OVER RATED BOOK OF THE CENTURY
THE NAKED AND THE DEAD... VERY DEAD By Dave Kovacs A good novel tends to act like a permanent marker. Once it's rubbed onto you it will remain there for quite some time, and only after several days of scrubbing will it begin to fade. A good book might impress itself upon a person, leaving an emotional imprint, until the person reads another good book, or longer if invoked by memories. Norman Mailer's THE NAKED AND THE DEAD makes a desparate effort to make an imprint like that, but at the end of its 720 pages I feel only like a hand full of sand has passed over my arm and fallen to the ground, leaving no mark except a few grits stuck in between my finger nails. The main reason Mailer fails at acheiving anything in this book is because he tries too hard, failing to discriminate between brilliance and what Flaubert called 'clever tricks to avoid good writing'. And he does have moments of brilliance; had he edited the book he could have reduced it to pure brilliance, but he would have sacraficed several hundred pages. This would not have made the book the over-rated fodder it has become for pedants who believe a book's merit lies in it's length. If one can sit through several hundred pages there are a few verbal gems, but hardly enough to make it worth while. The story is set around the US invasion of the Japanesse Island of Anopopei. Perhaps the book's strongest point is the accurate detail Mailer works out concerning a military invasion (indeed, Mailed did serve in the army during WW2). But even this strength is a weakness, as the details often become pointless and long winded, leading the reader to skim scores of pages at a time just to find where the plot picks up again. But after about 300 pages one begins to realize the dreaded truth: There is no plot. It's just stories loosely tied together about characters that are difficult to remember, due to the unnecesary number of them as well as poor character development. The style, too, is muddled in an arrogant yet unsophisticated soup of words. Mailer makes no discrimibation towards sentence fragments, comma splices, or unorigial (if not inappropriate) adjectives. And he liberally starts sentences with conjunctions, regardless of need. The dialogue is also filled with futile tricks. He changes spellings of words in dialogue, but without point: 'lieutenant' is spelled 'lootenant', as though it made a difference. The pronoun 'I' becomes 'Ay', making the text all the more difficult to read. The themes of the novel are at best cliches. There is no moral ambiguity for Mailer, who sees the world primarily through stereotypes: soldiers are all vulgar killers; conservatives are essentially evil, while liberals are essentially good; every man and woman is adulterous; every Gentile an anti-semite. If Mailer took 720 pages to say war is bad, he could have at least said why, or explored some of the causes of violence. The attempts at subtleties are botched. In one scene a general's feelings while firing a cannon are described with very sexual imagery; as though it were not obvious enough, the General writes inhis journal in even more explicit and intentional sexual idioms. If you read Mailer's THE NAKED AND THE DEAD, you will find a few clever and original passages (describing the tired troops as 'envelopes of suffering' comes to mind), but you will have to sit through much tedium to enjoy these rare moments.
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Overview
Hailed as one of the finest novels to come out of the Second World War, The Naked and the Dead received unprecedented critical acclaim upon its publication and has since become part of the American canon. This fiftieth anniversary edition features a new introduction created especially doe the occasion by Norman Mailer.
Written in gritty, journalistic detail, the story follows an army platoon of foot soldiers who are fighting for the possession of the Japanese-held island of Anopopei. Composed in 1948, The Naked and the Dead is representative of the best in twentieth-century American writing.
The ...