My Fathers' Houses: Memoir of a Family

My Fathers' Houses: Memoir of a Family

4.0 1
by Steven V. Roberts

"As moving as Russell Baker's Growing Up and Calvin Trillin's Messages from My Father, My Fathers' Houses is the story of a town, a time, and a boy who would grow up to become a New York Times correspondent, television and radio personality, and bestselling author." "In this memoir, Steven V. Roberts tells the story of his grandparents, his parents, and his own life,… See more details below


"As moving as Russell Baker's Growing Up and Calvin Trillin's Messages from My Father, My Fathers' Houses is the story of a town, a time, and a boy who would grow up to become a New York Times correspondent, television and radio personality, and bestselling author." "In this memoir, Steven V. Roberts tells the story of his grandparents, his parents, and his own life, vividly bringing a period, a place, and a remarkable family into focus. The period was the forties and fifties, when the children of immigrants were striving to become American in a booming postwar world. The place was one block in Bayonne, New Jersey, and the house that Roberts's grandfather, Harry Schanbam, built with his own hands, a warm and reassuring home, just across the Hudson River from "the city," where Roberts grew up surrounded by family and tales of the Old Country." This personal journey starts in Russia, where the family business of writing and ideas began. A great-uncle became an editor of Pravda and two great-aunts were original members of the Bolshevik party. His other grandfather, Abraham Rogowsky, stole money to become a Zionist pioneer in Palestine and helped to build the second road in Tel Aviv before settling in America. Roberts returns his saga to Depression-era Bayonne, where his parents, living one block apart, penned love letters to each other before marrying in secret. His father, an author and publisher of children's books, and his uncle, a critic and short story writer, instilled in him a love for words and a determination to carry on the family legacy, a legacy he is now passing on to his own children and grandchildren.

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Editorial Reviews

Library Journal
Taking the boy out of Bayonne may be possible, but taking Bayonne out of the boy is not-at least, according to this warm and welcoming memoir by journalist Roberts, who hails from the New Jersey city. In Bayonne, surrounded by his Eastern European Jewish relatives-his parents, twin brother, and two younger siblings-Roberts grew up in a two-story, two-family house built by his maternal grandfather, Harry Schambam. His paternal grandfather, Abraham Rogowsky (later Rogow, then Roberts), a Zionist, helped construct the road to Tel Aviv, while his colorful father, Will, a book publisher, children's author, and businessman, gambled and dabbled in left-wing politics. Always proud of his heritage, Roberts grew up with a good mix of family, baseball games at Yankee Stadium, and stints at school newspapers. His work for the Harvard Crimson led to a position at the New York Times, which eventually led to his post as Los Angeles bureau chief. Roberts, married to the equally well-known Cokie Roberts, now has a distinguished career as a syndicated columnist, newsman, radio commentator, and writer. And as he makes clear in this memoir, his Bayonne beginnings greatly informed the man he is today. Recommended for public libraries.-Robert Kelly, Fort Wayne Community Schs., IN Copyright 2005 Reed Business Information.
Richmond Times-Dispatch
“An emotional story about fathers and sons that encapsulates the American experience.”

Product Details

HarperCollins Publishers
Publication date:
Product dimensions:
5.94(w) x 10.88(h) x 0.98(d)

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My Fathers' HousesChapter OneA Bottle in A Bucket

I still dream about Bayonne. Usually I'm back living there, often in the house where I grew up, a two-family frame structure on a crowded block that ends at a low bluff overlooking Newark Bay. All the houses on The Block were the same, about twenty-five of them, separated by alleys so narrow that you always knew what your neighbors were arguing about or having for dinner. The Block was the center of my world for thirteen years, from my birth in 1943 until we moved all of five blocks away in 1956, and it could have been a European village, on the top of a mountain, surrounded by medieval stone walls. All the families knew each other, strangers were sparse, and you could walk to the shops around the corner for most of your daily needs.

That's no accident, I suppose, since most of the families, including mine, were only one generation removed from their Old World origins, and they re-created the patterns of life they had known in Poland and Russia, Ireland and Italy. There were a handful of Catholics on The Block, but most of the families were like us, Jewish people with roots in Eastern Europe — Lipkin and Lauton, Moritz and Hoch, Reznick and Levy. Some were manual workers, like my grandfather Harry Schanbam, a carpenter who had built the house we lived in with his own hands. Some in the next generation had gotten an education and become professionals. Yale Greenspoon's father taught at the high school, Artie Schackman's dad was a photographer. Many owned small businesses. The Penners ran a clothing store on Broadway where we bought our Cub Scout uniforms. The parents and grandparents of the girl I tookto the junior prom ran a hardware store. New York was only a short bus ride away, but "the city," as we called it, seldom intruded into our lives. Broadway and Forty-second Street in Bayonne (there really is such an intersection) was light years away from the more famous corner just across the Hudson River. My father commuted daily to "the city," where he ran a small children's book publishing company, but few if any of my friends had parents who did that. Most people lived and worked, met and married, grew old and died, all within the confines of this urban village. Bayonne was not exactly Anatevka, and we didn't have any fiddlers on our roofs, although we did have Mr. Friedberg, who delivered seltzer to the door in blue glass bottles with silver spritzers. But when I saw the movie Avalon, Barry Levinson's ode to the Jewish community of Baltimore, I felt a pang of recognition. In that movie the immigrant generation clings to the old neighborhood and the old ways, and when their kids move to the suburbs, the old folks find the adjustment disorienting. Bayonne, like Baltimore, was actually closer to the Old Country than the suburbs were to the inner city.

Bayonne is a peninsula, about five square miles, surrounded on three sides by water: Newark Bay to the west, the Kill Van Kull on the south, and the Hudson River on the east. In fact, after we left The Block, I could catch a glimpse of the Statue of Liberty from my new bedroom window. But I've never been there and I'm not sure why. I guess you don't play tourist in your hometown. During my childhood, you could enter and leave Bayonne in only two ways-by city street to Jersey City and by bridge to Staten Island-so the word "insular" really did apply. I flew over it recently, heading for Manhattan, and I was struck again by how distinctive Bayonne is. You can pick it out immediately from the air. And since it was such a separate and self-contained place, it had a strong sense of identity. One public high school, one daily newspaper, one downtown shopping district. To this day I meet people all over the country who want to tell me about their connections to Bayonne. My friend Barney Frank, now a congressman from Massachusetts, who grew up there, says people always talk about being from Bayonne because they are "so proud of rising above their humble beginnings." But I don't think that's quite right. I think it's because Bayonne is a real place, with a long history, dating back to its discovery by Dutch explorers in the seventeenth century. It's not a fake city, bordered by arbitrary lines on a suburban map and bearing some insipid variation of the name Parkforestglenwood.

It's also true that Bayonne has become something of a joke, like Secaucus, employed as a punch line by comedians and cartoonists. One of my favorite references is a New Yorker cartoon showing a man sitting at a bar and saying to no one in particular: "I'm a citizen of the world, but I make my base in Bayonne." Jackie Gleason once did stand-up comedy at the Hi-Hat Club in Bayonne, and his TV show The Honeymooners was loaded with local references. If he frequently threatened to send his wife, Alice, "to the moon," he often vowed to dispatch his pal Norton to Bayonne. My brother Marc remembers Gleason portraying a pitchman in a TV comedy skit. If you call in right away, he promises, and order the food chopper or vacuum cleaner he's selling, he'll throw in a free pennant from Bayonne Technical High School. Who could refuse that offer? The New York Times obituary of the comic Rodney Dangerfield noted that he got his start playing "dingy joints" in places like Bayonne. As Dangerfield himself might have said, my hometown "gets no respect." A Navy ship was once named for the city, the USS Bayonne, but in the middle of World War II it was actually given to the Russians, who then scrapped it ...

My Fathers' Houses. Copyright (c) by Steven Roberts . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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