Mystery and Manners: Occasional Prose

Overview

This bold and brilliant collection is a must for all readers, writers, and students of American literature

When she died in 1964, Flannery O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her lifetime. The brilliant pieces in Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the boldness and simplicity ...

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Mystery and Manners: Occasional Prose

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Overview

This bold and brilliant collection is a must for all readers, writers, and students of American literature

When she died in 1964, Flannery O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her lifetime. The brilliant pieces in Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the boldness and simplicity of her style, a fine-tuned wit, understated perspicacity, and profound faith.

     The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. There are three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two on teaching literature, including "Total Effect and the Eighth Grade"; and four on the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are gems. Their value to the contemporary reader—and writer—is inestimable.

A collection of unpublished essays and lectures, as well as a number of critical articles that appeared in various publications during the author's lifetime.

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Editorial Reviews

From the Publisher
"Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing."—John Leonard, The New York Times

"[O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South,' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius."—Alfred Kazin, The New York Times Book Review

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Product Details

  • ISBN-13: 9780374508043
  • Publisher: Farrar, Straus and Giroux
  • Publication date: 1/28/1969
  • Pages: 256
  • Sales rank: 193,424
  • Product dimensions: 5.48 (w) x 8.21 (h) x 0.69 (d)

Meet the Author

Flannery O'Connor was born in Savannah, Georgia, in 1925. When she died at the age of thirty-nine, America lost one of its most gifted writers at the height of her powers. O’Connor wrote two novels, Wise Blood (1952) and The Violent Bear It Away (1960), and two story collections, A Good Man Is Hard to Find (1955) and Everything That Rises Must Converge (1964). Her Complete Stories, published posthumously in 1972, won the National Book Award that year, and in a 2009 online poll it was voted as the best book to have won the award in the contest’s 60-year history. Her letters were published in The Habit of Being (1979). In 1988 the Library of America published her Collected Works; she was the first postwar writer to be so honored. O’Connor was educated at the Georgia State College for Women, studied writing at the Iowa Writers’ Workshop, and wrote much of Wise Blood at the Yaddo artists’ colony in upstate New York. She lived most of her adult life on her family’s ancestral farm, Andalusia, outside Milledgeville, Georgia.

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Table of Contents

Foreword

I

The King of the Birds

II

The Fiction Writer and His Country

Some Aspects of the Grotesque in Southern Fiction

The Regional Writer

III

The Nature and Aim of Fiction

Writing Short Stories

On Her Own Work

IV

The Teaching of Literature

Total Effect and the Eighth Grade

V

The Church and the Fiction Writer

Novelist and Believer

Catholic Novelists and Their Readers

The Catholic Novelist in the Protestant South

VI

Introduction to A Memoir of Mary Ann

Appendix

Notes

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