 1800's. The main characters are an American orphan boy living with his grandparents and am immigrant girl. The story follows them from aged 10 or so thru middle age.

    I'll make 1 comment about the 99-cent Nook book. It isn't indexed like a regular nook book, no hot-linked table-of-contents/chapters. No integrated dictionary. I didn't know that when I bought it. I would have bought it anyway. Barnes and Noble, keep the 99-cent books coming!

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 10, 2014

    Good history read

    Enjoyed this book as reading history of long ago reveals how life changes but really don't every hundred years. Love the people in this story.

    1 out of 1 people found this review helpful.

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  • Posted January 2, 2014

    Adventurous, exciting, & compelling!!!!!!

    My Antonia is very exquisite for those who enjoy history, adventures, and suspense. For young aged kids for example middle schoolers through high school is recommended. You won't be disappointed in the piece of literature! :)

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 19, 2014

    Bleh

    I am 11 and have a reading level of a softmore in college. This book put me right to sleep. Unless you are looking for a bedtime story for a fussy toddler, stop here!!!!!!

    0 out of 3 people found this review helpful.

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  • Anonymous

    Posted September 24, 2013

    My antonia

    When i was given this assignment for school, i was somwhat apprehensive because their is a beige blob on the cove, and dont get me wrong, i love beige, i just dont like reading about beige for 300 pages. But i figured, these people are professional educators, they must know what they are doing. About 20 pages into this book, i realized: no they are not professional educators, they are inflictory of child mental torture. This book has no story line, and the whole book is about( as probibly ptesumed by the cover) a girl named antonia. In a corn field. In Nabraska. Sounds interesting riight. I am literally warning you for your life.... DO NOT READ THIS BOOK UNLESS YOU ARE IN PRISON AND HAVE NOTHING BETTER TO DO OR KNOW FOR SURE THAT YOU ARE ABOUT TO DIE. Literally by the time i finished this book, blood was pooring out of my eyes. Remenber this, you have been warned. And if your teacher ever mentiong that you might read this book, run out of the classroom dcreaming before it is too late!!!!!!!!!!!!

    0 out of 6 people found this review helpful.

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  • Anonymous

    Posted July 27, 2013

    Beautiful characters, relationship, and history

    I vowed to read a few classics, and My Antonia crossed my path first. This book captures life for immigrant families on the prairies. The author excels in providing descriptive detail of the stunning scenery and complex true characters.

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  • Posted June 23, 2013

    A friend gave me this book and I read it. I thanked my friend m

    A friend gave me this book and I read it. I thanked my friend many times for gifting me with such a GREAT book, and Cather's other books are just as good.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 30, 2013

    Wondeful story

    Good read ... in it's simplicty it tells a great story of growing up.

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  • Posted February 10, 2012

    An American classic by a marvelous writer!

    When Willa Cather writes about the immigrants who came to America and settled on the plains of Nebraska, the reader gains an understanding of the history, the hardships and the endurance of these courageous men and women. My Antonia is a classic that endures because of its characters, the excellent writing, and the lessons we can learn of the history of this great country. I waited decades before I picked up this book and I am sorry I waited so long!

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  • Posted April 22, 2011

    more from this reviewer

    a pleasant read

    This was a pleasant read, nice to put yourselves in the farm life of the past in the midwest. Didn't love it, but for the price, it was worth it.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 21, 2002

    City Gurl Loves This Country Love Story

    I live in NYC and realting my personal experineces to this book was hard. But the one thing that I felt and that the rest of the world can feel is the beauty of the love story. Even though I have never been out side of NYC this book takes my mind body and soul far west. A book you won't be able to put down.

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  • Anonymous

    Posted August 14, 2000

    A splendid novel

    One summer, one of summer reading books was My Antonia. I waited until the last minute to do it. I had to order it on cassette in order to finish it. I got it and finished it in about a week. It helped me finish it a lot faster, although I didn't like the way I couldn't play it on my normal cassette player. I had to go out and buy a cassette player with ''balance control.'' I also didn't like the way it had a ''B'' side and I got lost several times and it took me a while to find my place. In the end, I was glad I bought it, enjoyed the book, and it helped me immensely. And one more thing. Why do books on cassette cost so much!

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  • Anonymous

    Posted February 20, 2000

    A Simple Story

    This book was a very quick and easy read but it was enjoyable. It doesn't have a lot of action but it eloquently depicts the way life and love really are. The ending surprised me but I think I liked the book all the more for it. This is a very simple story without a lot of fireworks but it will make you think about all of the truths captured in the tale.

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  • Anonymous

    Posted February 23, 2000

    My Antonia as a Classroom Reading

    For a class of high school juniors this book was not rated with an outstanding recomendation. The teens had a hard time keeping interest and reading on was more of a 'required assignment' then a 'I can't wait to see what happens next'. The teens that read this book in my class enjoyed the story line but had a hard time reading because there was nothing that they could relate to. This book would be excilent for adults who can appreciate the work that Willa Cather has done. I have heard nothing but good remarks from the adult world. However I would advise teachers to pick something that would be of more interest to high school aged people.

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  • Anonymous

    Posted February 3, 2000

    uhhhh

    I found the entire story droll and uninteresting. It never was able to capture my interest. I storngly recommend people to stay away from this book at all cost.

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  • Anonymous

    Posted December 28, 1999

    A Strikingly Simple Story

    I loved this book. It wasn't a formulated, by the rules type of romance. It was just beautiful. If you're the type of person who likes lots of adventure and torid romance, it's not for you. However, you enjoy reading about true love and spirit, it's a must read.

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  • Anonymous

    Posted December 6, 1999

    Classic Frontier Story

    The characters in the novel are described in great detail; their personalities were fashioned such a way that the reader receives a true sense of each character. The book was published at a time when women characters were expected to find happiness only in love or marriage. 'My Antonia' gives us a forceful heroine who is independent and strong of mind and body. The use of plot, characters, setting, and perspective open readers eyes to a period in time that most people today can¿t imagine. The novel invites readers to feel the pain, hardships, joy, and satisfaction of the frontier characters. In 'My Antonia,' Cather successfully develops believable characters and an intriguing story of prairie life.

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  • Anonymous

    Posted October 3, 2011

    No text was provided for this review.

  • Anonymous

    Posted September 14, 2011

    No text was provided for this review.

  • Anonymous

    Posted October 3, 2013

    No text was provided for this review.

See All Sort by: Showing 1 – 20 of 35 Customer Reviews

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