From the Publisher
“A gift both to readers fascinated by other cultures and to lovers of fiction for fiction’s sake.”
–The Washington Post Book World
Readers can gain a more balanced impression of Iran from this novel, which looks at life from the kind of humorous perspective few Westerners may associate with the current regime in that country.”
–The Christian Science Monitor
“A masterpiece of contemporary world fiction.”
“Howlingly funny . . . [a] tender, salacious and magical Iranian import.”
–Cleveland Plain Dealer
“A giddily uproarious mixture of farce and slapstick.”
Publishers Weekly - Publisher's Weekly
The obsessions of Dear Uncle Napoleon, as Pezeshkzad's eponymous Iranian patriarch is nicknamed, furnish this epic, episodic farce with a multitude of mock heroic elements: the "centuries old" honor of his petty aristocratic family; the propriety of his distant relatives; the care of his prize sweetbrier; his mythologized exploits in a Cossack regiment; his hero-worship of Bonaparte; and, above all, his paranoia about English international intrigue on his doorstop. Dear Uncle's extended family's antics don't so much distract him as exacerbate his eccentricities with each new misunderstanding, private feud, clandestine affair and arranged marriage. Told from the nave perspective of Dear Uncle's least-favorite nephew (who is chastely, adolescently in love with his daughter), Pezeshkzad's tale, first published in Iran in the early 1970s, seems innocently obsolete after the Iranian Revolution, like Wodehouse after the Blitz, with its comedy relying heavily on conventionsverbal tics, frenetic dialogue, farcical action and acrobatic reversals of fortune. Pezeshkzad supplies an instantly recognizable, universal cast: the foolish family retainer (the Sancho Panza to Dear Uncle's Quixote), the worldly and womanizing uncle, the disgruntled brother-in-law, the officious local police officer, the brawny butcher with an attractive younger wife. While such characters made the novel a huge bestseller and a national touchstone for comic types in Iran, they don't make the best international travelers, and stateside readers may have trouble discerning, or caring about, how they satirize specific elements of Iranian society. (July)
Originally released in Pezeshkzad's native Iran in 1970 and then translated into English in 1996, this work gets the Modern Library treatment, which includes a new intro by author Azar Nafisi (Reading Lolita in Tehran). Though the book is probably unfamiliar to most American readers, it is considered one of Iran's modern classics. Copyright 2006 Reed Business Information.
An uproarious and endearing Iranian novel, first published in Iran over twenty years ago, which became the basis for a highly popular television series.
The story tells of an unruly extended family, living within and around a walled enclave in Tehran in the early 1940sand specifically of said family's domination by its "Dear Uncle Napoleon" (the portentous rubric by which its fussbudget megalomaniac despot is addressed) as observed and recorded by Uncle's unnamed nephew, whose idealistic love for his beautiful cousin Layli forms one of the two major plotlines here. The other is Uncle's paranoid conviction that all evil flows from his country's ill-advised friendliness with foreign nations, especially Great Britain (the story is set at a time when England and Russia separately schemed to control Iran's oil resources, and preferential trade status was granted the hated British by an impoverished national treasury). Uncle is a brilliant comic creation, whose monstrous egomania and folly are shown all the more powerfully through his unjudging nephew's (usually averted) eyes. Neither his false claim of military heroism nor the fulsome letter he composes to Adolph Hitler (describing his own resistance to British colonialism and soliciting the Führer's protection), significantly ruffles the novel's essential sunniness and serenity. And Pezeshkzad surrounds his memorable antihero with a gallery of superbly drawn supporting characters: Mash Qasem, the resourceful servant who plays pragmatist Sancho Panza to Uncle's self-absorbed Don Quixote; henpecked Dustali Khan, whose fear of his shrewish wife Aziz is vividly exacerbated by an almost Bobbitt-like marital misadventure; and Deputy Taymur, a choleric police investigator who discovers labyrinthine plots in every innocent passing remark, and provides a hilarious counterpart and parallel to Uncle's embattled dignity.
Our own paranoid image of Iranians as bomb-toting fanatics looking for Salman Rushdie under every rug might just be altered by this wonderful comic novel, one of the most entertaining books we're likely to see this year.