My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles

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Overview

Based on long-lost recordings, a set of riveting and revealing conversations with America’s great cultural provocateur

There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain.

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My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles

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Overview

Based on long-lost recordings, a set of riveting and revealing conversations with America’s great cultural provocateur

There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain.

Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing career, the people he knew—FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more—and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse—sexist, homophobic, racist, or none of the above— because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny.

Edited by Peter Biskind, America’s foremost film historian, My Lunches with Orson reveals one of the giants of the twentieth century, a man struggling with reversals, bitter and angry, desperate for one last triumph, but crackling with wit and a restless intelligence. This is as close as we will get to the real Welles—if such a creature ever existed.

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Editorial Reviews

Library Journal
Toward the end of his life, Orson Welles (1915–85) enjoyed an unlikely friendship with independent filmmaker Henry Jaglom. Editor Biskind (Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film) collects long-lost tapes of Welles and Jaglom's conversations over lunch at Hollywood's Ma Maison restaurant. The wide-ranging talks cover Welles's reflections on food, politics, religion, and his many unrealized projects. The book clearly reflects the man's wit, disdain for the Hollywood studio system, and what one admirer called his "crushing ego." Among the many Hollywood legends Welles disparages here are Charlie Chaplin, Elia Kazan, Spencer Tracy, Irene Dunne, Laurence Olivier, Alfred Hitchcock, Humphrey Bogart, actor-producer John Houseman, and MGM producer Irving Thalberg and his wife, actress Norma Shearer. Some of the people Welles admires include his frequent costar Joseph Cotten, Carole Lombard, Erich von Stroheim, Buster Keaton, and Welles's ex-wife Rita Hayworth. VERDICT Some readers will be put off by Welles's sharp-tongued remarks on gays, Jews, and certain ethnic groups, particularly Irish Americans, and his negative view of many Hollywood icons. However, on balance, this is an entertaining, revealing look at a Hollywood legend. Recommended.—Stephen Rees, formerly with Levittown Lib., PA
Kirkus Reviews
Tape recordings made in the three years before Orson Welles' death in 1985 capture the legendary film director's outsized personality. As editor Biskind (Star: How Warren Beatty Seduced America, 2010, etc.) explains in his introduction, Henry Jaglom talked Welles into acting in his first feature, A Safe Place, in 1971, and they became friends. Jaglom's generation worshipped the creator of Citizen Kane as a groundbreaking auteur who pioneered their sort of personal filmmaking; Welles liked to be worshipped. By the time Jaglom began recording their conversations over lunches at Ma Maison, Welles hadn't made a movie in 10 years, and F Is for Fake (1974) had flopped. Aided by Jaglom, he was trying to get financing for a film version of King Lear or his political script, The Big Brass Ring. But nothing came through, and Welles' income from TV commercials had also dried up; his reputation was at a low point. In conversation, Welles shows himself eager to disprove his critics, as well as to savagely gossip about his bitterly estranged theatrical partner, John Houseman, and to comment unflatteringly on the talents of friends/rivals, from Laurence Oliver and John Huston to Marlon Brando and Peter Bogdanovich. Jaglom, an admirer but not a sycophant, occasionally protests such judgments, but he's unfailingly supportive of a friend they both know is in the twilight of his career. Welles could be mean-spirited and insufferable, but he was also blazingly intelligent. His nailing of Woody Allen and Charlie Chaplin as sharing "that particular combination of arrogance and timidity [that] sets my teeth on edge" is characteristic of his sharp wit about every aspect of moviemaking, and he's just as smart about history, music and fine art. You can understand why his friends were so devoted. Like most oral histories, a tad self-indulgent but filled with insights and good dish that movie buffs will relish.
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Product Details

  • ISBN-13: 9780805097252
  • Publisher: Holt, Henry & Company, Inc.
  • Publication date: 7/16/2013
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 320
  • Sales rank: 1435
  • Product dimensions: 6.58 (w) x 9.36 (h) x 1.10 (d)

Meet the Author

Peter Biskind

Peter Biskind is the acclaimed author of Easy Riders, Raging Bulls, Down and Dirty Pictures, and Star, among other books. His work has appeared in The New York Times, the Los Angeles Times, The Washington Post, The Nation, and Rolling Stone. He is the former executive editor of Premiere and the former editor in chief of American Film, and is a contributing editor to Vanity Fair. He lives in upstate New York.

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Customer Reviews

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  • Anonymous

    Posted Thu Jul 18 00:00:00 EDT 2013

    I Also Recommend:

    This is a truly fascinating book. You don't need to be an Orson

    This is a truly fascinating book. You don't need to be an Orson Wells fan to be fascinated by this collection of conversations. Wells talks about his career, the people he has met, and even unrealized projects. It is well put together and a very interesting read.

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