My Apron

Overview

When an eight-year-old boy helps his uncle at his job as a plasterer, he takes a fancy to his workman's apron with a pocket. As a result of his fascination, his aunt makes him an apron of his own and he spends a few days as his Uncle Adam's assistant. The text is brief and simple but clearly conveys the warmth between the man and his nephew and the child's satisfaction in a job well done. The line/tissue paper illustrations are colorful and somewhat geometric, reminiscent of French Cubist Leger's work featuring ...

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Overview

When an eight-year-old boy helps his uncle at his job as a plasterer, he takes a fancy to his workman's apron with a pocket. As a result of his fascination, his aunt makes him an apron of his own and he spends a few days as his Uncle Adam's assistant. The text is brief and simple but clearly conveys the warmth between the man and his nephew and the child's satisfaction in a job well done. The line/tissue paper illustrations are colorful and somewhat geometric, reminiscent of French Cubist Leger's work featuring laborers. An added bonus is the child-size apron that comes with the book, but the story will be enjoyed with or without the tangible item.
- SLJ

After his aunt makes him an apron just like his uncle's, a young boy helps him plaster the chimney.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Carle adopts a slightly different artistic technique for his latest work, superimposing strong line drawings over his trademark colored-tissue-paper collage. Inspired in part by French Cubist Fernand Lger's paintings of laborers (as a note printed on the endpapers tells us), the illustrations are vigorous and fresh, a visual paean to honest hard work. The story is a recollection of a vacation the eight-year-old Carle spent with relatives, tagging along with his uncle, a plasterer, and wearing the white work apron his aunt made especially for him. The sturdy, simple prose is as linear as the drawings, reinforcing the visual imagery, and it effectively captures the tender uncle-nephew bond and the pride a child feels in participating in important adult tasks. For aspiring young helpers, a single-pocket white apron is included with the book. Ages 5-up. (Sept.)
School Library Journal
PreS-Gr 1-When an eight-year-old boy helps his uncle at his job as a plasterer, he takes a fancy to his workman's apron with a pocket. As a result of his fascination, his aunt makes him an apron of his own and he spends a few days as his Uncle Adam's assistant. The text is brief and simple but clearly conveys the warmth between the man and his nephew and the child's satisfaction in a job well done. The line/tissue paper illustrations are colorful and somewhat geometric, reminiscent of French Cubist Leger's work featuring laborers. An added bonus is the child-size apron that comes with the book, but the story will be enjoyed with or without the tangible item.-Christine A. Moesch, Buffalo and Erie County Public Library, NY
Mary Harris Veeder
As the subtitle indicates, this book is different from much of Carle's other work: it doesn't deal with the natural world. Carle's collage technique will be familiar, but the story concerns a little boy who helps his uncle Adam, a plasterer. Uncle Adam wears an apron for his work, and Aunt Elizabeth sews a smaller version for little Eric (one is included in a plastic case attached to back of the book). The narrative is brief and straightforward, with the text set in bold black letters that pick up the black lines Carle uses to outline shapes in his pictures. Children will easily identify with Adam's pleasure at being allowed to help out in the adult world, and the story concentrates on the garment as a useful piece of clothing rather than as a gender marker.
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Product Details

  • ISBN-13: 9780399226854
  • Publisher: Penguin Young Readers Group
  • Publication date: 7/28/1995
  • Pages: 32
  • Sales rank: 313,069
  • Age range: 6 years
  • Product dimensions: 8.79 (w) x 11.53 (h) x 0.32 (d)

Meet the Author

Eric Carle
Eric Carle
Children learn about the natural world in Eric Carle's original, charming books, which include classics such as The Very Hungry Caterpillar and Papa, Please Get the Moon for Me. Carle's vivid tissue-paper illustrations and innovations in book design have made him an author whose longevity and continued popularity are testaments to his beloved status among young readers and parents.

Biography

Ever since he began innovating the look and function of children's stories in the late 1960s, Eric Carle has remained an author whose stories reliably hit the bestseller lists and remain on kids' bookshelves through generations.

He began as a designer of promotions and ads, and one illustration of a red lobster helped jump-start his career. The lobster caught the eye of author Bill Martin, Jr.; Martin asked Carle to illustrate the now-classic 1967 title Brown Bear, Brown Bear, What Do You See? and a career was born.

Born in Syracuse, New York but brought by his immigrant parents back to Germany when he was six, Carle was educated in Stuttgart and designed posters for the United States Information Center there after graduating from art school. He finally returned to the country he missed so much as a child in 1952.

He eventually began procuring work on children's titles, and found himself becoming increasingly involved in them. "I felt something of my own past stirring in me," he wrote in a 2000 essay. "An unresolved part of my own education needed reworking, and I began to make books -- books for myself, books for the child in me, books I had yearned for. I became my own teacher -- but this time an understanding one."

He began his career with the 1968 title 1, 2, 3 to the Zoo; but his next title, The Very Hungry Caterpillar, is what still endears him to young readers today. Employing his bright, collage style and lending an immediacy to the tale by manifesting the caterpillar's hunger in actual holes in the pages, Carle began what would be a long career of creative approaches to simple stories. From the chirp emerging from The Very Quiet Cricket to the delightful fold-out pages in Papa, Please Get the Moon for Me, Carle's books provide surprises that make his stories come alive in ways that many titles for preschoolers do not.

Carle's style, with its diaphanous, busy and bold artwork, is perfect for engaging new readers. His stories are also popular with parents and educators for their introductions to the natural world and its cycles. It's a particular pleasure to follow Carle into different corners of the world and see what can be learned from the creatures who live in them.

Good To Know

Regularly asked where he gets his ideas, Carle is quoted on his publisher's web site as responding: "Of course, the question of where ideas come from is the most difficult of all. Some people like to say they get ideas when they're in the shower. That's always a very entertaining answer, but I think it's much deeper than that. It goes back to your upbringing, your education, and so forth." He does say, however, that the idea for The Very Hungry Caterpillar came when he whimsically began punching holes in some paper, which suggested to him a bookworm at work. His editor later suggested he change the bookworm to a caterpillar, and the rest is history.

Carle was unhappy to be in Germany when his immigrant parents brought him back there as a child. He hated his new school and wanted to go back to America. He said: "When it became apparent that we would not return, I decided that I would become a bridge builder. I would build a bridge from Germany to America and take my beloved German grandmother by the hand across the wide ocean."

Before he became a freelance illustrator and began working on children's books, Carle worked as a graphic designer for the New York Times and as art director of an ad agency.

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    1. Hometown:
      Northampton, Massachusetts and the Berkshires
    1. Date of Birth:
      June 25, 1929
    2. Place of Birth:
      Syracuse, New York
    1. Education:
      Akademie der bildenden K√ľnste, Stuttgart, 1946-50
    2. Website:

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