Mysteries of Small Houses [NOOK Book]


Alice Notley vividly reconstructs the mysteries, longings, and emotions of her past in this brilliant new collection of poems that charts her growth from young girl to young woman to accomplished artist. In this volume, memories of her childhood in the California desert spring to life through evocative renderings of the American landscape, circa 1950. Likewise, her coming of age as a poet in the turbulent sixties is evoked through the era's angry, creative energy. As she looks backward with the perspective that ...
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Mysteries of Small Houses

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Alice Notley vividly reconstructs the mysteries, longings, and emotions of her past in this brilliant new collection of poems that charts her growth from young girl to young woman to accomplished artist. In this volume, memories of her childhood in the California desert spring to life through evocative renderings of the American landscape, circa 1950. Likewise, her coming of age as a poet in the turbulent sixties is evoked through the era's angry, creative energy. As she looks backward with the perspective that time and age allows, Notley ably captures the immediacy of youth's passion while offering her own dry-eyed interpretations of the events of a life lived close to the bone. Like the colorful collages she assembles from paper and other found materials, Notley erects structures of image and feeling to house the memories that swirl around her in the present.In their feverish, intelligent renderings of moments both precise and ephemeral, Notley's poems manage to mirror and transcend the times they evoke. Her profound tributes to the stages of her life and to the identities she has assumed—child, youth, lover, poet, wife, mother, friend, and widow&#151are remarkable for their insight and wisdom, and for the courage of their unblinking gaze.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
In her latest collection, Notley takes a step back from the body of work she has amassed over the last three decades The Descent of Alette; Selected Poems; etc. to compose a kind of quasi-autobiography in verse. Casual, forthright and perceptive, it is a culminating effort. Notley, as is her style, rarely shies away from unabashed, almost Whitmanesque generalizations, and here her bravery pays off. Again and again, she asks herself what poetry in America is and was, turning moments later to provide her own answers: "...`So little/ tenderness in American poetry' as/ Robert Duncan once told mewho was he?/ Who was anyone? unstarred brightest equality." Contemporary poetry's recent past shadows Notley more closely and intimately than most: her late husband, the poet Ted Berrigan, commands a small but devoted following, and many of these poems try to make sense of his work and his early death "Grief's not a social invention./ Grief is visible, substantial, I've literally seen it" while retaining a sense of her own trajectory "The Subject/ of this poem is not how a woman's imagination/ may be dominated by a man's". We follow her in a loose chronology from a West Coast childhood to New York City, first as a pre-feminism college student, then as a 1970s East Village poet in a scene full of humid friendships, wordsmithery and pill-taking, and through to Paris, where she lives today. Occasionally, Notley slips into the automatic writing-like phrases and personal myth-making that was the Achilles' Heel of the late New York School. But even these moments, with their rock 'n' roll bio shading, make for compelling reading. June PW best book of 1998
Kirkus Reviews
With some 20 books of poetry to her credit, Notley (The Descent of Alette, 1996, etc.) continues to combine Beat blather and New York School patter in her sprawling, self-mythologizing verse; her long, un-punctuated lines rehearses the key events in her life: growing up in Needles, California; coming east to college; meeting her husband, the poet Ted Berrigan, at Univ. of Iowa; and following him to his Lower East Side haunts, where they not only become speed freaks, but also have two children before Berrigan dies young of liver disease. The mostly realist but occasionally off-the-wall narratives, with their wild surreal flourishes, follow the poet chronologically as she uses þwords to cure the tamenessþ she bemoans among the squares. Proving her bohemianism, she uses lots of dirty words, and writes of sex, but her radical feminist self makes sure thereþs nothing sexy in all the vulgarity. Notleyþs tough postures include herself as true poet who hates Iowa City (þtoo boringþ and full of þassholesþ), where þeveryoneþs an academic poetry/groupie,þ and the women offer themselves to the visiting stars. Notley interrupts her manic musings to rant against the middle class, þthe stupid fucking workersþ who vote Republican, and all those feminists who identify her solely with her late husband. In poem after poemþand they all read like one congealed massþNotley claims to disdain the opinions of others, yet she continually worries about þsocial graces,þ the þsocial ego,þ þsocialization,þ and þthe hustle for statusþ(to which she does not seem immune). Perhapsþliving is a poem,þ as Notley confidently avers, but her life on the page isnþt necessarily poetry youþd care to read.
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Product Details

  • ISBN-13: 9781440621253
  • Publisher: Penguin Group (USA)
  • Publication date: 6/1/1998
  • Series: Poets, Penguin
  • Sold by: Penguin Group
  • Format: eBook
  • Pages: 160
  • File size: 427 KB

Meet the Author

Alice Notley is a poet whose twenty previous titles include The Descent of Alette, Beginning with a Stain, Homer's Art, and Selected Poems. She wrote the introduction for her late first husband Ted Berrigan's Selected Poems. She lives in Paris.
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Table of Contents

Would Want to Be in My Wildlife 1
House of Self 2
I'm Just Rigid Enough 5
Kiss of Fire 7
One of the Longest Times 9
The Future May Contain Me More 11
Synchronous Chronology 13
The Obnoxious Truth 15
Requiem for the First Half of Split 17
Experience 19
1965 21
Prophet's Job 23
As Good as Anything 25
"Go In and Out the Window" 28
April Not an Inventory but a Blizzard 30
1970 32
Choosing Styles - 1972 34
Not Child 36
A Baby Is Born Out of a White Owl's Forehead - 1972 38
They Cut Out Her Eye and So She Doesn't Know If It's Real 40
Diversey Street 43
I Must Have Called and So He Comes 45
Colors - 1973 47
Waveland Back in Chicago 48
Collage 50
"Bring Me a Pea Jacket and Sandwiches" 52
The Howling Saint T-Shirt 54
Place Myself in New York Need One More There 56
The Trouble with You Girls 57
Self '78 Speak 58
1979 A Dream 59
The Year of the Premonitory Dream That Ted and Steve Left Me 61
Hematite Heirloom Lives On Maybe December 1980 63
C. '81 65
Gladly Though I Lost It and Knew I Would 68
How We Spent the Last Year of His Life 70
The Common Ground Ask Anyone You Know 72
Point of Fidelity 74
I - Towards a Definition 77
II - The Person That You Were Will Be Replaced 78
Flowers 80
A Metaphysics of Emotion 82
Becoming Egyptian 84
Mid-80's 86
You Can Give It Away 90
But in This World Together and Not Passing Away 92
The New York Human 94
I Am a Hardened Heart 96
The Brain Is a Toy but Loyalty's Metaphysical 98
Sept 17 / Aug 29, '88 100
Owls 104
Vertical Axis 106
The Tyrant 108
Alette 110
101 112
If I Didn't Shiver I Wouldn't Be Cold 115
In Needles and to Poet What Are Real Things 117
1992 119
New Dreams 121
47th Birthday 123
Bobby First Visit Back to the States 125
In the Basement of Claypool's Department Store 127
Going Back Mornings 129
Place Blanche 130
More Below a Dream Of 132
Remember What I Came Here to Do to This World Very Little Actually 133
Office 134
Mysteries of Small Houses 136
Lady Poverty 138
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