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The Naked And The Undead / Edition 1

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Overview


Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil—both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire’s Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker’s Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others.
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Editorial Reviews

Kelly Oliver
Artfully shows what horror films can teach us about our own relation to evil, it various meanings, and its relation to the feminine.
Elizabeth Miller
Cynthia Freeland has succeeded in providing a thorough and comprehensive analysis of the horror film.
Carolyn Korsmeyer
Illuminates how the meanings of films emerge in cinematic and social context and presents an intriguing appraisal of the uneasy attraction and repulsion of popular horror films.
Choice
[B]rilliant ... provocative … insightful … precise.… Quite simply, Freeland has written a very good study of evil.
Sci-Fi
It's a pleasure to see the genre scrutinized by an intellectual who's not ashamed to reveal her fondness for monster movies and slasher films.
Science Fiction Studies
Critically sophisticated and exhaustive in its reference to contemporary media culture.
Martha C. Nussbaum
Freeland's rich cognitive account…takes us a big jump forward in understanding why horror movies fascinate, even as they repel us.
Robert C. Solomon
This is an excellent study.
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Product Details

  • ISBN-13: 9780813365633
  • Publisher: Westview Press
  • Publication date: 2/1/2002
  • Series: Thinking through Cinema Series
  • Edition description: REV
  • Edition number: 1
  • Pages: 340
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.90 (d)

Meet the Author


Cynthia Freeland is professor of philosophy at the University of Houston. She is author of But Is It Art?, co-editor of Philosophy and Film, and editor of Feminist Interpretations of Aristotle
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Table of Contents

Introduction
Frankenstein
Women and Bugs
Cronenberg
Vampires
Male Slashers
Female Slashers
Uncanny Horror
Graphic Horror
Epilogue
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