The Mysterious Riderby Zane Grey
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He comes to the Belllounds ranch the Mysterious Rider no one knows from where; a man of middle age, gentle, kindly, but so terrible a gun fighter that they call him Hell Bent Wade. He plays the part of fate in all their lives, and only when the inevitable tragedy come and the Mysterious Rider makes the great sacrifice, do they know. Then out of the shadow of this tragedy, Columbine comes into the sun shine of love. This is a novel written with that literary charm and beauty of which Zane Grey is master; swift-moving, full of the glamour of romance and adventure, and with the breath of Western plains and mountains in its pages. Zane Grey is the author of The Heritage of the Desert and the great bestseller, Riders of the Purple Sage. His novels have consistently made the bestseller list and were often made into movies.
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The Mysterious Rider
By Zane Grey
Tom Doherty AssociatesCopyright © 1998 Tom Doherty Associates, Inc.
All rights reserved.
A September sun, losing some of its heat if not its brilliance, was dropping low in the west over the black Colorado range. Purple haze began to thicken in the timbered notches. Gray foothills, round and billowy, rolled down from the higher country. They were smooth, sweeping, with long velvety slopes and isolated patches of aspens that blazed in autumn gold. Splotches of red vine colored the soft gray of sage. Old White Slides, a mountain scarred by avalanche, towered with bleak rocky peak above the valley, sheltering it from the north.
A girl rode along the slope, with gaze on the sweep and range and color of the mountain fastness that was her home. She followed an old trail which led to a bluff overlooking an arm of the valley. Once it had been a familiar lookout for her, but she had not visited the place of late. It was associated with serious hours of her life. Here seven years before; when she was twelve, she had made a hard choice to please her guardian — the old rancher whom she loved and called father, who had indeed been a father to her. That choice had been to go to school in Denver. Four years she had lived away from her beloved gray hills and black mountains. Only once since her return had she climbed to this height, and that occasion, too, was memorable as an unhappy hour. It had been three years ago. To-day girlish ordeals and griefs seemed back in the past: she was a woman at nineteen and face to face with the first great problem in her life.
The trail came up back of the bluff, through a clump of aspens with white trunks and yellow fluttering leaves, and led across a level bench of luxuriant grass and wild flowers to the rocky edge.
She dismounted and threw the bridle. Her mustang, used to being petted, rubbed his sleek, dark head against her and evidently expected like demonstration in return, but as none was forthcoming he bent his nose to the grass and began grazing. The girl's eyes were intent upon some waving, slender, white-and-blue flowers. They smiled up wanly, like pale stars, out of the long grass that had a tinge of gold.
"Columbines," she mused, wistfully, as she plucked several of the flowers and held them up to gaze wonderingly at them, as if to see in them some revelation of the mystery that shrouded her birth and her name. Then she stood with dreamy gaze upon the distant ranges.
"Columbine! ... So they named me — those miners who found me — a baby — lost in the woods — asleep among the columbines." She spoke aloud, as if the sound of her voice might convince her.
So much of the mystery of her had been revealed that day by the man she had always called father. Vaguely she had always been conscious of some mystery, something strange about her childhood, some relation never explained.
"No name but Columbine," she whispered, sadly, and now she understood a strange longing of her heart.
Scarcely an hour back, as she ran down the wide porch of White Slides ranch-house, she had encountered the man who had taken care of her all her life. He had looked upon her as kindly and fatherly as of old, yet with a difference. She seemed to see him as old Bill Belllounds, pioneer and rancher, of huge frame and broad face, hard and scarred and grizzled, with big eyes of blue fire.
"Collie," the old man had said, "I reckon hyar's news. A letter from Jack. ... He's comin' home."
Belllounds had waved the letter. His huge hand trembled as he reached to put it on her shoulder. The hardness of him seemed strangely softened. Jack was his son. Buster Jack, the range had always called him, with other terms, less kind, that never got to the ears of his father. Jack had been sent away three years ago, just before Columbine's return from school. Therefore she had not seen him for over seven years. But she remembered him well — a big, rangy boy, handsome and wild, who had made her childhood almost unendurable.
"Yes — my son — Jack — he's comin' home," said Belllounds, with a break in his voice. "An', Collie — now I must tell you somethin'."
"Yes, dad," she had replied, with strong clasp of the heavy hand on her shoulder.
"Thet's just it, lass. I ain't your dad. I've tried to be a dad to you an' I've loved you as my own. But you're not flesh an' blood of mine. An' now I must tell you."
The brief story followed. Seventeen years ago miners working a claim of Belllounds's in the mountains above Middle Park had found a child asleep in the columbines along the trail. Near that point Indians, probably Arapahoes coming across the mountains to attack the Utes, had captured or killed the occupants of a prairie-schooner. There was no other clue. The miners took the child to their camp, fed and cared for it, and, after the manner of their kind, named it Columbine. Then they brought it to Belllounds.
"Collie," said the old rancher, "it needn't never have been told, an' wouldn't but fer one reason. I'm gettin' old. I reckon I'd never split my property between you an' Jack. So I mean you an' him to marry. You always steadied Jack. With a wife like you'll be — wal, mebbe Jack'll —"
"Dad!" burst out Columbine. "Marry Jack! ... Why I — I don't even remember him!"
"Haw! Haw!" laughed Belllounds. "Wal, you doggone soon will. Jack's in Kremmlin', an' he'll be hyar tonight or to-morrow."
"But — I — I don't l-love him," faltered Columbine.
The old man lost his mirth; the strong-lined face resumed its hard cast; the big eyes smoldered. Her appealing objection had wounded him. She was reminded of how sensitive the old man had always been to any reflection cast upon his son.
"Wal, thet's onlucky," he replied, gruffly. "Mebbe you'll change. I reckon no girl could help a boy much, onless she cared for him. Anyway, you an' Jack will marry."
He had stalked away and Columbine had ridden her mustang far up the valley slope where she could be alone. Standing on the verge of the bluff, she suddenly became aware that the quiet and solitude of her lonely resting-place had been disrupted. Cattle were bawling below her and along the slope of old White Slides and on the grassy uplands above. She had forgotten that the cattle were being driven down into the lowlands for the fall round-up. A great red-and-white-spotted herd was milling in the park just beneath her. Calves and yearlings were making the dust fly along the mountain slope; wild old steers were crashing in the sage, holding level, unwilling to be driven down; cows were running and lowing for their lost ones. Melodious and clear rose the clarion calls of the cowboys. The cattle knew those calls and only the wild steers kept up-grade.
Columbine also knew each call and to which cowboy it belonged. They sang and yelled and swore, but it was all music to her. Here and there along the slope, where the aspen groves clustered, a horse would flash across an open space; the dust would fly, and a cowboy would peal out a lusty yell that rang along the slope and echoed under the bluff and lingered long after the daring rider had vanished in the steep thickets.
"I wonder which is Wils," murmured Columbine, as she watched and listened, vaguely conscious of a little difference, a strange check in her remembrance of this particular cowboy. She felt the change, yet did not understand. One after one she recognized the riders on the slopes below, but Wilson Moore was not among them. He must be above her, then, and she turned to gaze across the grassy bluff, up the long, yellow slope, to where the gleaming aspens half hid a red bluff of mountain, towering aloft. Then from far to her left, high up a scrubby ridge of the slope, rang down a voice that thrilled her: "Go — aloong — you — ooooo." Red cattle dashed pell-mell down the slope, raising the dust, tearing the brush, rolling rocks, and letting out hoarse bawls.
"Whoop-ee!" High-pitched and pealing came a clearer yell.
Columbine saw a white mustang flash out on top of the ridge, silhouetted against the blue, with mane and tail flying. His gait on that edge of steep slope proved his rider to be a reckless cowboy for whom no heights or depths had terrors. She would have recognized him from the way he rode, if she had not known the slim, erect figure. The cowboy saw her instantly. He pulled the mustang, about to plunge down the slope and lifted him, rearing and wheeling. Then Columbine waved her hand. The cowboy spurred his horse along the crest of the ridge, disappeared behind the grove of aspens, and came in sight again around to the right, where on the grassy bench he slowed to a walk in descent to the bluff.
The girl watched him come, conscious of an unfamiliar sense of uncertainty in this meeting, and of the fact that she was seeing him differently from any other time in the years he had been a playmate, a friend almost like a brother. He had ridden for Belllounds for years, and was a cowboy because he loved cattle well and horses better, and above all a life in the open. Unlike most cowboys, he had been to school; he had a family in Denver that objected to his wild range life, and often importuned him to come home; he seemed aloof sometimes and not readily understood.
While many thoughts whirled through Columbine's mind she watched the cowboy ride slowly down to her, and she became more concerned with a sudden restraint. How was Wilson going to take the news of this forced change about to come in her life? That thought leaped up. It gave her a strange pang. But she and he were only good friends. As to that, she reflected, of late they had not been the friends and comrades they formerly were. In the thrilling uncertainty of this meeting she had forgotten his distant manner and the absence of little attentions she had missed.
By this time the cowboy had reached the level, and with the lazy grace of his kind slipped out of the saddle. He was tall, slim, round-limbed, with the small hips of a rider, and square, though not broad shoulders. He stood straight like an Indian. His eyes were hazel, his features regular, his face bronzed. All men of the open had still, lean, strong faces, but added to this in him was a steadiness of expression, a restraint that seemed to hide sadness.
"Howdy, Columbine!" he said. "What are you doing up here? You might get run over."
"Hello, Wils!" she replied, slowly. "Oh, I guess I can keep out of the way."
"Some bad steers in that bunch. If any of them run over here Pronto will leave you to walk home. That mustang hates cattle. And he's only half broke, you know."
"I forgot you were driving to-day," she replied, and looked away from him. There was a moment's pause — long, it seemed to her.
"What'd you come for?" he asked, curiously.
"I wanted to gather columbines. See." She held out the nodding flowers toward him. "Take one. ... Do you like them?"
"Yes. I like columbine," he replied, taking one of them. His keen hazel eyes, softened, darkened. "Colorado's flower."
"Columbine! ... It is my name."
"Well, could you have a better? It sure suits you."
"Why?" she asked, and she looked at him again.
"You're slender — graceful. You sort of hold your head high and proud. Your skin is white. Your eyes are blue. Not bluebell blue, but columbine blue — and they turn purple when you're angry."
"Compliments! Wilson, this is new kind of talk for you," she said.
"You're different to-day."
"Yes, I am." She looked across the valley toward the westering sun, and the slight flush faded from her cheeks. I have no right to hold my head proud. No one knows who I am — where I came from."
"As if that made any difference!" he exclaimed.
"Belllounds is not my dad. I have no dad. I was a waif. They found me in the woods — a baby — lost among the flowers. Columbine Belllounds I've always been. But that is not my name. No one can tell what my name really is."
"I knew your story years ago, Columbine," he replied, earnestly. "Everybody knows. Old Bill ought to have told you long before this. But he loves you. So does — everybody. You must not let this knowledge sadden you. ... I'm sorry you've never known a mother or a sister. Why, I could tell you of many orphans who — whose stories were different."
"You don't understand. I've been happy. I've not longed for any — any one except a mother. It's only —"
"What don't I understand?"
"I've not told you all."
"No? Well, go on," he said, slowly.
Meaning of the hesitation and the restraint that had obstructed her thought now flashed over Columbine. It lay in what Wilson Moore might think of her prospective marriage to Jack Belllounds. Still she could not guess why that should make her feel strangely uncertain of the ground she stood on or how it could cause a constraint she had to fight herself to hide. Moreover, to her annoyance, she found that she was evading his direct request for the news she had withheld.
"Jack Belllounds is coming home to-night or to-morrow," she said. Then, waiting for her companion to reply, she kept an unseeing gaze upon the scanty pines fringing Old White Slides. But no reply appeared to be forthcoming from Moore. His silence compelled her to turn to him. The cowboy's face had subtly altered; it was darker with a tinge of red under the bronze; and his lower lip was released from his teeth, even as she looked. He had his eyes intent upon the lasso he was coiling. Suddenly he faced her and the dark fire of his eyes gave her a shock.
"I've been expecting that shorthorn back for months." he said, bluntly.
"You — never — liked Jack?" queried Columbine, slowly. That was not what she wanted to say, but the thought spoke itself.
"I should smile I never did."
"Ever since you and he fought — long ago — all over —"
His sharp gesture made the coiled lasso loosen.
"Ever since I licked him good — don't forget that," interrupted Wilson. The red had faded from the bronze.
"Yes, you licked him," mused Columbine. "I remember that. And Jack's hated you ever since."
"There's been no love lost."
"But, Wils, you never before talked this way — spoke out so — against Jack," she protested.
"Well, I'm not the kind to talk behind a fellow's back. But I'm not mealy-mouthed, either, and — and —"
He did not complete the sentence and his meaning was enigmatic. Altogether Moore seemed not like himself. The fact disturbed Columbine. Always she had confided in him. Here was a most complex situation — she burned to tell him, yet somehow feared to — she felt an incomprehensible satisfaction in his bitter reference to Jack — she seemed to realize that she valued Wilson's friendship more than she had known, and now for some strange reason it was slipping from her.
"We — we were such good friends — pards," said Columbine, hurriedly and irrelevantly.
"Who?" He stared at her.
"Why, you — and me."
"Oh!" His tone softened, but there was still disapproval in his glance. "What of that?"
"Something has happened to make me think I've missed you — lately — that's all."
"Ahuh!" His tone held finality and bitterness, but he would not commit himself. Columbine sensed a pride in him that seemed the cause of his aloofness.
"Wilson, why have you been different lately?" she asked, plaintively.
"What's the good to tell you now?" he queried, in reply.
That gave her a blank sense of actual loss. She had lived in dreams and he in realities. Right now she could not dispel her dream — see and understand all that he seemed to. She felt like a child, then, growing old swiftly. The strange past longing for a mother surged up in her like a strong tide. Some one to lean on, some one who loved her, some one to help her in this hour when fatality knocked at the door of her youth — how she needed that!
"It might be bad for me — to tell me, but tell me, anyhow," she said, finally, answering as some one older than she had been an hour ago — to something feminine that leaped up. She did not understand this impulse, but it was in her.
"No!" declared Moore, with dark red staining his face. He slapped the lasso against his saddle, and tied it with clumsy hands. He did not look at her. His tone expressed anger and amaze.
"Dad says I must marry Jack," she said, with a sudden return to her natural simplicity.
"I heard him tell that months ago," snapped Moore.
"You did! Was that — why?" she whispered.
Excerpted from The Mysterious Rider by Zane Grey. Copyright © 1998 Tom Doherty Associates, Inc.. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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About The Author
Zane Grey (1872 -1939) was known for his American frontier novels and in particular Riders of the Purple Sage (1912). Many of his books were later turned into Hollywood films and he eventually moved to California to be closer to his work in the film industry.
BOOKS BY ZANE GREY INCLUDE:
1. Betty Zane Trilogy (1903-1909)
2. Last of the Plainsmen (1908)
3. The Heritage of the Desert (1910)
4. Riders of the Purple Sage (1912), with the sequel The Rainbow Trail (1915)
5. Desert Gold (1913)
6. Light of the Western Stars (1914)
7. The Lone Star Ranger (1914)
8. The Border Legion (1916)
9. Wildfire (1917)
10. The U.P. Trail (1918)
11. The Desert of Wheat (1919)
12. The Man of the Forest (1920)
13. The Mysterious Rider (1921)
14. To The Last Man (1921)
15. Tales of Lonely Trails (1922)
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The story does bring to light the hard times back in those old days.. I enjoyed it...It was a good story..
This book is not formatted properly for nook. It's text is garbled and puctuation and format characters are visible. I also realized I read this book when I was a teenager. I liked it, but reading it as an adult (and others) I also realized that it also reflects the bigotry of the time it was written and befor. It's still a good read what
This ebook contains lots of jibberish. Literally. Something got lost in the translation. For instance, here is a direct quote: "...been three jrears ago. To-day girlish ordeals and seemed back in the past: she was a woman at nineteea and face to face with the first great problem in her life." There is no option for a 0 star rating.
Again,another excellent book by Z. Grey. But I can't begin to say what a poor job of transcribing it from novel form to an e-book. In places it was almost impossible to try and interpret the gibberish that was printed in the place of words.